Album Review – Lukas Nelson’s “Turn Off The News (Build A Garden)”

It’s the common bane of most second and third generation music performers that they are expected to carry on the legacy of their parents in form and fashion, and perform up to a standard dictated by their pedigree that is often difficult to impossible to attain. But with the natural gifts for music making that Lukas Nelson possesses, nobody should ever want anything from him other than to be himself, and for everyone and everything else to get the hell out of his way. It’s almost a shame he’s Willie’s son, because it will make some question whether we’d even be paying attention to him otherwise, even though that answer lands resoundingly in the affirmative. The only thing keeping Lukas Nelson from being considered a superstar in this day and age is that he’s a roots rock legend in the making that came around in an era when EDM, hip-hop, and bad pop country where all the rage.
In the last couple of years, Lukas Nelson and Promise of the Real have really come into their own. Touring behind Neil Young, getting a big boost by appearing in the blockbuster movie A Star is Born, and just exhibiting an uncommon level of talent that couldn’t be kept a secret forever, Lukas Nelson and crew have worked their way into high regard and headliner status. Their latest record Turn Off the News (Build a Garden) is probably even farther than previous efforts from the country music legacy forged by Lukas Nelson’s famous father. It’s a full-blown rock affair for the most part, but no matter how your musical leanings tilt, you’re too busy laying back and losing yourself in the sweet vibes and calming of spirit this record imparts to worry about such trifles.
If there’s anything cousin to what Willie Nelson does in Turn Off the News (Build a Garden), it’s how wisdom is imparted through the sowing of parables that put the worries of life into perspective, and present a roadmap of how to find happiness, and how to live life in a fair and fulfilling way. Unquestionably, the verses of the title track are too trite and direct to be effective as poetic persuasion. But as this record plays out, the underpinning theme becomes quite convincing. Lukas resolved to not be political on this record, and practices what he preaches, which is not wagging a judgemental middle finger at anyone in particular, but instead making an effective argument that a simple and fulfilling life is achieved when you’re unwilling to succumb to the acrid nature of today’s media environment. Make no mistake, Lukas Nelson has opinions of his own. But he keeps this work free of them for the greater message of freeing yourself from the endless agitation cycle.
Don’t worry though, Turn Off the News (Build a Garden) is not a record of bubbling brooks and Buddhist platitudes. There is plenty of grounded songs about relatable themes, and ample invigorating guitar work from Nelson to keep this album well into the accessible category. Though Promise of the Real has its jam band tendencies, they keep the rock mostly classic on this record, sounding similar to Petty on the enveloping song “Where Does Love Go,” and reminding one of the Allman Brothers on “Civilized Hell.”
This album is just a great listen, easy to fall for and get into, with something for everyone, even if a few of the tracks don’t fit your sensibilities. Only a few weak quibbles can be lobbied against its favor, including the extra fluffy production and sentiment of the song “Stars Made Of You,” or the misplaced cuss word in the acoustic version of the title track ruining the mood. But there are plenty of songs like the punchy and bluesy “Save A Little Heartache,” or “Out In LA” that make this record hard to not continue to re-rack in the listening cue.
Turn Off the News (Build a Garden) might even be so accessible some will consider it too saccharine, and it’s true there are not those deep songwriting moments like Nelson’s last self-titled record had, songs like “Just Outside of Austin” and “Forget About Georgia” that were really moving. With an album that mentions gardening in the title, you may expect to get a lot more folk and acoustic songs. Instead Turn Off The News feels like a launching pad for a lot of loud and heavy songs you can expect to hear from Lukas Nelson and Promise of the Real live into the foreseeable future.
There is no shadow for Lukas Nelson to emerge from any more. He’s now casting his own shade over many individuals who may not have a famous name to help them along, but also don’t have the skill and magnetism in music that Lukas is blessed with. The younger Nelson also proves on Turn Off The News that has the temperament to carry on the other part of the Willie Nelson legacy, which is being able to break through the acrimony of the internet age, and bringing people together through the shared joy of music and the pursuit of simple happiness.
1 3/4 Guns Up (8/10)
– – – – – – – –
June 15, 2019 @ 9:11 am
I get serious Roy Orbison vibes from Lukas Nelson… and that’s a good thing. Been missing that type of sound a lot in new music. Great stuff!
