2014 Saving Country Music Album of the Year Nominees
2014 has revealed itself as the “Year of the Dark Horse” when it comes to compiling the greatest albums released in the last 12-month span. Tami Neilson, Karen Jonas, Charlie Parr, Matt Woods? Who’s heard of these people outside of their respective fan bases? And meanwhile the realm of mainstream music can’t field one candidate, unless you want to count First Aid Kit who resides on a major American label, while a dark horse from last year Sturgill Simpson leads the pack. But Sturgill shouldn’t be considered a shoo-in. All the candidates listed here have a legitimate stake at the distinction, and wouldn’t be included here if they didn’t. These eight albums will be vetted and consternated over for the next 30 days or so before the final winner will be revealed.
Interesting to note, all of these candidates were albums released in the first half of 2014, and many in the first 1/3rd of the year.
PLEASE NOTE: Saving Country Music also posts a more-encompassing “Essential Albums List” annually, so just because you don’t see one of your favorite albums on this list doesn’t mean it won’t be up for distinction. Leading the essential albums, and sitting right on the bubble as Album of the Year candidates were Jason Eady‘s excellent honky tonk album Daylight & Dark, Kelsey Waldon‘s brilliant The Gold Mine, John Fullbright‘s Songs, Zoe Muth‘s World of Strangers, Doug Seegers‘ Going Down The River, and Joseph Huber‘s The Hanging Road.
Audience participation is strongly encouraged, and will influence the outcome. Leave your opinions, write-in candidates, or other observations below in the comments section. This is not simply an up and down vote though. I make the final decision, so it is your job to convince me why the album you feel deserves to win is the right pick.
Tami Neilson
You’ve never heard of her, and many country and roots taste makers will leave this Canadian-born, and New Zealand-based singer and songwriter off their end-of-year lists from sheer ignorance of her existence. But they may be excluding not just one of the greatest albums and talents of 2014, but of the last half decade. Along with Sturgill Simpson, Tami has to be considered a top contender.
“Alright, before we get too deep into this matter, just understand that you’re going to want to be purchasing this album. It’s my job to sit here and gab at you for a while about it and explain why, and I’m flattered that you would entertain this notion and read the proceeding words. But you pretty much just need to get this album and thank me later.
What I’m trying to impart to you here is this might be the best record released in 2014 by any artist whose last name doesn’t rhyme with Pimpson. Who’s even heard of Tami Neilson? I sure as hell hadn’t. But apparently she won the New Zealand Music Award for “Best Country Album” in 2009, 2010, and 2011. Who knew? Sorry, but by happenstance I let my dues to the New Zealand Music Association lapse in 2008 and they ceased sending me newsletters. But here we are in 2014, and I almost feel like I owe an apology to the sainted Saving Country Music reader for not cluing you in on Tami Neilson prior to this moment.” (read full review)
Sturgill Simpson Metamodern Sounds in Country Music
“Yeah yeah, dispense with the pageantry and just give give the damn distinction to Sturgill already,” is what many will say, but the album environment in 2014 is too rich to be so flippant with this decision. A front runner? Of course, and we’ve already seen the eager beavers of end-of-year list building engrave Sturgill’s name at the very top before we even sat down to Thanksgiving dinner. But an album not only has to be measured against its peers, but by the abilities of the artist themselves. As strange as it may sound, I still believe Sturgill is holding back, and so his place at the very top of 2014 is not secured in the annals of Saving Country Music just yet. We still have a month to weigh its merits against stiff competition.
“With ‘Metamodern Sounds in Country Music’, Sturgill Simpson doesn’t just capture our ears, he captures our imaginations. However misguided the notion is, most every disenfranchised country music fan harbors the idea that at some point some true country artist is going to come along that is so good, it is going to tip the scales back in the right direction. What ‘Metamodern Sounds’ does is it gives the true country music listener hope beyond the happiness the music conveys. It resolves that ever-present conflict between sticking to the traditional sound, but progressing forward.
