Taylor Swift: “I Love Jason Isbell.” “Cover Me Up” Becomes a Standard
There was a time in music where quality songs, regardless of where they came from, would find their way through the music system and ultimately rise to the top and stay there for an extended period, often being covered by numerous artists and sometimes becoming big hits—songs regularly referred to as “standards.” In today’s fractured and often shallow culture, standards generally feel like a thing of the past. The celebrity status of the performer appears to be the most important thing to people, not the songs they sing.
A song that would pass for a standard these days would be something like Old Crow Medicine Show’s “Wagon Wheel.” It was covered by many and eventually became a big hit for Darius Rucker. But that song’s been so worn out, people are tired of hearing about it. A better example might be “Tennessee Whiskey,” which was a quality song for David Allan Coe in 1981, then became a hit for George Jones in 1983, then was an even bigger hit for Chris Stapleton in 2015. Here four years later, “Tennessee Whiskey” is surprisingly still one of the biggest songs in country when it comes to streaming numbers and downloads.
But these are the exceptions, not the rule. Standards just feel like a thing of the past. But there’s another song that appears to not only be withstanding the test of time, but slowly growing in popularity and stature to where it’s beginning to feel like it should be considered a legitimate standard of country and Americana music. We’re talking about Jason Isbell’s “Cover Me Up.” It was the first song on Isbell’s breakout record from 2013, Southeastern.
The Zac Brown Band was the first mainstream act to recognize the power of the song, and recorded it acoustic style for a Spotify exclusive back in 2017. Then the mullet-headed Morgan Wallen of all people covered it earlier in 2019, first as an acoustic video that went viral, and based off that reception, Wallen recorded a studio version that actually charted at #46 on the Billboard Hot Country Songs chart, even with little promotion behind it. Then Rodney Atkins got in on the act, cutting the song as part of his 2019 album called Caught Up in the Country released in May.
On NBC’s The Voice Monday night (10-28), a contestant named Jake Hoot performed “Cover Me Up” as part of the singing show. For some independent music fans, it may feel like a clashing of worlds, similar to when a Cody Jinks song appeared on American Idol. Taylor Swift, who was acting as a coach on the episode, even remarked “I love Jason Isbell,” when Jake Hoot said he was covering “Cover Me Up.” That’s right, Taylor Swift has now given Jason Isbell a ringing endorsement (at the 1:15 mark of this video).
The power of Jason Isbell’s “Cover Me Up” is undeniable. And though Isbell’s dedicated fans will never feel comfortable with the song being sung by anyone but Jason as wife Amanda Shires stands at his side, it’s obviously something the resonates deeply among general audiences. There was a time when compositions from artists like Guy Clark, or John Prine, or Dean Dillon (who co-wrote “Tennessee Whiskey”) would regularly find their place among popular music simply from the power of the song. “Cover Me Up” rising from vast catalog of modern music to become a standard is a good sign of the re-emergence of quality back into the mainstream.
Jason Isbell recently concluded his yearly sold-out residency at the Ryman Auditorium, and announced at his final show on October 26th that he’s heading into the studio in December to record a new album. Isbell is one of the few truly independent stars who’s found mainstream acceptance. His last record The Nashville Sound from 2017 was nominated for a CMA Award—something many Isbell and independent fans never thought possible. But they probably never thought it possible that “Cover Me Up” would be performed on primetime television either. But that is the power of the song.
October 30, 2019 @ 8:29 am
There seems to be a certain stigma these days that artists can’t perform other artists’s songs unless it’s a one off live cover. I wonder why that is.
October 30, 2019 @ 11:54 am
This is totally ironic considering most artist these either don’t write their own material or have like 506 co-writes on every song.
October 30, 2019 @ 8:33 am
You certainly hope that good songs still push through the noise. And that when one of “ours” gets national exposure, we celebrate it.
October 30, 2019 @ 8:39 am
Morgan Wallen’s Cover Me Up >>> all others
October 30, 2019 @ 9:18 am
No way. At least not the studio version – the autotune ruins it.
I’m glad more people are getting to hear a great song, but Isbell’s version is the best.
October 30, 2019 @ 10:21 am
Pump the brakes there, Kemosabe
October 30, 2019 @ 11:13 am
Presumably “Non-Isbell category” is implied?
October 30, 2019 @ 1:06 pm
Hahahahahahaha…….. this song is a f@&$ing masterpiece. Jason is one of, if not the best singer/songwriter of my generation. Morgan’s cover was like Ralph Wiggum walking into the Louve and drawing a mustache and devil horns on the Mona Lisa.
October 30, 2019 @ 1:30 pm
No doubt, but Wallen sings it better. Which is weird to say about the guy who does Up Down.
November 1, 2019 @ 10:07 am
…nah.
The way Isbell’s voice breaks on the high notes is a feature, not a flaw.
