The limited series ‘George & Tammy: The Rise and Fall of Country Music’s King and Queen’ about the life and marriage of country legends Tammy Wynette and George Jones will premier on both Showtime and the Paramount Network. Starring Jessica Chastain as Tammy, and Michael Shannon as George.
T Bone Burnett
The limited series ‘George & Tammy’ about the life and marriage of country legends Tammy Wynette and George Jones is ready to begin filming in Wilmington, North Carolina. Starring Jessica Chastain as Tammy, and Michael Shannon as George, it’s based off of the 2013 book by Georgette Jones.
The limited series George & Tammy about the life and marriage of country legends Tammy Wynette and George Jones has found their person to portray The Possum. It had been previously announced that award-winning actress Jessica Chastain would be playing Tammy.
The two originally met and collaborated at a 2004 Lead Belly tribute concert at the Rock & Roll Hall of Fame singing the Lead Belly song “Black Girl.” They struck up a friendship over their mutual love for Ralph Stanley, and the rest was history.
“Vintage” is the only way to fairly catalog this self-titled release, with the influences of classic country, traditional pop, mod, and even a little early psychedelia appearing throughout these eleven tracks. If you’re thinking country, think more of Jim Reeves or early George Jones, and less Waylon Jennings. Think The Byrds meet Nashville.
It’s not just the fact that Logan Ledger’s voice sounds like a striking combination of George Jones and Dwight Yoakam, and that he could write songs to compliment it, it was about the team that had assembled around his talent, namely highly-decorated producer T Bone Burnett, and Rounder Records.
On September 8th, 2018, Saving Country Music warned you to remember the name Logan Ledger. Now some seven months later, we’re finally getting the first taste of what Logan Ledger is all about, and if anything, the hype hasn’t done it justice in a 2-song release of the tunes “Starlight” and “Imagining Raindrops.”
There was a time when we looked upon the drunken poet Hayes Carll, and the rugged cowboy Ryan Bingham, and saw the future of alt-country laid out right there before our very eyes. Both were outstanding as writers and performers. Both carried such promising futures. Both were signed to Lost Highway Records, which had the […]
After it was announced right before AmericanaFest that Nashville resident Logan Ledger was working with legendary producer T Bone Burnett and had signed to Rounder Records, he quickly became one of the artists people were putting on their radar to watch perform.
Over the last few years, there’s been two primary names that people in-the-know about the doings of true country music have been sliding Saving Country Music’s way and saying they’re ones to watch. The first name was Tyler Childers, and we all know how that turned out. The second is Logan Ledger.
When it comes to neotraditional singing duos, The Secret Sisters are regarded at the very top of the discipline. However that hasn’t exactly won them the fame and comfort that is usually reserved for the esteemed and elite of a medium.
We just didn’t have this kind of verification of the strength of Rhiannon Giddens’ vocal abilities until this project. Sometimes it takes someone else’s songs to really challenge a singer to where their limits are tested, and their utmost talents are expended trying to do a classic composition justice. That’s what makes Tomorrow Is My Turn such a worthy effort.
Fear and Saturday Night might be Bingham’s best album yet. This is an album of all peaks and no valleys. As the perfect experience for the classic rock buff hiding in every country and Americana fan, Bingham scrapes the grime off the sweaty denim of 70’s Stones and douses it with a little Dylan poetry set to grooves left in the residue of a Faces studio session and articulated with riffs that awaken the spirit of a freer time.
So who could step up of in the country music vocal duo space who could duel with the heavyweights of the mainstream, and offer more substance to that category like The Civil Wars did? Of course there will only be one Civil Wars and nobody will be able to replace them completely, but here are some ideas who could have a similar impact.
Bruce & Kelly Show, Bruce Robison, Carolina Story, Dave Rawlings, First Aid Kit, Gillian Werlch, Jayke Orvis, Kacey Musgraves, Kellie Willie, Kelly Willis and Bruce Robison, Mandolin Orange, Shovels & Rope, Simon & Garfunkel, T Bone Burnett, Taylor Swift, The Cactus Blossoms, The Church Sisters, The Everly Brothers, The Lovin Brothers, The Milk Carton Kids, The Secret Sisters, The Urban Pioneers
This is where Garth Brooks could shake up the country music industry beyond simply packing sold-out stadiums. There are reams of amazing songs out there going unheard, and Garth is one of the very few people with the star power to take these songs and make them hits. And this rising tide could raise all boats, taking an artist like Caitlyn Smith to the greater notoriety her talents deserve.