It’s not time yet to be making comparisons to ‘Red Headed Stranger’, or even to ‘Phases & Stages’. But Sturgill Simpson, and Sturgill Simpson alone, defines the pinnacle, and what is relevant in the here and now of independent country music. And he’s done it from the sheer strength of this album.” (read full review)
Karen Jonas Oklahoma Lottery
The ultimate dark horse in a year of dark horses, Karen Jonas positively stuns and screams for wider attention.
“Karen Jonas, whether she knew it or not, heeded the advice of the great Ray Wylie Hubbard to all songwriters: don’t just listen to ‘The Ghost of Tom Joad’, read ‘The Grapes of Wrath’. How do we know this? It’s not just from the wisdom interwoven in the lyrics, it’s from the amount of pain Ms. Jonas is able to capture in her performance. This isn’t just an inflected interpretation, but the very evocation through herself of the troubled ghosts of the story not just wrapping herself in their clothes, but walking a mile in their shoes, and then conveying the pain she knows they felt from the aching of her own blisters.
Similar to how the settlers of Oklahoma toiled at the yoke without a thought of rest, Karen Jonas, after putting her pair of young children to bed every night, tip toes to the other side of the house, takes the guitar in hand, and digs, hoping to unearth the riches of song. And lucky for her and the rest of us, the ground that she tilled ended up to be quite fertile, and the result a verdant display of artistic release.
If music was a lottery, then Karen Jonas hit big. But this is no fortune to be chocked up to sheer luck. The toil, the heart that Karen Jonas put into this music and this record is eminently palpable. And it is not just the result of talent, but talent honed and refined through cutting self-criticism, study, discipline, and work.” (read full review)
Don Williams Reflections
This is not a sympathy inclusion, or simply a representation of classic country to add to this list. Don Williams has put out a towering album with great feeling and a thematic vision that deserves the highest of praise and the attention younger, newer artists are receiving for their career-defining releases.
“‘Reflections’ is much more than just the easy listening country it may appear to be on the surface. It’s an album with a message, and leads by example. Instead of whining about the state of country music, it does something about it.
The laid back, gentle-of-mind ease drips from this album like the sweetness of sun-drenched dew. Sometimes it’s simply implied, and other times it’s directly spoken, like in the appreciative and well-written ‘Working Man’s Son’ or the song that ties the entire theme of ‘Reflections’ together, ‘Back To The Simple Things’. Enough can’t be said either about the Townes cover ‘I’ll Be Here In The Morning’. Like when Willie and Merle took ‘Pancho & Lefty’ to another level, Don Williams’ touch on this song immortalized it, and in a different time it would have been a super hit.
“‘Reflections is the album we needed right here, right now. Not just from the perspective of saving country music, but the perspective of saving ourselves from the overwhelming onslaught of ensnaring technologies that rob the preciousness from life.” (read full review)
First Aid Kit Stay Gold
Destined to be unfortunately overlooked by country fans because of its folksy exterior, Stay Gold is nonetheless a powerhouse performance that only gets better with more spins, and evidences both songwriting and singing brilliance that is ripe for appeal on a grand scale if simply given the opportunity to thrive in the wider American marketplace. It is simply a joyful, uplifting experience to behold, and leaves nothing behind when measured against its fellow 2014 competitors.
“‘Stay Gold’ captures First Aid Kit fearlessly unburdening their fears, confiding in the listener very personal matters of self-doubt and worry that are exacerbated by a world of constant change, endless travel, and the inherent travails of navigating life as a young woman amongst prying eyes and directionless paths. The honesty in the songwriting, and the sentiment that bleeds over demarcation lines of gender or situation to find sympathetic ears with most who have the patience and disposition to listen make Stay Gold a songwriting feat before any discussion is broached about the music itself.
