In the late 80’s, there was a commercial for Pace Picante Sauce that featured a bunch of cowboys sitting around a campfire eating a chuck wagon dinner. When the cowboys ran out of Pace made in San Antonio (by folks who know what Picante sauce is supposed to taste like, the commercial proclaimed), the cook […]
Based out of Brooklyn, The Brother Brothers is the closest thing you can find to Simon & Garfunkel in this century, yet with a primitive country sound. Incredible singing, some of the sweetest fiddle playing and cello accompaniment I’ve heard, and songs that are amazing in their simplicity, and their ability to put rhyme and reason to complex human emotions.
Adam Moss, Ana Egge, Cactus Blossoms, Church Sisters, David Moss, Natalie Hemby, Session Americana, The Blue Hit, The Brother Brothers, The Defibulators, The Malpass Brothers, The Quebe Sisters, The Secret Sisters, Tugboat
The biggest takeaway from SXSW 2017 will be that for the first time since the very inception of the idea over 30 years ago, the annual music gathering experienced a palpable draw down in attendance and industry participation to a degree that it fundamentally changed many of the dynamics and rigors one must endure to attend.
A. Michael Uhlmann, Alice Wallace, All My Exes Live in Texas, Beth Lee and The Breakups, Billy Joe Shaver, Brennen Leigh, Brent Cobb, Brooklyn Country Cantina, Cale Tyson, Cary Baker, Croy and the Boys, Elle King, G&S Lounge, Giddy Ups, High Plaines Jamboree, Jenni Finlay, Jimmy Samon, John Conquest, Kelsey Waldon, Kem Watts, Leo Rondeau, Luck Reunion, Lukas Nelson, Lustre Pearl, Margo Price, Nate Boff, Noel McKay, Not SXSW, Parker Millsap, Paul Cauthen, Ray Wylie Hubbard, Sarah Shook, Shinyribs, Simon Flory, Spring Fling, Sunny Sweeney, SXSW, Teri Joyce, The Defibulators, The Wild Reeds, Threadgill's, Whitney Rose, Wide Open Country, Willie Nelson
For every officially-sanctioned event, there’s two more that squeeze in where they can and try to keep the original spirit of SXSW alive, including the now 8th Annual Brooklyn Country Cantina, which boasts a stacked 2016 lineup including Sam Outlaw, Daniel Romano, Possessed by Paul James, The Quebe Sisters, Mike and the Moonpies, and many more.
Saving Country Music was out and about Austin, TX and its outskirts over the past week or so as part of the annual South By Southwest (SXSW) gathering, pounding the pavement and looking for the next country music artist worthy of your ears that you may never otherwise hear about. In the coming months I look forward to taking some of these discoveries and sharing them with you.
American Aquarium, Brooklyn Country Cantina, Hurray For The Riff Raff, J.D. Wilkes, Legendary Shack Shakers, Lukas Nelson, Mickey Raphael, Nikki Lane, Old Crow Medicine Show, Sam Doores, Shovels & Rope, South by Southwest, Sturgill Simpson, SXSW, The Cactus Blossoms, The Defibulators, The Deslondes, The Dirt Daubers, Tim Easton, Willie Nelson, Willie Watson
Somewhat weird, certainly smart-assed, but seriously entertaining, The Defibulators from New York, New York have unleashed their latest album Debt’ll Get ‘Em, ripe for weird looks and rank misunderstanding, but filled with some really good times. The line between where the sarcasm ends and the seriousness begins with The Defibulators is hard to define, and they appear to like it that way.
Nope. And that’s how you know it’s good. If you like country, and I mean country, then Jonathan Parker’s They’ll Never Play My Songs In Nashville has you covered. This guy has a country growl that’s like Waylon Jennings mixed with the DNA of a hard-nosed bulldog. This is hard country, honky tonk music in its purest incantation. No frills, just lean forward and belt it out.
A reinterpretation of classic country in their own vision as opposed to the attempt at an accurate portrayal is what allows The Defibulators to separate their steer-horned emblem from the herd through substance and creativity. It also helps that they approach the music with a level of respect and admiration instead of seizing on it as fodder for irony. It’s music that gets it, for people that get it.