November 1, 2019 @ 5:58 pm
That entire Isbell album is Gold. Idk who sings any of it they cant touch Isbell
October 31, 2019 @ 8:41 am
Can you dislike a comment on here?
November 1, 2019 @ 9:17 am
A lot of people get the greater-than (>) and lesser-than ( 1.
October 30, 2019 @ 8:40 am
Too bad Isbell turned down The Voice’s audition invitation back in 2014!
October 30, 2019 @ 10:07 am
Glad he didn’t! Did not need a boost from a reality show!!!
October 31, 2019 @ 8:06 am
sarcasm much?
October 30, 2019 @ 8:54 am
I just revisited that album on a road trip last week and I still love it. Some of our Americana “darlings” write the boringest melodies imaginable, but Cover Me Up is a favorite of mine.
October 30, 2019 @ 10:09 am
I listened to Southeastern a few weeks back while cutting grass. “New South Wales” has been in my regular rotation ever since. One of those tracks I’ve never given much thought to, but that time it stuck with me.
November 1, 2019 @ 6:05 pm
Funny how that happens sometimes. You can here a song 10x without a second thought then one day it just hits you different
October 30, 2019 @ 9:02 am
I feel like if it was any other song, I’d say, cool, fair enough. But for some reason, a bunch of schmucks covering this particular Isbell song makes me angry. Maybe I’m just in a bad mood.
October 30, 2019 @ 10:50 am
Probably because it’s such a personal song.
October 30, 2019 @ 9:06 am
That’s a song and a half right there. Isbell’s words cut so deep I find myself having to mix his songs in with others because his albums are just too much to handle alone.
October 30, 2019 @ 9:16 am
If you want to be fightin’ mad, listen to Rodney Atkins’ version. It. Is. Atrocious. His voice sounds lifeless, and then he adds “Sugar, cover me up” into the last chorus. It made a complete mockery of the song’s content. I was so furious when I heard it.
Literally the only criticism to be had of Morgan Wallen’s cover is that, when asked what the song means in an interview, his answer was so wrong you just had to laugh.
October 30, 2019 @ 9:38 am
He was already nominated for a Grammy at that time, but yea…he should have done a reality singing show. K, bud.
October 30, 2019 @ 9:45 am
Isbell and Duane Betts are featured together on North Mississippi Allstars new album Up an Rolling. Songs called Mean Old World. It’s got a cool blues/southern rock sound to it. Would be cool to see those two do a full album together.
October 30, 2019 @ 11:01 am
I saw Isbell for the first time a couple of weeks after Southeastern came out and before I heard the record. At the time I did not think it was possible that he could ever write a song better than Goddamn Lonely Love. When he played Cover Me Up I changed my mind. It was so good I was almost afraid to listen to it ever again.
While I have no use for any of these cover versions, I think I would be more upset if no one else covered it.
October 30, 2019 @ 11:39 am
I kinda wish Outfit would be covered by a mainstream country artist. To me that really is the perfect and emblematic country song in so many ways.
October 30, 2019 @ 11:56 am
Listen I already know how this is going to sound, I am WAY ahead you. I also understand shows want ratings and Taylor Swift likes money but I can’t read this without thinking, Taylor Swift is the last person I think should be giving singing lessons with her mediocre at best voice.
But yeah I agree the song is good and I think 20 years we will see a new crop of standards. Sturgill Simpson covered The Promise and gave it new life.
November 1, 2019 @ 10:11 am
Eh.
She does a good job of working within her limitations, and making them work for her.
October 30, 2019 @ 1:20 pm
Nobody does cover me up better than Morgan wallen,period.
October 30, 2019 @ 4:49 pm
Ahh, no.
January 15, 2020 @ 10:18 pm
He doesn’t even know what the song is about!
October 30, 2019 @ 1:51 pm
Ok I had to go seek out this Morgan Wallen cover after some of these comments. I swear I left my bias behind because it’s a beautiful song and if someone truly sings it better, maybe I could at least use it as a gateway for people who could use a gateway. NOPE! Starts off ok, but it just sounds emotionless. and especially the chorus is not good at all to my ears. I don’t know what some of you are hearing with the “he sings it way better” comments. Hey we all appreciate different things I guess, but I’m confused by these comments.
October 30, 2019 @ 2:53 pm
The first version you hear of a song is always going to be your favorite, especially if you really love the song and connect with it. That’s why it’s always perilous for artists to re-record their songs. If the first version you heard was Jason Isbell, nobody will ever beat it. If the first time you heard it was Morgan Wallen, that is what’s going to sound superior. If Rodney Atkins was your introduction, well, you probably didn’t care for the song either way.
There is no right or wrong answer here. The most important thing to note is that the song is resonating with lots of people, and across the cultural divide due to multiple artists covering it. That proves the song isn’t just a song, it’s a “standard.”
