“Maybe domination isn’t quite a victory. Maybe everpresence isn’t quite a virtue,” Questlove ponders. “Once hip-hop culture is ubiquitous, it is also invisible. Once it’s everywhere, it is nowhere. What once offered resistance to mainstream culture…is now an integral part of the sullen dominant.”
In the last few years, cataloging the dizzying amount of names that have been associated with music that sometimes is fundamentally the same has become almost impossible, while true sonic variations on the 12 traditional genres abound.
Bogged down arguments about who is what, and what to call it feel so tired, unproductive, and irrelevant, and as the outmoded systems of music distribution and radio promotion continue to erode, classifying your music in one of the traditional 12 genres is becoming less necessary. . .
Chris Brown, Colt Ford, Darius Rucker, Jamey Johnson, Jason Aldean, Justin Bieber, Kevin Fowler, Kid Rock, Lady Antebellum, micro-genre, mono-genre, Rascal Flatts, super-genre, Taylor Swift, Tootsie's Orchid Lounge, XXX, Zac Brown Band