- The Guardian's 10 Best Albums incl. Sturgill, Tami Neilson, Jason Eady
- Hear Unreleased Joe Ely and Linda Ronstadt duet "Where Is My Love"
- If You Missed It: Willie Nelson and Billy Joe Shaver on Letterman
- NPR Tiny Desk Concert with Lucinda Williams
- Titles from Willie, Hank Williams, Bob Wills Headed to Grammy Hall of Fame
- Hear New Joe Pug Song "If Still It Can Be Found"
- Houston Press: Is Country Music Ready For Sturgill Simpson?
- Blitzen Trapper Releases Free Live Album
- Eric Church's "The Outsiders" Goes Platinum
- Fatal South by Southwest Crash Brings First Wave of Lawsuits
- New Song from Cody Canada and the Departed "Easy"
- Flaco Jimenez to receive Lifetime Grammy Award
- Country Weekly's Top 10 Albums Incl. Sturgill, Old Crow, Billy Joe Shaver
- Nashville Scene Rips Into American Country Countdown Awards
- Ardent Studios Founder John Fry Dies at 69
- Windowing New Music May Not Goose Sales, Study Shows
- Engineer and Producer John Hampton Dies
- Famous Nashville Backup Singer Millie Kirkham Dies at 91
- Proof How Much The Music Industry Has Changed In The Last Ten Years
- NY Times' Jon Caramanica's Top 10 Albums Includes Sturgill Simpson
- Galleywinter's Favorites of 2014
During the back half of the oughts, regardless of what you thought about the quality of mainstream country music, one thing you had to give the genre credit for was being the last bastion of guitar-based and instrument-based music that relied on humans and not electronic accoutrements to accomplish. As one of America’s most traditional genres, drum machines, purposely Auto-tuned lyrics, and other such elements were treated with a very negative stigma, and stayed mostly buried on the fringes of the genre in experimental projects.
But now as rap and Electronic Dance Music (EDM) have become very influential in popular country. They are almost required to have a hit song. Some will argue this is all part of music evolution. Though rap, Electronic Dance Music, and other electronic-based music certainly has its place in the world, the question is if that place is country music.
So to illustrate why country should be careful in how far it relies on 1′s and 0′s to carry the weight of there genre, here’s Joe Walsh—former frontman of The James Gang, guitar player for The Eagles, and solo rock performer—-someone on the outside looking in to country, and what he feels about electronic music, and the sate of music in general, taken from a recent appearance on Live At Daryl’s House.
Records, record stores, record sales, it’s all gone. And it’s up to the young musicians to try and figure it out. There’s no money in it, no record companies. It’s free, you can download it. Nobody gets paid, so they can’t afford to make music. That’s what’s happening.
And they’re just cranking out music that is just a recipe. You know, nobody is playing at the same time. Everybody’s adding on virtual instruments that don’t exist on to a drum machine that somebody programmed. And you can tell in the music that’s out now. It’s all been programmed. There’s no mojo. There’s nobody testifying. There’s not the magic of a human performance, which is never perfect. And the magic of a human performance is what we all know and love in the old records, by the way they were made. And it’s all gone.
So we’ll see what the digital age has in store.
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