Hubbard was as important as anybody in the formation of the Austin music scene, but he was unfortunate enough to record his marquee release in Nashville. In a classic story involving Music Row, once MCA was done adding their over-produced elements to Ray Wylie Hubbard & The Cowboy Twinkies, Ray and The Twinkies wanted nothing to do with it.
Stevie Ray Vaughn
Down here in Texas they call him Wylie Lama. Musicians flock from all around the country and world to see if some of Hubbard’s songwriting prowess or production ear can rub off on them. And musicians from all over the spectrum. People like Hayes Carll, whose new album KMAG YOYO is getting tons off buzz, to The Black Crowes front man Chris Robinson.
It is not easy to capture the live energy a live band is known for in a recording, but To The Wind And On To Heaven does. I really wouldn’t characterize this project as “produced” or “slick” or “polished.” It is simply honest and fearless. And it is accessible. Listen, I know Th’ Legendary Shack Shakers or Those Poor Bastards are not for everyone, but when you hear Sunday Valley, you think, “Now THIS is what they should be playing on 98.1.”