“And when talking about the music, Johanna and Klara Söderberg put on a melody-crafting clinic, endowing ‘Stay Gold’ with one rich, fulfilling composition after another full of soaring, frothy vocal exhibitions that run circles around the modern age’s garden variety mainstream singers. One of the reasons First Aid Kit can concoct such astounding melodies and match them so well with story is because their range and adeptness allows them a vocal pasture much wider that most have access to.” (read full review)
Charlie Parr Hollandale
It may be a little to fey for many ears, but Hollandale is the one album of 2014 you can legitimately call a masterpiece.
“‘Hollandale’ is like nothing you’ve heard, from Charlie Parr or anyone else, at least not like anything you’ve heard for a very, very long time, and with this amount of body and clarity behind the recording itself. Whatever you were expecting from this album, you are probably wrong, and in its stead you get an in-depth exploration into what it means to be alive, to be human, to feel pain and to yearn and reflect, without a single word being spoken on the entire work.
“‘Hollandale’ is a victorious moment for Charlie Parr, and shouldn’t just make it into your home’s music collection, but is one of those works you could hear being secured in the Smithsonian’s archives of important American instrumental music works. Charlie Parr has set the bar of creativity and originality that all folk, blues, and country musicians will be measured against throughout 2014 and beyond, and did what every musician would love to do 12 releases into their musical journey: make an impact larger than themselves.” (read full review)
Jim Lauderdale – I’m A Song
“I’m afraid this album may get overlooked simply because many people think of Jim Lauderdale as a known quantity, and because he’s so prolific, it’s hard to choose where to start with him, or to keep up with all of his releases. But I’m A Song should be considered right there with the other top albums of 2014.
“Twenty damn songs, and not a slouch in the bunch, and very country. Though Lauderdale has been known to shift back and forth between bluegrass, country rock, and more subdued, acoustic singer/songwriter-type stuff, this here folks is a downright honky tonk album, not cut, quartered, or diminished with any other additives. How in the hell does Lauderdale do this? Being prolific is one thing, but he’s like a songwriting quasar, shifting styles and still spitting out material faster than you can listen to it, and each song barreling you over with the quality and taste exhibited in every point of the music making process.
“‘I’m A Song’ is exactly what Jim Lauderdale needed to do: Take a deep breath, and release an album that could have a greater impact on the world outside the sphere that already knows about him; something that had quality and appeal from cover to cover, and in a unified and accessible direction.” (read full review)
Matt Woods- With Love From Brushy Mountain
Matt Woods is the last man standing when it comes to earnest songwriters who can barrel you over with emotional haymakers aiming straight for the gut. This is the superlative songwriting performance set to music in 2014.
“‘Brushy Mountain’ is as complete of a country album as you will find, with excellent songwriting throughout, a great sound that is country at heart, but with sprouts of rock & roll that endow the project with spice and originality, and there’s something for every mood here. In other words, it lived up to the expectations of ‘Deadman’s Blues’, and even adds a few more exceptional song offerings that downright rival that song’s indelible impact.
“Matt Woods is no fluke, no one trick pony. Not even close. He’s a force of songwriting nature who can match his stories with inspired performances.” (read full review)
Mike
December 1, 2014 @ 9:42 am
Out of these 7, I would choose Sturgill. However I enjoyed Jason Eady’s album and Jim Lauderdale’s album better than these 7.
Anna
December 1, 2014 @ 9:50 am
I wish you’d included ‘World of Strangers’. It’s certainly my favourite of all the albums listed here – has so much under the surface, and so much variety (from the ludicrously danceable ‘Mama needs a margarita’ to the heartbreaking ballad ‘Annabelle’). But never mind!
Wayfast
December 1, 2014 @ 9:53 am
I’m going to throw Luke Bell out there. Don’t mind if I do has been on repeat since I heard about it here. I’d like to think he will win some accolades as his best stuff is probably still ahead of him.
