Mainstream country artist Camaron Ochs, known by her stage name as Cam, has been moved from the country-centric Sony imprint Arista Nashville, to the Sony-owned all-genre RCA Records out of New York, according to reports. Her profile page on Sony Music Nashville’s website has been removed.
The new deal brings Carrie Underwood full circle. In 1996, when Carrie Underwood was just 14, she had auditioned for Capitol Records. When the company was forging a contract with the fledgling star, the management at the company changed and the deal fell through.
What’s so strange about the news is Tim McGraw seemed to be doing so well on Big Machine after fleeing Curb Records. There was a lot of symbolism in McGraw moving to Big Machine after a lengthy court battle with Curb, which tried to keep him on the label indefinitely and was ruining his career.
Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .
Joey Feek admits she was naive about the business, and didn’t know what she was getting into. But like so many young artists, she was excited about starting her career, and willing to do whatever she could to land a major label deal and keep it. She put herself in the hands of the Sony staff, and hoped for the best.
The biopic chronicling the short but legendary life of Hillbilly Shakespeare Hank Williams has its distributor, and it is one of the titans of the film industry. Sony Classics has acquired the worldwide distribution rights to I Saw The Light, a movie based on the Hank Williams biography by Colin Escott, and written and directed by Marc Abraham.
Nashville’s and country music’s most influential record label is reportedly getting ready to be put up for sale according to a new report, and Taylor Swift’s 1989 album release and pending contract situation could have a big impact on it. Despite being a big label with many famous artist and significant subsidiaries, the Big Machine Label Group remains independently owned, operating through distribution deals.
1989, Big Machine Label Group, Big Machine Records, Florida Georgia Line, Justin Moore, Rascal Flatts, Reba McEntire, Red, Scott Borchetta, Sony, Taylor Swift, The Band Perry, Tim McGraw, Toby Keith, Universal Music Group
Brad Paisley has been making quite the spectacle on Twitter over the last two days, claiming to be leaking bits and pieces of his upcoming album Moonshine In The Trunk against the will of his label Sony Music. Or so he says. This Brad Paisley leaking episode is not him acting out against his label, it is pure marketing. Whether Sony was in on the ruse really is inconsequential.
Garth Brooks held a much-anticipated press conference on Thursday (7-10) to announce an upcoming world tour, new music on the way, and that for the first time his music will be released digitally. Though no specifics were given in regards to world tour dates, or a name or release date for the new album, Garth did allude that we may see the first new single in the next month or two.
The country music world is titillated with anticipation at what Garth Brooks might be announcing at his upcoming press conference on Thursday, July 10th, scheduled to stream live on his website at noon eastern. But the cat may already be out of the bag. Over the last few days there has been industry chatter that Garth may be announcing a deal with Sony Nashville.
Brad Paisley is the latest big name country star to get in a fight with his record label, and this one involves a sum of $10 million Paisley is looking for as reparations from Sony who allegedly has been cooking Brad’s books for years, short-changing the singer and guitar player for royalties. And Paisley isn’t alone when it comes to such claims against Sony.
Kellie Pickler’s 2012 album 100 Proof shocked the country music world with its bold, traditional sound and soulful compositions, so much so that Rolling Stone and Saving Country Music both named it the Album of the Year. Well Kellie is now back in the studio and wants folks to know that 100 Proof was not an aberration. We can expect the same type of authentic country sound on her next one.
I told you. Once Music Row figured out there is a HUGE group of disgruntled REAL country music fans out there with money to spend, they were going to start manufacturing their own “Outlaws,” fresh faced and focused grouped, ready to maximize their profits with fashion plate country. Well ladies and gentleman, I give you […]
Tis the season of ringing cash register bells and getting snowed. What is a would-be responsible consumer to do when it seems like everything you want to purchase is going to fund terrorists, polluters, or corporations that screw artists and homogenize the music? It all makes you want to get as shitfaced as a shopping […]