Dori Freeman is separating herself from the gaggle of country’s most encouraging prospects by mining the simple beauty from Appalachian dialect, taking deprecated compositions in outmoded tongues and making them feel more relevant than the most modernized hip-hop beats, and then contribution her own original expressions.
On Sunday, October 22nd, 2017, Alan Jackson will officially take his rightful place in the Country Music Hall of Fame right beside all the other greats of country music. And ahead of it, Jackson has released the first taste from a new, upcoming album in the form of a song called “The Older I Get.”
Before the accolades start to feel like platitudes, and the reasons become excuses, the Turnpike Troubadours should find their place in the national narrative. Because country music needs them. The Turnpike Troubadours are the band for right here, right now, delivering everything you want, saddled by nothing you don’t need.
Now there is an entirely new reason to consider transitioning from ad-based streaming to a paid account, and it’s based off the greater commitment paid subscribers show to the music they listen to as opposed to the free-siders. Announced on Thursday (10-19), Billboard has made it known they are tweaking the way their charts work in 2018.
“The results are absolutely exquisite,” Marty Stuart says. “I invite the viewer to come along with me and the Superlatives to Pine Ridge. By way of Reid Long’s camera, we’ll take you deep inside of a world filled with wonderful people, that most people don’t even know exist.”
I don’t care if Walker Hayes is the most upstanding citizen from his affluent suburb, donates to charity, is sweet as pie to his fans, and gives mouth to nose resuscitation to orphaned puppies. This is not the type of incendiarily vapid stuff we need infecting anything being sold as “country.”
Pony up you cheapskate. It’s a mere pittance to sign up for a premium account through Spotify, Pandora, or whomever, and you get a commercial-free experience, sometimes with better audio quality, and the creators and industry that served you that music will get a little more money compared to the commercial-supported side.
The Ameripolitan Awards will be marking their 5th year by moving from Austin to Memphis where so much of the music celebrated by the emerging genre originally emanated from. And now one of the individuals seminal to revitalizing the Memphis sound starting in the late 70’s has been announced as one of the main performers for the event.
Make no mistake about it, the reason a song like this came about is because of the continued criticism coming at artists like Luke Bryan that question their legitimacy as country performers. This means the spirited dissent being logged by literally millions of country fans at this point is being heard, and making an impact.
With only two people and one mic, Mapache can fill up a room with more soul soaring harmony than most symphonic assemblies, carried to great heights by melodies that are incredibly supple and bursting with delight, timeless in their textures and delivery, yet with subtle new turns that give Mapache the benefit of originality.
Add another landmark accolade to the growing list of acknowledgements for Americana stalwart Jason Isbell. After just finishing up an incredible 6-night sold out run at the Ryman Auditorium in Nashville last week, it was announced Monday (10-16) morning that Jason Isbell will be the next Artist-In-Residence at the Country Music Hall of Fame.
From the very beginning, there has always been a Gothic side to country and roots music. From the murder ballads and ghost stories of the Ralph Peer-era pioneers of country, to tales of struggle and lunacy from more modern underground artists attempting to keep those haunting spirits alive, Gothic country never gets its due credit.
The second installment from the Chris Stapleton From ‘A’ Room sessions with producer Dave Cobb at Nashville’s historic Studio ‘A’ will be arriving soon. This is the news coming out of Friday night’s (10-13) show at Nashville’s Bridgestone Arena. Stapleton addressed the capacity crowd, making the announcement between songs.