GregN
December 1, 2014 @ 12:27 pm
Agree, that’s a fine album.
ZB
December 1, 2014 @ 9:58 am
To me, Sturgill is the runaway winner. Best album I have heard in a long time! Great list though. Keep up the good work , Trigger.
Dave
December 1, 2014 @ 10:01 am
As much as I love Billy Joe Shaver’s “Long in the Tooth” I’m gonna have to put my vote in for Sturgill Simpson’s “Metamodern Sounds in Country Music”. Feels like the second coming of Waylon, and that my friends is a very good thing.
Derek
December 1, 2014 @ 10:03 am
Hard to argue against these, but I must say I’m a little surprised to see Lucette absent here. Black is the Color is a fantastic debut album for her. To me, her album is on par with Metamodern Sounds of Country Music.
Though when it comes to this list, while Sturgill’s album is great, I loved Stay Gold. First Aid Kit’s harmonies are incredible.
Garrett Cash
December 1, 2014 @ 10:07 am
I believe that Tami Neilson should win. If that album had been recorded in the early 60’s it would be a classic now.
Marcel
December 1, 2014 @ 10:08 am
Always counting on sites like this to point me towards records that I missed somehow. Immediately ordered Tami’s record. Thanks Trigger!
stu
December 1, 2014 @ 10:15 am
I would have to Sturgill Simpson, and not because he’s the front runner. I know that trigger selects albums/songs based on the impact of it as opposed to how “cool” the songs sound.
It is pretty clear to see how big of an impact Sturgill’s cd has had this year. The number of interviews/ articles from very popular magazines and websites, the number of mainstream artists giving him recognition(Keith Urban, Jake Owen, Shooter Jennings, etc), his appearances on all the late night shows and joe rogans podcast. I think alot of people who don’t normally listen to country music are tuning into his music.
I know alot of people who will listen to americana type music but won’t give country music with a little “twang” a chance. Sturgill has found a unique sound that is new and refreshing to young folks like me yet still has that old school waylon jennings style that my grandparents can get into.
Its amazing how many of my close friends like him, so I’m sure he’s doing the same allthroughout the world just based on all the tours, album sales, etc. It’s been quite a year for him, can’t wait to see him in February!
that is all.
Aron
December 1, 2014 @ 10:36 am
Matt Woods With Love from Brushy Mountain for sure. I’ve been listening to it non stop since it’s release. It never gets old.
Mark
December 1, 2014 @ 10:37 am
Unless Sundy Best pulls out a miracle and ‘Salvation City’ blows my fucking mind eight ways to Sunday (I wouldn’t know, the album drops tomorrow), my favourite country records is a two horse race between Jason Eady and Sturgill Simpson. Go a step slightly lower to ‘runners up’ and the list blows wide open with Karen Jonas, Lucy Hale, Eric Paslay, and Sundy Best (with ‘Bring Up The Sun’) in tight contention.
But yeah, Jason Eady vs. Sturgill Simpson. Eady’s got stronger solo cuts and lyrics that grip me stronger, but Sturgill Simpson has put together a more cohesive, instrumentally interesting record. Both are fucking stellar, and I’m going to have to give both albums a full relisten before I make the call… this’ll be a tough one.
Able
December 1, 2014 @ 10:40 am
I’m giving it up to Don Williams. I think Reflections is country music at its absolute best. As great as Metamodern Sounds is and as important as it is, I have to agree that Sturgill is still “holding back”. I don’t know why I think that but it’s a feeling I can’t shake whenever I revisit it.
RollieB
December 1, 2014 @ 10:40 am
Sturgill, no question here. We’ll see him Thursday night in Minneapolis. As of this morning it’s been played 127 times in my iTunes, that’s not counting the cd plays in the car. Best in a long time and I’m 70 years old.
yessir
December 1, 2014 @ 10:52 am
It was a really good year for music especially country…no doubt about it. Although it seems Sturgill is the front runner. I got to say Matt Woods and Jason Eady’s albums are right up there. Think guys are both over looked as song writers some times. Also Joe Huber’s album was fantastic and same with Fullbright and Justin Townes Earle.
