It’s a remarkable achievement that an album like this was even made under the otherwise repressive jurisdiction of the Music Row system in Nashville. No, you should not consider this like a conventional album release by Ashley McBryde, meaning a succession of potential radio singles and album cuts.
So often identity-based media coverage and awards are not about the artists themselves. These media members, outlets, and awards institutions use these artists as tokens and sometimes unwitting pawns to signal their virtue to the public and their peers in the industry.
You’ve gotta love it when major label country artists get off their guard and actually say what they want to say. Even many of the artists responsible for the worst atrocities against country music know that many of the songs are garbage. They also happen to know who butters their bread and when to lock lips and say the right things.