There’s nothing more unnerving for music fans to hear about than a musician having their livelihood potentially taken away at the hands of a petty thief. And there’s nothing more rewarding than to hear when those thieves get caught. Three houses full of stolen property totaling some 800 items were recently recovered in St. Louis.
Two Cow Garage
“Deadman’s Blues” went on to be named Saving Country Music’s Song of the Year in 2013, and received similar praise from other attentive periodicals. Matt Woods did what every songwriter yearns to do whenever they put pen to paper: make a deep, emotional connection with the rest of the world. But “Deadman’s Blues” was just one song. Would he, could he match it in a full album?
There are songwriters, and then there are songwriters; those folks that so effortlessly set words to the moods and moments of life and that can make you weep like a baby or wildly happy to be alive. These songwriters are there for us, creating a soundtrack for our most enduring memories, making the most of the life experience by enhancing it with music.
When I sat down to name the top 10 live performances of 2011 as seen through my eyes, I didn’t know what a mess I was making for myself, and it wasn’t until then that I realized what a power packed year for live music it has been. My 10 stretched to 15 fast, and I’m still leaving many live acts out.
2011’s installment of The Revival Festival in Austin, TX by many measurables was a rousing success. Putting together the headliners of Hank Williams III and The Reverend Horton Heat, they created a festival that didn’t appeal to just one demographic, and they were rewarded by the biggest attendance The Revival Fest has seen. Revival Fest also facilitated May 28th being officially deemed “Rockabilly Revival Day” in Austin, TX by the mayor.
Schnabel has the bravery to delve to places in the human soul most folks are way too afraid to go; the shit that we all push down and compartmentalize in ourselves, the ugly parts and the fears that we are unwilling to acknowledge. That stuff is Micah’s commodity. He expels it into a big bucket, and then with wide, careless swaths, paints huge, chaotic landscapes with it…
South by Southwest last year was my first full on experience with the event that brings over 8,000 bands from all over the world to Austin for 5 days of musical mayhem, and it went great. With proper pacing and maybe a little luck, I got everything out of the experience I could ever want. 2011 was one of those experiences you hear many people talk about that is proceeded by “…and I will never go back.”
Despite my SXSW preview blogs being horrifically under-read, and misunderstood as boastful bragging pieces about what others can’t experience instead of creative ways to promote artists I may otherwise not be able to talk about, and despite Saving Country Music being eaten by Facebook, ripped in half by XXX, and the last vestiges of readers descending into pointless polarized rants about Hank III and Jamey Johnson…