50 Years Ago: Waylon Jennings & Grateful Dead’s Legendary Stadium Show

It’s always a big moment when a big artist plays their first stadium gig. That’s what Waylon Jennings had the honor of doing 50 years ago today—May 26th, 1973—when he took the stage at Kezar Stadium in San Francisco. He wasn’t the featured act though. Waylon was still trying to make a name for himself nationally at the time. But there was no better opportunity to do so than to open a show for The Grateful Dead at Kezar Stadium in 1973, even if the pairing was a bit unusual.
Kezar Stadium had hosted San Francisco 49ers and Oakland Raiders games until 1971. Being situated right near the Haight-Ashbury neighborhood of San Fran, this was The Grateful Dead’s home turf. Also playing the show were West Coast country rockers New Riders of the Purple Sage. The idea was that Waylon’s rock-tinged version of country just may fit with these West Coast rockers that included a little country in their sound.
With The Waylors behind him, Waylon Jennings was at the height of his powers in 1973. Conquering areas outside of Tennessee, Texas, and other country music epicenters to become a national star without the help of Music Row was Waylon’s goal. Waylon’s slick lawyer/manager Neil Reshen was the guy that landed him the huge gig. Reshen was also the guy that got both Waylon and Willie Nelson out of their bad Music Row contracts, and in control of their own destinies, sparking the “Outlaw” movement.
In those days, Waylon used to love to say to crowds at some point early in the show, “My name is Waylon Jennings. We’re all from Nashville, Tennessee, and we play country music. We hope you like it. If you do, I want you to tell everybody you know how much you like it. If you don’t like it, don’t say anything mean about it, because if you ever come to Nashville, we’ll kick your ass.”
Looking at the set list from the show, The Grateful Dead really country’d it up on the day, playing “El Paso” by Marty Robbins, “You Ain’t Woman Enough (To Take My Man)” by Loretta Lynn, and Johnny Cash’s “Big River” among their own more countryfied songs like “Jack Straw,” “Tennessee Jed,” “Me and My Uncle,” and “I Know You Rider.” They played for over four hours, and the bootleg of the show is a cherished item.

Though Waylon called the stadium show Neil Reshen’s “biggest move” and acknowledged it was a “breakthrough moment,” he also relayed in his autobiography, “Musically it didn’t work. Deadheads don’t care if it’s Jesus Christ up there. All they’ve come to see is the Dead. I felt older than them; when I walked out, I probably looked like that sonofabitch who’d told them if they weren’t in by eleven o’clock he was going to ground them. My kids were old enough to be among the crowd.”
In the end though, Waylon says, “It didn’t matter how the shows went, because the word of mouth whispered like wildfire,” and the Kezar Stadium show helped plant a Flying ‘W’ on the West Coast, with folks bragging about being at the legendary pairing of Waylon Jennings and The Grateful Dead for years to come, including some who actually were.
Incidentally, this was not the only show Waylon played with The Grateful Dead. Five years later in 1978, Waylon and Willie were the two biggest things in country music, and The Grateful Dead were one of the biggest live draws in America. They all got together at Arrowhead Stadium in Kansas City to play for a crowd of 80,000. But this time, The Grateful Dead were opening for Waylon. It was no regular opening slot though.
(WARNING: Language)
According to Willie Nelson’s longtime road manager Poodie Locke (RIP), “The Dead played three and a half hours while we watched the clouds building up. This big fucking storm blew in and it was pouring rain when Waylon took the stage. Waylon freaked out. Lightning ain’t the best thing to have happen when you got all this electrical equipment around you. Waylon hadn’t been to sleep in about a year—he just ate Hershey’s Kisses and snorted cocaine. Waylon started hyperventilating. He froze. So Willie walked out on stage, took Waylon’s guitar, and kept on picking.”
But the best part of the story is the exchange Poodie Locke had with The Grateful Dead folks. He told them, “You fuckers played so long you made it rain.”
So they told him back, “Yeah, so why don’t your old man make it stop?”
According to Poodie Locke, as soon as they got Willie’s band set up and he walked out on stage, the rain ended.
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This story has been updated.
Some video from the Kezar Stadium show, 1973:
May 26, 2023 @ 9:27 am
I don’t know much about the Dead other than “Friend Of The Devil” and Bruce Hornsby sitting in.
Love these stories. I used to dive into every bit of music industry news. I still do to an extent. Now? I just want to read Willie, Waylon, Shaver, Jerry Reed stories.