June 15, 2019 @ 3:03 pm
Where Does the Love Go? definitely has Orbinson’s influence all over it
June 17, 2019 @ 7:02 am
Yes. It sounds like a Jeff Lynne-produced Traveling Wilbury’s track.
June 15, 2019 @ 9:24 am
another on-the-money review trigger , based on the songs posted above . this sounds like some SMART ( not trendy ) hooky pop songwriting but with the conviction of some fine REAL playing with a tight , clean and well-thought out production and mix . radio-friendly in the best way in terms of energy and interest .
I’m VERY pleasantly surprised by this based on other songs from this band .
……….only nit I have based on the sample selections is the lyric . VERY weak , sadly ……but you covered that too , trigger . so much to like musically its sad the lyrics are so ….well ……..bad .
June 15, 2019 @ 10:17 am
After giving it a fair chance, I’m not sure this album is for me. The musicianship and the overall vibe / feel is there, but the songwriting, both in terms of lyrics and melody just doesn’t do it for me. Both just seem so heavy handed and surface level. Considering that, I can’t agree with the superstar status if it weren’t for the current musical tastes of our day. How is Chris Stapleton a superstar under the same conditions? I know he’s a rare exception, but to claim superstar status if only not for you meddling kids is a bit of a stretch maybe? Though I disagree, still a well written review, thanks.
June 15, 2019 @ 12:42 pm
Must be the lyrics are to complex for you 2 to comprehend or maybe you are to old to relate to a younger generation. Album of the year hands down. And as far as superstar status if you bother to know the artists made it clear 15 years ago Lukas and the real are just that REAL not in it for the stardom in it for the music. Music heals stardom tears down.
June 15, 2019 @ 1:50 pm
Please help me understand the “complexity.” From 3 different songs on this album:
Life is heaven, life is hell
Better keep movin’ ’cause you might as well
I don’t trust computers anymore
Gonna buy a little weed in the marijuana store
Trust builds trust
And all that negativity’s a bust
Trust builds trust
Don’t you wanna be happy?
You’ve got a bad case of wanting what you can’t have
Must be a terrible feeling
I can’t help you anymore
You can do what you want
I can’t help you anymore
Ah, you’re too far gone
June 15, 2019 @ 5:35 pm
I’m with you ScottG. Outlaw has been playing Bad Case hourly and it’s too simple and corporate rock for my taste. However, based on Trig’s favorable review, I’ll give the album a stream.
June 15, 2019 @ 8:59 pm
NEVER go off what Outlaw is playing hourly, or what any Americana radio is playing. It is not possible to have worse A&R in that realm.
June 15, 2019 @ 11:43 pm
Trigger,
Not a huge fan either but they sometimes play some decent stuff, compared to any other station near me at least. Of course not nearly as good as my go to, the SCM playlist…
June 16, 2019 @ 5:50 am
What is “Outlaw” ? Some kind of radio station ?
June 16, 2019 @ 10:12 am
If you’re pulling up this record and expecting Ian Noe/Charles Wesley Godwin-level songwriting, you’re completely missing the point. As I said in the review, the songwriting on this record is trite at times, and a step down from Lukas’s previous records. But I also don’t think that’s what he’s going for here, and so if you’re trying to judge this as an Americana singer/songwriter record, you’re going to be disappointed. This is a rock record, and I would say that the songwriting is similar to those standards. I also think there’s some pretty well-written songs here, but ultimately this album is to feed the live show.
June 16, 2019 @ 12:43 pm
I understand what you’re saying Trigger, and as for myself I never said it was bad. I said it wasn’t “for me.” What people will get out of this is totally up to them. Not sure it being a rock record (or any genre for that matter), makes it’s shortcomings more tolerable…to me at least anyway.
June 15, 2019 @ 9:12 pm
Yeah, you’re a real scholar there Mr. Jeremy. Nothing about this is anything “complex.” It is a decent record, but nothing groundbreaking. The songwriting is actually a bit of a snoozer and sonically it is…meh. There is nothing about this that stands out. I’m so bored with this shit.
June 16, 2019 @ 6:35 am
The Outlaw Country channel on Sirius/XM.
