The Whiskey Shivers Shine in New Self-Titled LP
Trust me when I say if you go ambling through American college towns, you won’t find anything resembling a dearth of string bands with a bunch of young men and their banjos and fiddles stomping and shouting on stage. What you will find a dearth of are these bands that are actually worth listening to, at least outside of the context of a drunken college town barroom. It is in that spirit that I present to you the Whiskey Shivers and their brand new self-titled album that enlists the speed we haven’t heard since .357 String Band, The Dinosaur Truckers, and early Trampled By Turtles, yet entails a completely different vibe from the dark or emotional mood of those efforts.
The best way to describe The Whiskey Shivers is as a bluegrass party band. Oh but don’t worry you Stanley Brothers and Bill Monroe bluegrass Bible thumpers, they’re not going out of their way to call themselves pure bluegrass, and there’s a lot more to their show than just a party. What makes the Whiskey Shivers special though is it just seems like five guys on stage having tons of fun while you get to listen in. It’s this vibe they bring to the building that leaves cadres of rabid fans behind at every stop.
The Whiskey Shivers have been around for a few years now, and the Austin-based band has some national tours with bigger names such as Scott H. Biram, Larry & His Flask, and Th’ Legendary Shack Shakers under their belt. They played at Stagecoach this year right beside artists like Jason Isbell, to as high as Eric Church and Jason Aldean. They appeared at ACL Fest last autumn. And the whole time they’ve been building up a grassroots fan base from their infectious and fun live shows.
What the band was lacking heretofore was a really good record to represent the energy they ignite on stage for the folks who wanted to take the Whiskey Shivers home with them. The few homespun offerings available at the merch table over the years had a lot of spirit, but did not do their live show justice. So for this effort they solicited the services of rising Americana star Robert Ellis as a producer, and set out to make what they hoped to be their definitive studio album that would set them apart from the string band hordes. I’m happy to report this album does just that.
In fact this album doesn’t just capture what the Whiskey Shivers do live, it elevates it. The wild-eyed and dirty sound of the band is what makes them so lovable, but that also leaves room for improvement in composition and arrangement that could elevate their game that much more. That was the trick for producer Robert Ellis—get these boys to behave just a tad, clean up and arrange those five-part harmonies properly, cinch up those licks a little tighter, etc., but do this all while not polishing away the magic at the Whiskey Shivers’ core. And in turn this could also improve the live show from the band by being that much more mindful of arrangements and boundaries.
Just a look at the Whiskey Shivers’ multi-cultural lineup and you see this isn’t you’re typical string band. Some consider fiddle player Bobby Fitzgerald as the frontman, but really each player brings something unique to the table that is important to the Whiskey Shivers’ magic. Where the band had originally leaned on covers, all but one of the songs on this self-titled album are originals, allowing each member to have their voice be heard.
Though some of the songs on the album still feel like they’re trying with some degree of difficulty to capture the live feel in the recorded context like “Been Looking For” and “Hot Party Dads,” many of the songs came to life in a way the live show could never afford. Their droning spiritual “Graves” is one of those songs that feels immediately timeless, and you could see this being embedded in some big Hollywood movie, or even have one built around it. The trapping of a band that relies on speed is they tend to be known for speed and speed only, but in songs like “Friends” and especially “Pray For Me” they show they can thrive in the mid-tempo, and adding the steel guitar texture to the latter turned out to be a really savvy call. And though you wouldn’t traditionally consider the Whiskey Shivers as super pickers or compositional masters (this is no Punch Brothers, but that’s the point), the last song “Swarm” illustrates a lot more depth than some may expect from this project.
Taming the beast without destroying its wild wonder is what this self-titled LP accomplishes, and it should frame the Whiskey Shivers as one of the string bands worthy of more wide, national recognition as young band on the rise.
1 3/4 of 2 Guns Up.
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September 24, 2014 @ 2:05 pm
September 24, 2014 @ 4:37 pm
The album cover reminds me of the Homer and Jethro albums
September 27, 2014 @ 12:42 am
When this review was first published, I went to listen to the album, got half-way through the first track, “Free”, and decided that out of all the ways I could spend the next 40 minutes of my life – there was no way in hell it was going to be listening to that crap.
NOW – I just put it back on, skipped the first track, and listened to the whole album. There are a few more low points – a whole lot of using that same old tired punk rock beat in a few songs, but overall it’s a pretty good album.
Hopefully by their next album, they will be over the “I’m in third grade, just know this one rhythm, but am starting a punk band” phase. Their other songs are too good to be buried in that crap.
If you like your punk mixed with your country, like a bad 70s Reese’s commercial, try someone that actually knows how to do it, like Jason and the Punknecks. They have at least 2 different beats they use.
November 25, 2014 @ 5:17 pm
@Whiskey Shivers- Good job, y’all!