Whitney Rose’s “Rule 62″ (which by the way is “Don’t Take Yourself Too Damn Seriously”), is fun and fashionable in that throwback sort of way that’s the rage of independent roots circles at the moment, while also being bolstered by quality songwriting framed within a vintage era that still appeals to the modern perspective.
The Outlaw Country Cruise has just announced the lineup for their 3rd Annual voyage, and it’s a doozy. As opposed to leaving from Florida this year, the Outlaw Country Cruise’s Norwegian Pearl will set sail from New Orleans on its way to Costa Maya, Mexico and back, leaving on January 22nd, and returning January 28th.
Blackberry Smoke, Bottle Rockets, Dale Watson, Elizabeth Cook, Jason & the Scorchers, Jesse Dayton, Junior Brown, Kinky Friedman, Lucinda Williams, Mojo Nixon, Nikki Lane, Outlaw Country Cruise, Ray Wylie Hubbard, Rodney Crowell, Roger Alan Wade, Sarah Gayle Meech, SiriusXM, Sixthman, Steve Earle & The Dukes, The Mastersons, The Mavericks, The Supersuckers, Webb Wilder
Whitney Rose has relocated to Austin and can be regularly seen playing the famous haunts in the heart of Texas such as Austin’s Continental Club, and Luckenbach. Whitney Rose’s new EP ‘South Texas Suite’ finds her standing on her own two feet as producer, not just songwriter, and putting together what is tantamount to a love letter to her newfound home.
A bunch of lucky bastards will be congregating in southern Florida on Saturday, February 6th at the Magic City Casino in Miami for the Shore Leave Showdown, which dubs itself as a one-day “Southern Outlaw” festival, and includes one beefy lineup, not limited to The Mavericks, Ray Wylie Hubbard, Dale Watson, Robbie Fulks, Sarah Gayle Meech, The Kentucky Headhunters, and many more.
Dale Watson, Eddie Spaghetti, Jesse Dayton, Outlaw Country Cruise, Ray Wylie Hubbard, Robbie Fulks, Rosie Flores, Sarah Gayle Meech, Shore Leave Showdown, Steve Earle, The Kentucky Headhunters, The Mavericks, The Supersuckers, The Surreal McCoys, Willie Nelson, X
Timed to coincide with the Rock and Roll Hall of Fame announcement was the Cheap Trick news that they have a new album on the way called Bang Zoom Crazy…Hello. It will be the band’s 17th total album, and their first album in over five years. And it will be released on country music’s fastest-growing major label—Big Machine Records.
It’s a little hard to fathom that Chris Issak has never made a country record before. He combines the caramel singing and cool factor of Dwight Yoakam, the crooning capability of Raul Malo, and the lounge-like timelessness of Lyle Lovett into one smooth package that makes the felines swoon and the men hopping jealous. He’s a crooner whose styling cuts across all kinds of borders of taste and influence.
Willie Nelson is set to be honored by The Library of Congress and the Gershwin Prize for Popular Song on Wednesday, November 18th at Constitution Hall in Washington. The concert will be recorded and broadcast nationwide through PBS on Friday, January 16th, 2016. “It is an honor to be the next recipient of the Gershwin Prize. I appreciate it greatly,” Nelson says.
Alison Krauss, Billy Joel, Buckwheat Zydeco, Carole King, Edie Brickell, Gershwin Prize, Jamey Johnson, Lukas Nelson, Neil Young, Paul McCartney, Paul Simon, Raul Malo, Rosanne Cash, Stevie Wonder, The Mavericks, Willie Nelson
In San Francisco this weekend, the massive Hardly Strictly Bluegrass festival is going on, and The Mavericks took to the Banjo Stage on Friday afternoon for their set. For whatever reason, the security decided to be extra vigilant, and wasn’t allowing folks to dance some ten feet in front of the already apportioned-off area in front of the stage. But frontman Raul Malo was having none of it.
Sturgill rescheduled the dates to make it up to the communities he missed because of the cancellation, including one of the few available dates in Charlottesville at The Jefferson Theater—the same night as 2015’s Americana Music Awards. Sturgill had a choice, and it couldn’t have been an easy one.