June 16, 2019 @ 9:47 am
Darren Stout…..Thanks for the info….
June 16, 2019 @ 12:51 pm
Stapleton has a generational voice, operates in the country realm (where people still buy records), and marries solid blues-country songwriting to big pop hooks, creating something similar to classic R&B.
Lukas Nelson has a good voice, but not a special one, and plays Petty/Orbison-esque roots-rock that would have been huge in the 70s or 80s (just like JD McPherson would have been massive in the 50s).
June 16, 2019 @ 1:11 pm
Yeah I get that. I don’t even listen to Stapleton but appreciate him and don’t mind when he comes on the radio. He’s just who first came to mind when considering the concept that Lucas would be a “superstar” if not for edm/hiphop. Also, though I personally would say no, it’s really only a guess as to wether he would be a “superstar” in the 70s or 80s. Unless you’re Biff Tannen and have a superstar’s almanac 🙂
June 16, 2019 @ 2:04 pm
Fair – I do think Trig makes a good point about Lukas’s style being mismatched to his era, though.
It’s not a “Get off my lawn” sentiment so much as stating that Lukas isn’t doing anything particularly weird or revolutionary, despite being relatively little-known considering he’s a scion of music royalty.
He’s just making very music that hasn’t been popular for 40 years.
June 16, 2019 @ 2:08 pm
The reason Lukas has been kind of a secret for so long is because he’s always taken sort of a “one foot in” approach to his career. He’s super talented, but seems to be content just bumming around Maui where he was raised, LA, and smoking a bunch of pot. He’s not out there pounding the pavement on tour, and he cares none about being popular. But I think with “A Star Is Born” and some more rigorous tour schedules here lately, he’s starting to be more on people’s radar.
June 21, 2019 @ 11:48 pm
Ha ha – kind of like the car ad that claims the 2019 model is the longest-lasting yet. How would they know, definitively, unless all their prior models croaked in 6 months?
I don’t always have the exact same opinion as you, Scott G., but I do appreciate the sincerity and respect with which you approach the topics, fellow readers, the site / Trigger, and the people who put their work into the songs we discuss. Thanks.
June 21, 2019 @ 11:56 pm
Thanks TilbilllyHill,
It would be weird if we all agreed all the time. At least we can agree to have good discussions. That’s MOSTLY what I see on this site and why I like it so much.
June 16, 2019 @ 2:03 pm
Lukas Nelson is in no way comparable to Roy Orbison. It is physically jarring to see people make that comparison. It makes the grey matter want to come shooting out of my ears to see that in print. I’ll allow that the first song that I posted here does have an Orbison-like feel, but that as far as any comparisons could, or should go from a guy that’s been around for 10 years and released six albums. The apt comparison, if to anyone, would be to Jimi Hendrix. Perhaps I took for granted that people have seen Lukas Nelson live, or at least hear about him performing live. If you had, the “superstar” notion would make perfect sense, as would this record. To me, Lukas Nelson is no different than Sturgill Simpson, Tyler Childers, Jason Isbell, Cody Jinks, etc., which is a top flight, generational artist who is making major waves in music as an independent artist, and that also appears the way he’s regarded throughout music.
June 16, 2019 @ 2:33 pm
Good point, I’ve never seen him live. I took this review as a review of THIS ALBUM, not as a review of his live show or his previous albums. I listened to it repeatedly, based on your review, thinking that I would probably like it, because I like most stuff that you do. That wasn’t the case this time, but no worries – I’m thankful for the overwhelming majority of the music you have introduced me to. Plus, I’m glad you take the time to debate these things and to make your case.
June 20, 2019 @ 6:59 pm
Regarding this album, I’m with you, ScottG, and also appreciate the way you’ve made your points. I really enjoy Lukas’ previous album and am disappointed with this one. I’m glad others like it, though, because I like Lukas a lot.
June 16, 2019 @ 4:47 pm
I think live in concert, Lukas is a supernova of a talent. I’ve seen most of this generations top Americana/Country/Rock talent in concert (Isbell, Sturgill, Childers, Stapleton, Jinks) and quite a few of the old timers (Skynyrd, Stones, Steve Miller Band, Bad Company with Paul Rodgers*) and I think Lukas is as talented a live performer as I have ever seen. Not only the gymnastics, but the notes while he is just whirlybirding. It was pretty mindblowing, even for seasoned concertgoer. Felt blessed to be in the audience. I haven’t listened to this entire album yet, but it will be in the rotation asap. His last album was pretty dang good, IMO. Wish him nothing but the best.