I do disagree with Jim Lauderdale though. It’s totally on personal opinion but nothing of his ever has that punch for me.
Trigger
December 1, 2014 @ 11:02 am
“I do disagree with Jim Lauderdale though. It”™s totally on personal opinion but nothing of his ever has that punch for me.”
See, this is the problem for that album to a ‘T’. Few are going to take it seriously because of some preconceived typecasting of Jim. It is an excellent country record.
RD
December 1, 2014 @ 11:16 am
Trigger,
What exactly is the “preconceived typecasting” of Jim Lauderdale? I have liked him for a long time, and I think that a lot of his stuff is country, or borders on country. The Bluegrass Diaries and Patchwork River are two of my favorite albums…
Trigger
December 1, 2014 @ 12:08 pm
I think it was evidenced exactly by Yessir’s comment. And I don’t mean to pick on him whatsoever. When I went into listening to “I’m A Song,” I had preconceived Jim Lauderdale notions holding me back as well. I went a little more in-depth into the subject in the album review.
https://www.savingcountrymusic.com/americana-we-want-jim-lauderdale-back-im-a-song-review
I think many see Lauderdale as the face of Americana because he MC’s most of the events. They see him as a songwriter and collaborator who has some good songs, but is a little long in the tooth to put something out of “Album of the Year” quality. I don’t mean this as a knock on Lauderdale. This is a cautionary tale of why people should pay attention to this album even if they think they already have Lauderdale figured out.
hoptowntiger94
December 1, 2014 @ 12:56 pm
I’m not a fan of the Jim Lauderdale release either. The song writing struck me as unimaginative and elementary; the sound monotonous over the length of the album. He’s definitely had better albums in my opinion.
yessir
December 1, 2014 @ 1:13 pm
I by no means mistake you disagreeing with me as trying to pick on me at all. Maybe for me it just seemed like it is an album with a lot of good songs but nothing really stood out to me as great. Or, It could also have to do with that there were so many that it seems to bog down. (I can’t remember but you may of addressed that in your original review) A really good album, but just not there for me as album of the year.
Sullie
December 1, 2014 @ 11:14 am
I’m going to have to go with Don Williams, Reflections. Definitely the best of his career. No one can shake that album. I don’t know why I can’t get into Sturgill Simpson yet. Still stuck on Hellhound Glory, Jayke and the .357 String Band, Hank3 (old stuff), and Whitey Morgan. A shout out for Hollandale. Charlie Parr is a wizard on that resonator.
Acca Dacca
December 1, 2014 @ 11:20 am
Brett Detar makes some fantastic country music as well. His two albums are free on NoiseTrade and I highly recommend that anyone interested check them out. If it weren’t for the fact that Too Free to Live were released in 2013, I’d be complaining about its lack of inclusion on this list.
http://noisetrade.com/brettdetar
Acca dacca
December 1, 2014 @ 11:17 am
Don Williams, hands down. I didn’t even like his music before I listened to Reflections, then I suddenly and abruptly realized what I was missing. While I still like the intrinsic wisdom of Williams’ perspective at his current age as opposed to his prime, I nonetheless have grown into a fan. While I like Sturgill, his music has never struck me quite the same way as most of his fans. Perhaps that’s a side effect of him “holding back” as Trigger asserts, but I still give the upper hand to Don. I wasn’t a Williams fan nor am I particularly fond of covers, and he made me appreciate both with a simple 30 minutes without any special trimmings or attempt at being progressive. Of course I can only speak for myself, but if that doesn’t speak to the merits of that album and country music as a whole I don’t know what will.
Reflections is Acca Dacca’s 2014 album of the year.
