The 70-minute film ‘Nothing Stays The Same: The Story of the Saxon Pub’ might be about a specific venue in Austin. But even if you’ve never been to Austin, the film offers a great encapsulation of why it’s so critical to preserve these performance spaces.
For 30 years Austin has been officially nicknamed the Live Music Capital of the World. However for years the city’s music scene has been experiencing dramatic contraction, and now with a mediocre COVID-19 response, it could lose the moniker.
Austin, TX is losing yet another music legend. The latest to join the stampede out of the Live Music Capital of the World is Grammy winner and guitar-playing legend Redd Volkaert. Renown throughout the country music world and beyond for being one of the greatest Telecaster players in history, Volkaert once played in Merle Haggard’s band.
The biggest takeaway from SXSW 2017 will be that for the first time since the very inception of the idea over 30 years ago, the annual music gathering experienced a palpable draw down in attendance and industry participation to a degree that it fundamentally changed many of the dynamics and rigors one must endure to attend.
A. Michael Uhlmann, Alice Wallace, All My Exes Live in Texas, Beth Lee and The Breakups, Billy Joe Shaver, Brennen Leigh, Brent Cobb, Brooklyn Country Cantina, Cale Tyson, Cary Baker, Croy and the Boys, Elle King, G&S Lounge, Giddy Ups, High Plaines Jamboree, Jenni Finlay, Jimmy Samon, John Conquest, Kelsey Waldon, Kem Watts, Leo Rondeau, Luck Reunion, Lukas Nelson, Lustre Pearl, Margo Price, Nate Boff, Noel McKay, Not SXSW, Parker Millsap, Paul Cauthen, Ray Wylie Hubbard, Sarah Shook, Shinyribs, Simon Flory, Spring Fling, Sunny Sweeney, SXSW, Teri Joyce, The Defibulators, The Wild Reeds, Threadgill's, Whitney Rose, Wide Open Country, Willie Nelson