May 29, 2023 @ 11:13 am
Check out, Tales from the tourbus, episodes 5,6,7 are about Billy Joe Shaver and Waylon Jennings
Air date: Oct 20, 2017
The outrageous adventures of country songwriting great Billy Joe Shaver, including the bar fight that sparked a courtroom media frenzy and inspired a hit song.
View Details
6. Waylon Jennings
Air date: Oct 27, 2017
The rise of outlaw country music and its beloved rebel Waylon Jennings.
View Details
7. Waylon Jennings
Air date: Nov 3, 2017
A look at the success of Waylon Jennings, who helped create country music’s outlaw movement.
View Details
May 26, 2023 @ 9:33 am
Noe we know where Waylon’s diabetes came from … em’ fucking Hershey kisses will kill you.
May 26, 2023 @ 7:30 pm
Yeah, but they sure are good!
Especially the dark chocolate ones, around Easter, for some reason.
Jessie said Waylon used to fry a dozen donuts in the mornings, in butter, and eat them.
Can you imagine?
Sounds like he traded cocaine addiction for a sugar/carb. addiction.
Love Jessie, & loved Waylon.
Jessie & Waylon together =’d lots of love.
May 26, 2023 @ 9:35 am
What a read. Thanks.
May 26, 2023 @ 9:36 am
For whatever reason, Waylon never really caught on with rock and non-country fans, even to the extent that some other more-country artists did.
I read that when the Highwaymen went abroad to tour, it pissed Waylon off that the European press and others there didn’t seem to know who he was. The other members–Willie, Cash and Kristofferson–all had international followings. (In the case of Kris, his movies like “A Star is Born” probably had a lot to do with that.) Cash and Willie Neslon are in the rock & roll H-o-F. Waylon, who seemed more rock than either of them and played an electric guitar–quite well–has never even been hinted at for membership there.
And since Waylon’s death, the efforts to promote his legacy–tribute albums, etc.–have fallen flat. Certainly in comparison to Cash, who’s become a Bunyonesque figure in American culture since his passing. And Willie, by outliving everyone and continuing to perform and make new music has become a towering figure
Funny thing is, I went to two Highwaymen shows (in the U.S.) and Waylon–either by design or because he grabbed the role–was the star of the group, the one who spoke to the audience, told jokes and made the Highwaymen into a group instead of 4 guys doing their own things.
May 26, 2023 @ 4:18 pm
Great stuff! I ruffle some feathers when I tell folks that Johnny Cash was actually the least cool of the Highwaymen. It sounds blasphemous but I just cannot see it any other way. He was obviously wicked cool, but if world leaders knew about how rad Willie was, they would dribble a basketball through a minefield just to hear Willie fart through a walkie-talkie, Kristofferson is the man all of us should pray to the Lord to become in most all ways, and Waylon is so cool he was not devalued when Billy Joe said he would kick his a word.
On a side note, American Beauty is one of the most country albums ever, and I do not see that as hyperbole. That album is so incredibly timeless and raw and beautiful in so many ways. If any of you have not really spent time with it, you need to give it three or four full listens to truly experience the beauty.
May 28, 2023 @ 12:37 am
true, american beauty is the album that sparkled the country flame for me many years ago.
May 28, 2023 @ 2:54 pm
If you like American Beauty for its country sound, you need to hear Working Man’s Dead. That album is some rockin’ country! Both albums were recorded in 1970 just months apart and display a truly inspired time in the Grateful Dead’s history.
May 26, 2023 @ 10:36 am
I believe I’ve said this before, but I hate it soo bad that Waylon never really got the late career albums that Cash with American or Willie with Legacy is getting now. His late career voice sounded great and weathered in the 90s, he just lived so hard for too long. Shooters BCR label gave us some great bootlegs a few years back, but man we missed out on something special imo.
May 26, 2023 @ 2:10 pm
Waylon’s late-career, albums/CD’s in the ’90s–“Too Dumb for NYC…,” “Waymore’s Blues II,” “Right for the Time,” got little coverage, but were surprisingly good. And unlike Cash–and even Willie and Kris–Waylon was writing the bulk of the songs on his late-career albums–and they contained just the right mix of observations on the human condition, sly wit, self-deprecation and braggadocio.
Plus, he had that oddball, but at times very funny “Old Dogs” project with Bare and Reed. Shel Silverstein wrote the material, but the three artists brought it to life.
May 26, 2023 @ 3:36 pm
Don’t forget that Mel Tillis was also part of the Old Dogs!