October 30, 2019 @ 5:37 pm
I don’t know man…just about every version of Hallelujah (speaking of standards) is better than Leonard Cohen’s – IMO of course. Brandi Carlile topping that list, by my taste anyway.
October 30, 2019 @ 7:31 pm
Yeah just like Ronnie Dunn is a better singer than Strait but i much prefer George’s Amarillo By Morning over Ronnie’s cover.
October 30, 2019 @ 8:00 pm
Yeah, but …
What if Porky Pig sang the first version you heard?
I actually liked Porky’s version of Fire, better than the Pointer Sisters …
October 31, 2019 @ 8:22 am
IMO, Robin Williams doing Elmer Fudd, singing Bruce Springsteen’s Fire is the best.
October 31, 2019 @ 9:01 am
Had to laugh this morning, while getting ready to head North.
Thought, did i actually type Porky Pig?
Meant Elmer Fudd, singing Fire.
Met scuba/spearfishing buds at the Columbia on Sand Key, for dinner last night.
After 2 glasses of Pinot Noir, was just sure it was Porky.
My bad
October 30, 2019 @ 9:46 pm
Jason has multiple versions available. Far superior to any cover.
October 30, 2019 @ 4:28 pm
I think a lot of singers, especially male country singers with aspirations to the mainstream, have a preconcieved notion of what a country singer should sound like, and it causes them to attack a song by enunciating every syllable to show of their countriness. There’s something of that in Morgan Wallen’s version – I find it too much. Even in the way he goes higher on ‘all I needed was more’ is too much: it lessens the contrast between the relative quietness of the first four lines and when it burts into ‘days when we raged’ etc. I do agree with the fundamental point of this article, though.
October 30, 2019 @ 3:00 pm
SOUTHEASTERN is an amazing album but Godamn, it can be devastating! I feel like i get hypnotized listening and almost always go through it two or three times before taking it out. However, when you need it, it’s there for you! There are very few whole albums that strike that tone and don’t come off as whiny or self centered. Or end up just being depressing or sad with no redemptive quality. SE manages to keep the sincerity front and center without falling back on the “sad bastard” element and I always feel fulfilled after listening, even if I can’t manage it but a few times a year. ‘Cover me up” is the perfect example of an almost painfully vulnerable song that doesn’t rely on self pity or platitudes and ultimately leaves a warm feeling after listening. This is an art Isbell has mastered like few others ever have. I’m glad others are playing his stuff and spreading it around, bc he is absolutely deserving of it but I don’t think I could ever imagine liking a cover of his song more than him doing it.
October 30, 2019 @ 3:42 pm
I have nothing bad to say bout Isbell. I get it. The real deal, but he depresses me way more than he lifts me. It is devastating to me. I listen to him much much less than others because of this..
October 30, 2019 @ 6:21 pm
I hear ya. It took me a while to dive into his stuff for that very reason but once I did, it got to me. I know quite a few folks who had the same kinda experience. I kinda feel about him about how I do with a lot of Townes’s stuff. It’s gut wrenching, but when Im in that mood, it’s a place to go. It’s emotionally hard but poetically beautiful. I feel a little more of a redemption quality to Isbell’s stuff than much of the straight up downtrodden country songs/artists that I love. But yeah, it can be a bit of a gut punch and definitely not for a lot of moods.
October 30, 2019 @ 5:47 pm
Taylor Swift endorses a ‘ country ‘ song, and I’m supposed to be impressed? Not very likely. She’s a fraud, just like Shania Twain, Carrie Underwood, and a lot of other singers. If they were honest and said, ” I’m a pop singer ” or even ” I’m just a singer ” , I could live with that. I’m going to catch 9 kinds of hell for this, but that’s my call. I’m a huge fan of traditional country music, which is apparently taboo these days. BFD.
October 30, 2019 @ 8:03 pm
Taylor Swift didn’t endorse the song, she endorsed Jason Isbell. I thought it was an interesting note. The codifying of “Cover Me Up” as a standard I think is the important takeaway here. Would have been weird to mention all this, and not mention Taylor’s endorsement. Whatever anyone thinks about it, it does seem noteworthy.
November 1, 2019 @ 7:13 am
At least she didn’t identify it as Morgan Wallen’s song, so there’s that.
October 30, 2019 @ 7:10 pm
I didn’t think I could love Cover Me Up more than Jason’s original version, but then I saw him perform it live at the KettleHouse Amphitheater in MT. There was a drum thing toward the end and I swear my soul left my body.
October 31, 2019 @ 6:13 am
Chad Gamble coming in on the timpani live just sends chills down my spine.
October 31, 2019 @ 8:40 am
Yessir. It is a stirring moment and an absolute highlight of his live show.
If he still does it. It’s been a minute since I’ve seen him.
