We love to speak long and loudly about the virtues of younger, upsurging artists such as Sturgill Simpson, Chris Stapleton, Jason Isbell, Cody Jinks, Margo Price, and others, and how they’re turning the country industry upside down with their successes. But why is Marty Stuart’s efforts going systematically overlooked?
Once considered rockabilly by some since most of her music carries an old-school backbeat and 50’s styling, it’s probably more relevant now to call Sallie Ford just plain rock, yet with a decidedly strong bent towards vintage modes which allows it to slither right into the soundscape of all old souls looking for something more their speed than the present day noise.
The biggest takeaway from SXSW 2017 will be that for the first time since the very inception of the idea over 30 years ago, the annual music gathering experienced a palpable draw down in attendance and industry participation to a degree that it fundamentally changed many of the dynamics and rigors one must endure to attend.
Chivalry may be dead, but it’s alive and well in the McGraw/Hill household. In a press release, the couple announced they will release a new single together called “Speak to a Girl” that will be shipping to country radio on March 23rd. It will be the first single off of a joint album with McGraw and Hill.
Like many of the legends of country music, Patsy Cline’s legacy will now be enshrined in a new museum in downtown Nashville, and in a familiar location. Housed on the 2nd floor of the bustling and successful Johnny Cash Museum at 119 Third Avenue South on lower Broadway, the Patsy Cline Museum will be opening its doors to the public on April 7th.
Despite years of controversy of whether Sam Hunt belongs in the country music realm, Saving Country Music runs down some of the reasons that Sam Hunt does perhaps belong in country music as opposed to the pop or EDM world.
For most artists, their careers start off by driving around in vans to club shows across the country, and if they’re lucky perhaps they graduate to a bus sometime down the road. Most artists start by making some noise in their home state, and then maybe hope to garner the attention of a national audience. For Sunny Sweeney, the arc has been nearly the opposite.
Nobody’s ever accused American Aquarium or its frontman BJ Barham of not working hard enough to achieve the dream. As one of the hardest touring outfits out there, they’ve earned every dedicated fan they have by sweating it out in clubs across the country, and putting every ounce of energy into the music.
Valerie June is the kind of cool everybody wants to be. She started out as roots music’s own little special creature with her primitive country Gospel soul songs—an unearthed gem of Americana made that much more cherished because it was a personal discovery way before the general population caught on.
Garth Brooks, take your free tickets to the Auditorium Shores stage and your Frito bags with your damn brand on them, and go back to Oklahoma and roll around naked in your massive, massive piles of money. You don’t belong at South By Southwest.
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
The Spring Fling is hosted by A. Michael Uhlmann, a native of Switzerland who moved to Austin over 25 years ago to cover Austin music. Held at the authentic local honky tonk called Giddy Ups south of town in an area called Manchanca (pronounced “Manchank” by locals), the Spring Fling tries to embody what Austin music used to be.
Wonder why pretty much every mainstream country single sounds ostensibly the same? It’s probably because they all pretty much do. Lill illustrates how nine songs on Billboard’s Hot Country Songs chart all employ the same exact drum beat, and within the same 15 or so beats per minute.