May 26, 2023 @ 3:41 pm
Correct. That slipped my mind. They were Waylon’s second Supergroup–a geriatric “Highwaymen.”
May 26, 2023 @ 4:53 pm
I’m not as familiar as most of you, probably… but “Too Dumb” and “Full Circle” are my favorites. Otherwise, I’m happy with “Live from Austin City Limits”.
May 26, 2023 @ 8:01 pm
I lament that the tracks he recorded with the Old 97’s didn’t surface until later years, and that they didn’t turn into a full-length album. I really think they were a great pairing and it could have been his American Recordings moment.
May 26, 2023 @ 10:55 am
I was there baby my crew and I from Kentucky and Ohio sold everything we had to be at that concert.. we were the first ones to stand up and dance when Waylon started playing. The crowd kept yelling louder louder and Waylon was freaking out cuz he thought it was pretty fucking loud. It was a glorious day.
May 26, 2023 @ 12:57 pm
The Kezar show sounds like the Ice Bowl. Many claimed to be there “including some who actually were”.
May 26, 2023 @ 1:17 pm
Was that the charity show for high school sports by Bill Graham that turned into an American (Native) Indian charity after the SF School Board found the 2 million they thought they lost?
May 26, 2023 @ 1:21 pm
As a Deadhead & a huge Waylon fan, to me this would have been an amazing show to attend. I wasn’t born until 4 years later though.
May 26, 2023 @ 6:05 pm
That is a great handle!
I’m not sure if there’s an allusion there to (Flavius) Josephus (or if you’re familiar with him), but I never thought to link Hank Jr. to the towering Roman scholar of the Hebrew Bible a/k/a Old Testament. Or if Josephus liked to get down and boogie.
May 26, 2023 @ 3:31 pm
Also known as the the SNACK Concert. It was a benefit for local SFSchools. Great show !!!
May 26, 2023 @ 3:44 pm
Seen Waylon at South Carolina costal college around 1974 in what seem to be in lunchroom with fold out chairs you would see at school.could not have been for than 3 or 4 hundred invited is what it felt like.. had enough Black vested body guards around he was protected but little funny watch all the commotion at bus door. On of those things if you wasn’t on the list you didn’t need to be there.he was glad to see group that I was with. Had stop by a friends house on Wapoo in Charleston soon as I got there someone ask. Wife and if wanted to go to concert said yes whose playing they said does it matter..like we got out of one car to get in another saying hurry up. Didn’t know until he walked out who was there.
May 26, 2023 @ 3:49 pm
This was NOT the SNACK Benefit Concert. That was March 23, 1975. My second Grateful Dead show of more than 100. This show with Waylon brought to my ears real good $hit- kickin’ music, for which I am eternally grateful (pun intended).
May 26, 2023 @ 4:59 pm
Trigger I don’t know where you find all this stuff on Waylon, but don’t stop. What a guy Waylon was. I have a strong feeling Trigger you are as big a Waylon fan, like myself, and many others as they get.
May 26, 2023 @ 5:39 pm
Well… that closing anecdote is nonsense because obviously the Dead closed the show, not Waylon.
May 26, 2023 @ 5:49 pm
The closing anecdote was from the second show Waylon played with The Grateful Dead five years later. Willie Nelson closed the show.
May 26, 2023 @ 6:04 pm
“Big River” and “Sing Me Back Home” are some of my favorite Dead country covers. They were obviously huge country fans, and I’d be interested how much of an impact they’d have on country music if Jerry had stuck with the steel guitar past the early 70s.
May 26, 2023 @ 6:22 pm
@$%^$# I was born too late…
May 27, 2023 @ 1:39 am
Daniel Donato wasn’t even a sperm yet.
May 27, 2023 @ 2:23 am
The Arrowhead Stadium Kansas City show was Willie Nelson’s 1978 Fourth of July Picnic. Not 1977. I was there with my brother and it was hot and so was the show. We stayed for a little bit after the Dead finished their set. That set was amazing!!
May 27, 2023 @ 6:45 am
The Grateful Dead, another band who would not have been the same if Jerry Garcia hadn’t followed Clarence White and The Kentucky Colonels across the country like some kind of Deadhead…
May 27, 2023 @ 8:01 am
I saw Clarence White with the Byrds twice. I saw Waylon twice, first time at Kezar Stadium May 26,1973 and yes the Grateful Dead did indeed close the concert. Second time seeing Waylon was with the Highwaymen autumn 1990 in Las Cruces, New Mexico. And I remember all those times. By the way Clarence White was born in Maine.
