No matter what happens subsequently, Sturgill Simpson has left such an indelible mark on the legacy of country music, and music at large with his five album contribution over the last eight years (along with two bluegrass side projects), you can’t help but feel the need to tip you hat.
In this new album, Sturgill Simpson isn’t just fulfilling a promise to fans to cut a bluegrass record, he’s finding and settling into the next phase of his career, which is as a full-blown bluegrass musician. Simpson saved his most personal songs for ‘Cuttin’ Grass, Vol. 2 (The Cowboy Arms Sessions).’
Whether you remember her from her days on Rounder Records as one of the premier vocalists in bluegrass, or if she’s just now raising a blip on your radar, Alecia Nugent and her new album ‘The Old Side of Town’ is worth bending your ear towards.
With little room for noodling or improvisation, and not a ton of conversation or rehearsal before heading into the studio, Cuttin’ Grass is still finely crafted and deftly executed by all involved, offering good to excellent bluegrass renditions of Sturgill Simpson songs.
From the very beginning with the title track’s twin fiddle intro, until the very end with Lee Ann covering the Jack Clement-penned “Someone I Used to Know,” There’s More Where That Came From is a hands down, knockout, hardcore traditional country record full of heartbreak, cheating, fiddle and steel guitar.
Sturgill Simpson is such an enigma, to see his name crop up as the producer on the album from someone else is shocking and intriguing. Stugill has made a career out of saying “no” to reporters, industry professionals, and opportunities some artists would kill for. So how and why did he say “yes” to Tyler Childers?
Imagine a scenario where one of the very top artists of today, someone like Jason Aldean or Luke Bryan, wasn’t just actively not trying to be a part of the problem, but was doing things to troll the rest of the industry right under their noses while still holding one of those very top industry spots. That’s what Alan Jackson did throughout his commercial career.
The release has been delayed and the early reviews have been lackluster, but that won’t stop the creators of the Hank Williams biopic I Saw The Light starring Tom Hiddleston from releasing a soundtrack album for the upcoming movie. Set to arrive on March 25th—the same date the long-anticipated film will finally arrive in theaters—I Saw The Light…
Look, with all due respect to my great friends over in the Americana world, I want to annex Jim Lauderdale back to the cause of country music. By the (self-imposed) power vested in me, I plant a flag in his graying, shoulder-length hair and hereby decree he is country music’s property, only graciously on loan to Americana as an estranged and exiled refugee…
Al Perkins, Bobby Bare, Buddy Miller, Dennis Crouch, Elvis Costello, George Strait, I'm A Song, Jim Lauderdale, John Oates, Kenny Vaughan, Lee Ann Womack, Mark Chesnutt, Patty Loveless, Review, Robert Hunter, Stuart Duncan, The Grateful Dead
Lost among country music’s great concept albums was the 1999 offering from Marty called “The Pilgrim” released 15 years ago today. A commercial flop that was poorly-promoted but well-received by all the critics who happened to receive a copy, The Pilgrim produced no singles and no awards, but it wasn’t meant to. This was Marty Stuart flexing his creative muscles…
Barry Beckett, Earl Scruggs, Emmylou Harris, George Jones, Hank Williams III, Johnny Cash, Marty Stuart, Mike Campbell, Nitty Gritty Dirt Band, Pam Tillis, Ralph Stanley, Review, Stuart Duncan, Sturgill Simpson, the Pilgrim, Tom Petty, Willie Nelson