Ashley Monroe, Austin Lucas, Bob DiPiero, Brandy Clark, Brantley Gilbert, Caitlyn Smith, Cassadee Pope, Country Throwdown, Dolly Parton, Garth Brooks, Jason Aldean, Kenny Regers, Lady Antebellum, Lee Brice, Nashville, T Bone Burnett, Tacoma, Willie Nelson
Nikki Lane’s sound has always been somewhat hard to define. Her first album, 2011’s Walk of Shame was a rocking little number, just as much B-52’s as Buck Owens, and was country in the same way Nancy Sinatra’s “These Boots Are Made For Walking” is, with a dollish, throwback saunter to her style.
Produced by T Bone Burnett, the new Secret Sisters album called Put Your Needle Down—the sister duo’s first record in nearly four years—was produced by T Bone Burnett. T Bone Burnett produced this sophomore effort, and lending his efforts in a production role was T Bone Burnett. T Bone Burnett, T Bone Burnett, T Bone Burnett.
Sturgill Simpson’s “High Top Mountain.” Jason Isbell’s “Southeastern.” Lindi Ortega’s “Tin Star.” Though these artists are from different locales, and the genres they represent are varied shades of the country music theme, they all have one thing in common: a virtually unnoticed and rarely heralded behind-the-scenes producer named Dave Cobb.
ABC’s Wednesday night drama Nashville just entered its second season, and though like many network television dramas, the drama can feel over-the-top and contrived, the show’s impact on a wide range of issues that fall under the charge of Saving Country Music is undeniable, if not unprecedented. Though I wouldn’t necessarily recommend the show, it’s still important to understand Nashville’s impact.
Whenever I find myself thirsting for inspiration, I tend to search out the blessed gift that is the harmonies of sister pairings. Any two great singers can harmonize, but few can match the instinct and tone of two blood relatives, making the artform seem as effortless as breath. Following is a list of singing sisters who never cease to inspire.
Anderson Family Bluegrass, Asleep at the Wheel, First Aid Kit, Marty Stuart, Merle Haggard, Paige Anderson, Paige Anderson and the Fearless Kin, Ricky Skaggs, T Bone Burnett, The Carter Family, The Church Sisters, The Louvin Brothers, The Marty Stuart Show, The Quebe Sisters, The Secret Sisters, The Shook Twins, The Staves
Same Trailer, Different Park is the loss of corporate country’s innocence. It is a total flip of perspective from the fare the mainstream country public is used to. It’s an awakening, an awareness of an alternative set of ideas that dash the mores that keep radio country and its listeners locked in suffocating patterns that don’t allow the soul the space for self-exploration and growth.
One of the most remarkable music events of 2012 must be how Nashville and some of its biggest, most bloated and notorious corporate citizens did the inexplicable: they began to tackle the issue of the massive talent glut in American roots music. All of a sudden the big boys in the media business are playing a part in re-populating the country and roots music farm system that for years has been anemic and ignored.
So what positives could come from the show? If you take away all the drama between the characters that’s really the central focus of the series, what you have is the biggest inside look into the business of country music ever released to the public through popular media and a vehicle for presenting new music to millions of folks. The ugly trappings of Nashville go with out saying. Here are some of the positives.
Is it compelling? Sure. Is it right? Of course not. Will it result in either the increased exposure of good music, or the greater awareness of the issues plaguing mainstream country? Well have to see. But I remain skeptical. I would rather see Nashville attempt to fix their problems as opposed to try and make money off the drama they create. But of course, that doesn’t make for compelling television.
ABC, Big Machine Records, Callie Khouri, Del McCoury, Hayden Panettiere, Nashville, Nashville Television Show, Nashville TV Show, Ryman Auditorium, Scott Borchetta, T Bone Burnett, Tammy Wynette, The Grand Ole Opry