The dream of most every musician who has severed all ties to the civilian day job world and made that scarey plunge of becoming a professional artist is to eventually be discovered by someone who can help them make their dream into at least a stable, sustainable reality. The fairy-tale story of some unsigned, but unquestionably deserving artist getting discovered at a random show rarely comes true, but it did for Austin Lucas.
You may have been a little shocked to read the above title in reference to the wild-assed, ribald-laced, gonzo front man of the legendary West Coast punk rock band The Supersuckers, but die hard fans of Eddie Spaghetti don’t need to be sold on the idea that when Eddie wants to wipe the smirk off of his face, he can pen (or sing) a pretty heartfelt composition.
Notorious Supersuckers front man Eddie Spaghetti is back with a brand new solo country rock record out 6/18 on Bloodshot Records called The Value of Nothing, and for the first time for one of his loner country projects it includes all original tunes. The West Coast country punk rocker recorded the new album in his adopted hometown of Austin, TX with help from musician/zombie killer Jesse Dayton.
Fred Eaglesmith puts fresh-faced country music interlopers riding a popularity wave in their place in “Johnny Cash,” a song off of his 2012 release 6 Volts, and whose new video was just released this month. Eaglesmith chides the brittle, shallow understanding of Johnny Cash that starts with his American Recordings era, but overlooks his prolonged career struggles, and Johnny’s well-documented and deep religious devotion.
When you reflect back on many of the country music greats, they were people who seemed to be birthed right out of the country itself. Iris Dement is one of those artists, a genuine product of America’s rural textures, and a country music great despite the 16-year hiatus between albums of original material maybe causing a momentarily lapse in memory of her brilliance.
Today the nominees for the 2012 Americana Music Awards were announced. What struck me as I watched the presentation was how overtly cliquish the Americana Music Association has become, or continues to be, as they narrowcast out awards to the same pool of networked-in, dramatically-familiar, and specifically-focused artists that all tend to know each other, and carry the same politics.
The war vs. pop influences and progress in country music, and the purity yearned for by the traditional elements of the genre is almost as old as the genre itself. In an attempt to power through the rhetoric, here is a cool-headed attempt to explain some of the differences between the traditional and mainstream mindsets.
Alright, so we all had a good chuckle poking fun at the 6 Pop Country Archetypes, now let’s see what happens when I turn the poison pen towards the folks much more likely to frequent Saving Country Music; those folks that live on the fringes of the greater country music world.
Country has been the very last of the major genres to embrace the revitalization of vinyl, with one exception: Hank Williams III, who has been releasing his records on vinyl for years, and has his full catalog available in the format. In conjunction with Record Store Day this year, 700 limited-edition colored vinyl copies of his albums…
The sometimes rocking, sometimes countrified front man of the legendary Pacific Northwest band The Supersuckers, one Eddie Spaghetti, is ready to go with a new album release through Bloodshot Records called Sundowner on Feb. 15th. As one of the first bands to mix 80’s-style punk rock with country, The Supersuckers and Eddie Spaghetti live in a unique world where they have skins on the wall and respect from both the country and punk world.
Eddie Spaghetti, frontman for sometimes rock, sometimes country band The Supersuckers has signed a multi-album deal with Bloodshot Records, with a new album coming soon. From Spaghetti: “I am officially a signed artist again. I have taken my pen to paper and made a deal with the devil and it is my pleasure to announce […]
There is nothing I take more serious then putting my name behind an album as being the best of any calendar year. Unlike some organizations who hand out such things to whoever can sell the most albums or show the most teen spirit, I understand that Albums of the Year set a precedent, and will […]
The Devil Makes Three is one of those bands that I have had the privilege to watch go from cutting their teeth playing for small crowds in dive bars to being one of the best-drawing, most successful punk-inspired string bands on the West Coast. The Devil Makes Three was ahead of the curve so to […]
The Hardcore Troubadour, Steve Earle, is back with the follow up to his 2007 Grammy award winning Washington Square Serenade, but this time Earle takes on fifteen cuts from his hero, Townes Van Zandt. Simply entitled, Townes, the album is an array of songs most meaningful to Earle of the cult singer-songwriter. Earle once said […]