During a phone interview Thursday afternoon (3-12) ahead of Scott Borchetta’s appearance on American Idol, he was asked to comment on the quotes from Sony Nashville CEO Gary Overton who said a couple of weeks ago, “If you’re not on country radio, you don’t exist.” Not only did Borchetta somewhat disagree with Overton’s assessment as being “very broad,” he cited Sturgill Simpson…
“My name is Aaron Watson. I’m not played on country radio. And I have the #1 record in country music this week. I do exist.” This was Aaron Watson’s reaction to the comments of Sony Records Nashville CEO Gary Overton, who said earlier this week, “If you’re not on country radio, you don’t exist.” But overall the Texas country star took a much more humble, appreciative, and inclusive tone.
Listening to the first song from the album “All Night Long,” you might be mistaken that Mono starts off right where In Time ends, but in reality if there’s any one most dominant influence on the new effort it would be Jamaican ska. The style that emphasizes the two and four of the beat is called upon in multiple tracks during ‘Mono.’ But this isn’t a ska album, or a Latin album. It’s a Mavericks album.
Who will be releasing new albums in 2015? What are some of the most-anticipated projects? What are the rumors swirling out there about new albums that may be coming down the pike? Here’s a rundown of upcoming projects from artists recommended by Saving Country Music that you can look forward to in 2015. Please feel free to leave your thoughts about what you’re excited about being released.
Independent music fans love to say “90% of what they play on the radio is crap!” Well then it would stand to reason that 10% actually has some value. And in the interest of pragmatism and inclusiveness that is vital to the charge of Saving Country Music, it is important to not ignore when Music Row and mainstream artists get it right, but to celebrate these moments.
Brett Eldredge, Bridges, Caitlyn Smith, Carrie Underwood, Dave Grohl, Dierks Bentley, Dirt, Eric Paslay, Everything To You, Florida Georgia Line, Garth Brooks, Jon Pardi, Kellie Pickler, Maddie & Tae, Man Against Machine, Mary Sarah, Riser, Something In The Water, The Grohl Sessions Vol. 1, The Mavericks, Tim McGraw, Zac Brown Band
Saving Country Music’s 2013 Album of the Year was not Jason Isbell’s breathtaking Southeastern, or Sturgill Simpson’s breakout High Top Mountain, but the comeback record from the Latin-inspired Raul Malo and The Mavericks called “In Time.” Now The Mavericks have announced that they’ve been in the studio again and will release the followup to In Time called “Mono.”
In Time is not simply the best album in country music in 2013, it is arguably one of the best, if not the best album in all of American music, and for it not to win the day in it’s home genre of country music would be a silly oversight, and tough to justify as In Time only becomes fortified by the test of time, divested from trend or taste as it is, and embedded with such universal appeal.
Saving Country Music’s Artist of the Year, just like the Song of the Year and Album of the Year, is designed to eventually resolve down to one. But this is not always the case. It seems irresponsible to supplant one for the other because of some silly notion that you can only have one. Such is the case here in 2013 when handing out the honor meant to not just highlight the music, but the man or woman behind it.
The greatest album, and the greatest recorded song will never be able to trump the truly live musical experience where music is shared in real time with both the artist and listeners. It is in this spirit that each year I assemble a list of the Best Live Performances to reinforce that as technology and the busying of life incrementally encroach upon us, we must remember that the live music show deserves its own attention and reverence.
.357 String Band, 2013, American Aquarium, Andrew Bird, Austin City Limits, Best Live Performances, Bob Wayne, Dirty River Boys, Eric Church, Gruene Hall, Hellbound Glory, James Hunnicutt, Jared McGovern, Jason Eady, Jason Isbell, Jayke Orvis, LeAnn Rimes, Lee Bains III & The Glory Fires, Lincoln Durham, Liz Sloan, Patsy Cline, Pickathon, Punch Brothers, Red 11, The Crooks, The Mavericks, The White Horse, Tift Merritt, Turnpike Troubadours, Valerie June, XSXSW
Watching The Mavericks take the humble, but prestigious Gruene Hall stage, you have to remind yourself that at one time The Mavericks were the biggest group in country music, taking home the Vocal Group of the Year from both the CMA and ACM in 1995. At the same time, this is in no shape or form a band on the skids, or one riding off of their past glory days. The Mavericks feel as relevant and as fresh as they ever have.
2013 has been self-proclaimed by Saving Country Music as the “Year of the Songwriter,” and this list of candidates for SCM’s Album of the Year reflect that dynamic of an elevated bar of songwriting excellence that these 8 artists have set. There is no arbitrary number of slots for candidates for this award. Nominees are chosen only if they have a legitimate chance of winning…
12 Stories, 2013, album of the year, Austin Lucas, best albums, Brandy Clark, Brent Amaker & The Rodeo, Caitlin Rose The Stand-In, Eric Strickland, Gone Away Backward, High Top Mountain, In The Throes, In Time, Jason Isbell, Jayke Orvis, John Moreland, Lindi Ortega, Possessed by Paul James, Robbie Fulks, Southeastern, Sturgill Simpson, The Mavericks, The White Buffalo, Year of the Dragon
It’s so easy to get swept up in stereotyping mainstream country as being completely void of anything worth your time these days, but in truth there’s still a lot of great music in the popular music world, however a small percentage it might be of the total package. Saying the mainstream has nothing good to offer is narrowing your musical experience no different than saying that music is bad because it’s not popular.
Alan Jackson, Ashley Monroe, Dierks Bentley, Easton Corbin, Eric Church, Gary Allan, George Strait, Jamey Johnson, Joey + Rory, Kacey Musgraves, Kellie Pickler, Luke Bryan, Miranda Lambert, Pistol Annies, Reba, Taylor Swift, The Mavericks, Vince Gill, Zac Brown Band
Yes ladies and gentlemen, that is a picture of Hank Williams performing live on The Grand Ole Opry with the word “DUMMY” emboldened in all caps across his chest from the CMT Awards. Later in the week, Lenny Kravitz chided the crowd for “not being able to get with love” before, ironically, exited the stage while flipping double birds with his back turned to the crowd.
Take the West Coast country coolness of Dwight Yoakam, the haunting tremolo of Roy Orbison, the sweaty rhythms of Los Lobos, and what you get is Miami’s indescribable and enigmatic throwback old-school all-things-to-all-people house band for America known as The Mavericks. “In Time” might be the best album in their nearly 25-year history, and its one of the best put out so far in 2013.
I first used the phrase “Country Music Antichrist” in reference to Big Machine Records CEO Scott Borchetta about 2 1/2 years ago. I’d like to hold my chin high and say I was being prophetic, but in truth at the time I just thought it was a nasty way to label the guy primarily responsible for the rise of Taylor Swift. Little did I know Borchetta would become one of the most powerful men in all of music.
Big Machine Records, Brantley Gilbert, Clear Channel, Eli Young Band, Jack Ingram, Martina McBride, Rascal Flatts, RCA, Reba McEntire, Republic Nashville, Scott Borchetta, Sunny Sweeny, Taylor Swift, The Band Perry, The Mavericks, Tim McGraw, Toby Keith, Valory Music Group