May 27, 2023 @ 8:00 am
Great article. Bill Graham had a knack for making some superb, if unexpected pairings. Two years before the Kezar show he had Miles Davis open for the Dead.
For anyone interested the Dead’s sets from the Kezar show are going to be officially released in June as part of a 5 complete show, 17 CD box set called Here Comes Sunshine.
May 27, 2023 @ 2:12 pm
It was my senior year in High School, memorial day weekend with nothing better to do. Grabbed a friend and drove down to Kezar from Portland for Waylon, the Dead and NRPS. What a show it was. Overdose tents, naked ones running the track, good sunshine and lots of music. I’d seen the dead a couple times before then a lifetime since. Breaks my heart to see Billy the drummer bow out of Dead&Co, had many a good rhythm’s from his and Mickey’s sticks. Waylon rocked and I’ve enjoyed his music since.
May 27, 2023 @ 2:34 pm
Just a few clarifications. The show was actually on July 1, 1978, and as the Dead were in the opening slot, their set was only 2 hours, not the usual 3 plus. It’s been officially released in the July 1978 box set. https://www.discogs.com/release/8819943-Grateful-Dead-July-1978-The-Complete-Recordings
May 27, 2023 @ 4:11 pm
The date has been changed. The source for that information was Willie Nelson’s long-time roadie Poodie Locke in Willie’s autobiography. He says 1977, but back then, there was no internet to verify dates. He was also known to (cough) embellish things.
May 27, 2023 @ 5:21 pm
God Bless Poodie!
May 29, 2023 @ 5:46 am
You’re right about Poodie embellishing things. I was playing keys for Waylon at that Kansas City show…he didn’t freeze up and hyperventilate, nor did Willie play his guitar…ever! Maybe Poodie got into some of the watermelon backstage that night that was rumored to be laced with LSD
May 27, 2023 @ 4:00 pm
Would Like To know more information on Willie’s 4th of July picnic in 77 that had Willie, Waylon And Lynyrd Skynyrd in the top bill, that most have been a helluva show that July in 77, both Waylon and Skynyrd were at the peak of their powers, a once in a lifetime moment gone forever.
May 27, 2023 @ 8:17 pm
I was at the Kansas City show, drove up from St. Louis.
It was an extremely hot day with no shade anywhere. It was Willie’s 4th of July picnic. Lynyrd Skynyrd was not there. It was Ted Nugent opening, with Jerry Jeff Walker, The Dead, Waylon, then Willie. I actually have some blurry photos of The Dead and Nugent but ran out of film in my camera before Willie and Waylon came on.
May 28, 2023 @ 8:02 am
The Dead was my portal into the world of country music with the song Mama Tried. I was only 15 when they released it and I thought it was one of their original songs. I had heard of Merle Haggard but didn’t know any of his songs. After I realized it was one of his I started digging into his catalogue and became a big fan.
May 30, 2023 @ 7:39 am
Interesting article about a underreported and mostly forgotten chapter of Waylon’s career. Thanks for the background info.
However I would dispute that Waylon was “at the height of his powers.” In late May 1973 he was a few weeks away from his 36th birthday so he definitely still had youth on his side. But although Waylon had been charting country singles since 1965 he had not yet come close to achieving country superstar status. During his 8+ years in the country spotlight he had yet to a score a #1 album although to be fair his albums generally sold well. The three trade charts from that era show that his singles were usually more successful than not although he had yet to score a #1 single on the highly regarded Billboard country survey. In 1973 only two of his three single releases became hits “You Can Have Her” peaked at #7 in April, “We Had It All” stalled at #28 in July (his worst performing solo single for that decade) and “You Ask Me To” went to #8 in December. Those last two singles were from his “Honky Tonk Heroes” album. Released in July that album received great reviews from many critics but was not a huge seller at first. It peaked at #14 on Billboard’s country album chart. Later in the decade when Waylon & Willie Outlaw mania hit sales took off and that landmark recording became highly regarded by fans,
Waylon was definitely on the cusp of major success in May 1973 but was not quite there yet. His summation of the reception the Dead crowd gave him pretty much says it all. His appearance at the show did not hurt him, but did not provide a big career boost either. Waylon & his management deserve high marks for taking the chance to try to broaden his audience. Ol’ Waylon likely had no idea at that time that just a couple of years away was success that he could only dream about.