June 15, 2019 @ 12:49 pm
I liked it but I don’t think It’ll be something that is in any regular rotation o fmine.
June 15, 2019 @ 2:14 pm
Roy Orbison all the way. Not at all offensive but way overworked from the past. I wouldn’t buy it, but it’s okay.
June 15, 2019 @ 9:00 pm
“Where Does Love Go” is one song.
June 15, 2019 @ 9:16 pm
Slice it however you want…good music…you put Shooter…Lukas…and Hank 3 on tour together
June 16, 2019 @ 6:06 am
Does he think he’s slash or something? Take that goofy fucking top hat off! Jeez
June 16, 2019 @ 8:09 am
Not like his old man ever wore a top hat or anything…
June 16, 2019 @ 8:52 am
Right~ check out the back cover to W’s _Stardust_ album…
June 16, 2019 @ 8:36 pm
@Stugill_Jennings77 – Marc Bolan of T.Rex was known for sporting a tophat well over a decade before Slash, and stove top hats were a fairly common sight throughout the 1800 and early 1900’s in the old west among traveling medicine and entertainment side shows which is more likely where Lukas Nelson drew his inspiration.
June 17, 2019 @ 6:03 am
I’m well aware of the Victorian era. But in the last 30 something years if you slung a guitar over your shoulder and wore a top hat then people would most likely think of it as being a trademark of Slash’s
June 17, 2019 @ 6:53 am
or Alice Cooper lol
June 17, 2019 @ 7:00 am
Leon Russell was sporting them in the 60’s
June 21, 2019 @ 10:44 pm
Leon Russell beat Slash to that by a few decades.
June 16, 2019 @ 8:49 am
Gotta agree~ Where Does Love Go does sound a bit like RO, but you can definitely hear Pop’s timbre and articulation in there…
And the album cover has a nice “Allman Brothers-meets-Crosby, Stills and Nash” retro vibe going on…
June 16, 2019 @ 9:23 am
I hear there are “Americana” clubs now…..haven’t been to one but sounds trendy, watery.
“NEVER go off what Outlaw is playing hourly, or what any Americana radio is playing. It is not possible to have worse A&R in that realm”
Trig, have you written this yet?
June 16, 2019 @ 10:18 am
No, I haven’t. I don’t want to bad mouth Sirius/XM Outlaw. It is a very important outlet for independent country and roots music. But the “singles” selected to be promoted there, usually by labels, are about the worst representations from the albums they’re looking to promote. Same goes for Americana radio. I look at the charts and am blown away how they seem to figure out how to find the worst songs from the album. Lukas Nelson’s “Bad Case” isn’t terrible, but as others have said, it sounds pretty formulaic. And then when you try to write a review for an album, you’re fighting an uphill battle to convince readers of its value because they’ve been hearing a bland song for two months from it already.
“Outlaw” is really an Americana station, and Texas country is bigger than both “Outlaw” country and Americana combined at the moment. They really need to figure out how to better order that station to where it’s more effective at promoting artists, and representing what it says they do.
June 16, 2019 @ 1:01 pm
Yeah, I only trust weird independent radio stations for this sort of stuff – WUMB up in Boston is very much Roots/Blues/Americana, but the hosts get a ton of latitude on what they want to play.
June 16, 2019 @ 6:08 pm
To be fair, if it weren’t for Outlaw, my wife wouldn’t have heard “Rock That Says My Name” which was our introduction to the Steel Woods.
June 17, 2019 @ 8:30 am
It’s funny how everything comes back to roost. Commercials are coming to Netflix and labels are influencing playlists in Outlaw Sirius.
June 16, 2019 @ 3:16 pm
Yeah this is a hard pass for me.
June 17, 2019 @ 9:43 am
You compare this guy Jimi Hendirx?????
Come on man, that is ridiculous.
June 17, 2019 @ 11:09 am
I’m not comparing him to Jimi Henrix. I am saying that is a more apt comparison than Roy Orbison. And if you’d seen him live, you wouldn’t think it’s ridiculous at all.
