‘Rolling Stone’ published a list of the The 100 Greatest Country Albums of All Time this week, and as per usual, it has many arguing its merits, omissions, and inclusions. There was a time when whatever Rolling Stone said was taken as the definitive word in music. These days it’s more polarizing.
Though the film means well, and is generally well-made with superb cinematography and high production value, the approach and information conveyed in the film is problematic to say the least, actively participating in erasing the legacy of Black country artists in a film that purports to be championing them.
On April 5th, Saving Country Music honored pioneering country artist Stoney Edwards on the 25th Anniversary of his passing, concluding in part, “His music should also be repopulated here in the digital age so that future generations can enjoy this pioneering country artist.”
Stoney’s career may have not been Hall of Fame worthy, but releasing six albums on a major country music label, and scoring Top 20 hits dispels the idea that the contributions of black artists in country music was resigned to just one individual.
Oh the irony of so many people demanding all music sound the same in the name of “diversity.” The only reason we’re even having a discussion of where Lil Nas X’s “Old Town Road” should be placed on the charts is because you can’t tell the difference between most any given piece of popular music anymore.