November 1, 2019 @ 10:15 am
When I saw him in 2017, it brought the whole place down.
October 30, 2019 @ 9:00 pm
Jason is the complete package. He is a fine musician, as well as a top tier songwriter. IMHO, joining the Drive-by-Truckers in his early twenties is a major reason for his success. When you’re band mates are Mike Cooley and Patterson Hood, the bar for songwriting was already set at stratospheric heights for Isbell. But, boy, he met that challenge, and then some. With Isbell, that band was a three-headed songwriting monster/machine. Thankfully, Hood and Cooley, both of them more than ten years his senior, made the difficult decision to kick him out before he damaged himself beyond repair.
October 31, 2019 @ 1:13 am
I got a text from my daughter a few weeks ago. She had heard a song that had blown here away. So she got out her long neglected violin and started working on it. It of course was Cover Me Up. She wanted me to learn it too. When she comes home for the holidays she will bring the violin with her, the one she hasn’t had time to pick up but a few times in the last few years. Last year we did a Christmas song together. This year we’ll add Cover Me Up at our family get together. And the version that got her attention was that Morgan Wallen guy’s, not the original. She probably never would have heard and wanted to play such a great song had it not been for that cover. And we wouldn’t have had such a great opportunity for some father daughter time together. That friends and neighbors is why we shouldn’t bemoan Isbell’s music being covered by those we might not view favorably.
October 31, 2019 @ 9:03 am
Thanks for the story Dawgitall.
October 31, 2019 @ 4:02 am
Now if somebody would just cover ‘Elephant’, word for word, now that would be ballsy.
October 31, 2019 @ 7:03 am
Or Yvette…
October 31, 2019 @ 7:58 am
As a lymphoma survivor, I have considered it. I’m not sure I could though, as it’s not written from a survivor’s perspective. I appreciate Elephant immensely, and one day I hope to get the chance to thank Jason in person, and play him one of mine, from a survivors perspective.
October 31, 2019 @ 7:35 am
A lot of people covered the song, Cover Me Up but only one person wrote it, Isbell, and those words can be sung in various ways but the words themselves lend such a helping hand to any one who sings it
October 31, 2019 @ 7:53 am
Trigger, what’s the longest you lasted without posting something having to do with Taylor? :))
October 31, 2019 @ 8:44 am
Like it or not she is a force in the music industry and sometimes something she does or says veers at least tangentially into a country music topic.This story actually got a great comments thread going.
That said, I hope he doesn’t bother answering your troll.
October 31, 2019 @ 9:12 am
I’m not sure Euro South is trolling. More like playfully ribbing.
I just checked and I’ve written four stories this year involving Taylor Swift, and most of those are about the Scooter Braun purchase of Big Machine. I’ll post four articles in a day, so that’s not that much. Taylor Swift is the biggest artist in all of music and still has ties to country, so her name is going to come up. I didn’t review her last two records because they weren’t country, and don’t take a stance on her one way or the other these days. But I do think it’s an interesting note that she would say she loves Jason Isbell. I think those words have weight. I had wanted to do a story on “Cover Me Up” for a while, and I think it would have felt weird to not mention Taylor Swift’s endorsement.
I love using big names to draw attention to smaller ones. It’s a great way to direct traffic to good music, which is the ultimate goal of this site.
November 1, 2019 @ 4:05 am
I was teasing, of course. And actually, as far as refraining-from-closely-chronicling-the-deeds-and-misdeeds-of-one-Taylor-Swift is concerned, I’d say these are some of your best years on record. So congratulations! 😉
October 31, 2019 @ 2:57 pm
Standard, huh?
“Ain’t Misbehavin.’” “Stardust.” “Cover Me Up.” “Yesterday.” “Blowin’ in the Wind.”
Four standards and one imposter. Which one clearly doesn’t belong in this group?
October 31, 2019 @ 6:32 pm
A standard? Come on. Not by a country mile.
November 1, 2019 @ 8:11 am
Am I the only one who doesn’t really understand what all the Isbell hype is about? I find his songs to be kinda dull.
November 1, 2019 @ 1:22 pm
I think a lot of his post- Drive By Truckers songs ARE a bit dull, though excellently written. “Cover Me Up” is one of those in my opinion, but he does have a ton of great songs.
November 2, 2019 @ 2:56 pm
Of course she endorses him, they are both crazy liberals.
November 3, 2019 @ 8:20 am
No, you aren’t.
He is vastly overrated with ignorant opinions.
November 5, 2019 @ 3:56 pm
I want to see a singer on one of these shows cover “Gravity’s Gone”… The judge’s reaction to “between the champagne handjobs and the kissin’ ass by everyone involved” could be pretty funny..
November 5, 2019 @ 3:57 pm
And before someone jumps me, yes I know that’s not one of Isbell’s songs lol