June 17, 2019 @ 10:03 am
I like this record…but I wanted…no, needed to love this record. I was looking forward to it dropping and being the release of the year. Maybe my expectations were escalated based on their previous works. I may listen to it all the way through one more time, but other than a couple of high spots (no pun intended), this one will be forgotten pretty quickly.
June 17, 2019 @ 2:46 pm
This album sucks
June 17, 2019 @ 5:06 pm
Yo! Regarding radio, has anyone heard Red Dirt Rebel or The Ranch? Both out of Texas. I live in Bali, Indonesia and those 2 stations have kept my country music thirst satiated!
June 18, 2019 @ 1:11 pm
Check out the new “Gimme Country” app. They play great country music and have guest DJ’s like Brandy Clark playing their favorites.
I also love The Ranch out of Texas. I’ll have to check out Red Dirt Rebel.
June 19, 2019 @ 7:10 am
Sounds excellent! Will check it out
June 22, 2019 @ 4:22 am
great tip, thanks!
June 18, 2019 @ 3:57 am
‘Feed the live show,’ is the lesson for the day for me. If the album revenue stream has dried up, then the focus rightly should be on recording-as-live-show-promotion. So we should keep that in mind.
It’s not gonna make sense to spend 6 months in the studio layering string plucks to make chords and jetting in the Vienna Boys choir as backup singers for a tiny share of 0.0000000138 cents per stream.
The days of some semi-deranged egomaniac’s coke-fueled, self-styled magnum opus may be over. So probably that’s a good thing.
June 21, 2019 @ 11:29 pm
In a comment for which I’m not seeing a reply option, Trigger commented about Lukas spending time in Maui and as “not out there pounding the pavement on tour….“ My suspicion is that Lukas has been out there on tour a lot, just not under his own name as a headliner. We have seen him as part of Willie’s band a few times, including a couple of shows in which “Promise of the Real” opened. Sometimes, I see it as “Lukas Nelson + Promise of the Real,” but don’t always see his name specifically listed.
It wasn’t until watching ACL’s airing of the 2018 Americana Music Awards from the Ryman that any of Lukas’ songs really stuck with me. But, that performance of “Forget About Georgia,” grabbed my attention from the first verse. Versions from ACL and “Jam in the Van,” also are great, to me. The album version is good, too, just doesn’t quite have the same effect, for me.
The line, “a night so perfect that I try to forget about it now,” states an observation I don’t recall ever hearing anyone else express. There’s a poetry and simplicity to the song that aren’t always easy to achieve.
Reading the comparison to Chris Stapleton immediately brought “Drink a Beer” to my mind. For me, that is an example of simplicity gone wrong in a song. Instead of simple and poetic, it sounds to me like bad poetic license. Maybe it’s how pier and disappear are stretched out and run up and down the vocal range, or that “drink a beer” seems like it belongs before “at the end of this pier and watch the sun disappear.” But, it “can’t” be in that order, because “drink a beer” is the ‘payoff,’ as well as the title. This is just how that song hits me.
I know there are people who feel a genuine connection to “Drink a Beer” as a toast to those they’ve lost, and whose memory they associate with better times. I respect their feelings and am glad they find consolation in music.
My point isn’t to insult Stapleton or a song he wrote (or co-wrote), or even turn this into a horse race between Lukas and Stapleton (or anyone else.) Just to note that artists that are not our taste based on one song or album might later impress us. Some of my now-favorites took some getting used to (usually because of voices that were not as friendly to my ears as the lyrics were to my brain and heart).
“The piano has been drinking, not me.” 😉
June 21, 2019 @ 11:35 pm
Am I the only one who sees the album title and thinks of John Prine’s “blow up your tv, throw away your paper, move to the country, and build you a home”?
Signed,
Not a level-headed-dancer on the way to alcohol
November 28, 2019 @ 2:12 am
Plant a little garden, eat a lot of peaches. Try to find jesus on your own
April 8, 2020 @ 7:21 am
Doesn’t hold up to their self-titled album. That one is definitely their best work to date, but hopefully this is just the start of a long and successful career of music that ages like fine wine for Lukas and the POTR.