Welcome ladies and gentlemen to Saving Country Music’s 2015 Americana Music Awards LIVE blog! As the festivities stream live from the Ryman Auditorium in Nashville, we’ll tag along to leave our observations, keep up with the winners, discuss the performances, and share what happened with the folks who missed it.
I don’t know what they’re lacing the Canadian municipal water supplies with these days that allows the great frozen north to churn out authentic country and roots artists worthy of ears in bumper crop fashion, but they better import some of that concoction down here to the States post haste because Canada is kicking our ass in cool new country artists per capita.
Whether you have already purchased your tickets or are planning to soon, or you’re sitting back and laughing at the idea of a bunch of “Outlaws” setting sail in a luxury liner outbound for the Cayman Islands, don’t lie to yourself and say that this isn’t something that you wouldn’t love to participate in if you could swing it. Out at sea with some of your favorite country artists surrounded by the beauty of the Caribbean?
Blackberry Smoke, Bobby Bare, Bobby Bare Jr., Elizabeth Cook, Johnny Cash, Lucinda Williams, Lukas Nelson, Mojo Nixon, Nikki Lane, Shooter Jennings, Steve Earle, The Band of Heathens, The Mavericks, Willie Nelson
During a phone interview Thursday afternoon (3-12) ahead of Scott Borchetta’s appearance on American Idol, he was asked to comment on the quotes from Sony Nashville CEO Gary Overton who said a couple of weeks ago, “If you’re not on country radio, you don’t exist.” Not only did Borchetta somewhat disagree with Overton’s assessment as being “very broad,” he cited Sturgill Simpson…
“My name is Aaron Watson. I’m not played on country radio. And I have the #1 record in country music this week. I do exist.” This was Aaron Watson’s reaction to the comments of Sony Records Nashville CEO Gary Overton, who said earlier this week, “If you’re not on country radio, you don’t exist.” But overall the Texas country star took a much more humble, appreciative, and inclusive tone.
Listening to the first song from the album “All Night Long,” you might be mistaken that Mono starts off right where In Time ends, but in reality if there’s any one most dominant influence on the new effort it would be Jamaican ska. The style that emphasizes the two and four of the beat is called upon in multiple tracks during ‘Mono.’ But this isn’t a ska album, or a Latin album. It’s a Mavericks album.
Who will be releasing new albums in 2015? What are some of the most-anticipated projects? What are the rumors swirling out there about new albums that may be coming down the pike? Here’s a rundown of upcoming projects from artists recommended by Saving Country Music that you can look forward to in 2015. Please feel free to leave your thoughts about what you’re excited about being released.
Independent music fans love to say “90% of what they play on the radio is crap!” Well then it would stand to reason that 10% actually has some value. And in the interest of pragmatism and inclusiveness that is vital to the charge of Saving Country Music, it is important to not ignore when Music Row and mainstream artists get it right, but to celebrate these moments.
Brett Eldredge, Bridges, Caitlyn Smith, Carrie Underwood, Dave Grohl, Dierks Bentley, Dirt, Eric Paslay, Everything To You, Florida Georgia Line, Garth Brooks, Jon Pardi, Kellie Pickler, Maddie & Tae, Man Against Machine, Mary Sarah, Riser, Something In The Water, The Grohl Sessions Vol. 1, The Mavericks, Tim McGraw, Zac Brown Band
Saving Country Music’s 2013 Album of the Year was not Jason Isbell’s breathtaking Southeastern, or Sturgill Simpson’s breakout High Top Mountain, but the comeback record from the Latin-inspired Raul Malo and The Mavericks called “In Time.” Now The Mavericks have announced that they’ve been in the studio again and will release the followup to In Time called “Mono.”
In Time is not simply the best album in country music in 2013, it is arguably one of the best, if not the best album in all of American music, and for it not to win the day in it’s home genre of country music would be a silly oversight, and tough to justify as In Time only becomes fortified by the test of time, divested from trend or taste as it is, and embedded with such universal appeal.
Saving Country Music’s Artist of the Year, just like the Song of the Year and Album of the Year, is designed to eventually resolve down to one. But this is not always the case. It seems irresponsible to supplant one for the other because of some silly notion that you can only have one. Such is the case here in 2013 when handing out the honor meant to not just highlight the music, but the man or woman behind it.