Not since Keith Urban have we witnessed an artist trying so transparently to defy their age, and grasp for radio relevancy. “Young As We Are Tonight” is just bad all around, from the writing to the production. And “Young As We Are Tonight” will not go anywhere.
Envision a day where all the current Top 40 country that classic country fans are incensed over is segregated into its own autonomous format, with its own radio stations, and potentially even its own awards, special events and festivals. And the same could happen for classic country. It could have it’s own place to not forget the past, and respect the roots of the genre.
In hopes of aligning themselves as the antithesis to the whole “bro-country” phenomenon gripping popular country music with its laundry list, truck and beer, mud-splashed and moonshine-soaked stereotyping, a couple of female artists have decided to adopt the new “bra-country” term to help separate the women from the bros.