GregN
December 1, 2014 @ 11:27 am
I loved it too, deserved a wider audience.
GregN
December 1, 2014 @ 11:24 am
Yes, worthy contenders abound. But if it ain’t Sturgill this year then there’s no hope for humanity OR country music. You say he might lose points (paraphrase) because of what he HASN’T done yet? If he never recorded another album he’ll have made his mark with this one. You spend a lot of time here explaining how you only judge songs/albums “in the moment”, not based on history (see Dirt, FGL), but you’re considering using imagination (the future) to rob from the sublime of this present.
If you’re just being contrary to be contrary, please reconsider: if Metamodern isn’t the definition of Album of the Year in a year that even non-country fans reward it for originality and intelligence, in sales too, then the award is only cheapened for the other contenders/winner.
Oh. One more thing:
Being from Chicago I know how these things REALLY work… look for a donation via PayPal in the next couple weeks.
😉
Trigger
December 1, 2014 @ 12:16 pm
GregN,
I wouldn’t say I’m judging Sturgill’s album right now based off of what I might think he might do in the future. I’m judging it right here, right now against what I know he is capable of having seen it with my own eyes in the past.
Don’t think that I’m setting it up so I can pass on Metamodern Sounds as the eventual winner. But as the clear front runner on this list, I feel it is my job to play a little Devil’s Advocate to make sure all these candidates are considered and not just glossed over because we all made our decisions 7 months ago.
Gena R.
December 1, 2014 @ 11:31 am
My personal favorites this year were Lucinda Williams, Rodney Crowell, Rosanne Cash, Hurray for the Riff Raff, Lee Ann Womack and Laura Cantrell.
Among the bunch listed on SCM, though, I’m kind of torn between Tami Nielson (fresh and fun yet traditional) and Don Williams (a beauty). 🙂
Sisternumber7
December 1, 2014 @ 3:43 pm
I saw Rodney Crowell & Friends at a small venue in MD a few months ago. A phenomenal show. He played several songs from his new album Tarpaper Sky. There are a lot of good songs on that CD.
Gena R.
December 1, 2014 @ 5:43 pm
There certainly are — “The Long Journey Home” and “The Flyboy & the Kid” are two of my favorite songs of this year.
Not to mention my favorite lyric: “You tore through my life like a tornado lookin’ for a trailer park!” (“Frankie Please”) 😀
Jim Bob
December 1, 2014 @ 11:34 am
The fact you felt the need to point out, “Sturgill shouldn”™t be considered a shoo-in. All the candidates listed here have a legitimate stake at the distinction,” should show how heavily he ought to be favored though. I’d never doubt you, Trigger, and if you tell me (which you clearly did) that it’s an open competition I’ll believe you (if I didn’t trust what you had to say I wouldn’t come to your site daily!). Just feels like Sturgill’s album was too good and too impactful not to win it this year.
And there’s certainly nothing wrong with the other albums listed here, they just had the unfortunate luck to be released the same year as Sturgill’s. Though I do somewhat agree with you that he could be doing more, how are we going to fault a guy for “only” making a crazy-good album that has made the impact and success that this has had?
Hank
December 1, 2014 @ 11:37 am
Of the nominees, Sturgill would be my winner with First Ait Kit close behind. All of the nominated albums are definitely worthy of the mention though. (Note: Charlie Parr is the only one I have not heard.)
Personally, I think Lydia Loveless’s record topped all of these. Drive-By Truckers are definitely in my top 5 as well. Both are not conventional country records, but they owned my ears this year.
LG
December 2, 2014 @ 3:53 am
Also not conventional country, but Old 97’s “Most Messed Up” was the soundtrack to every long drive I took this year.
Jack Williams
December 1, 2014 @ 11:37 am
It’s going to take some pretty big balls for SCM not to go with Sturgill this year. For me, it would be like the AMA’s not giving Jason Isbell’s Southeastern Album of the Year.
Glad to see Karen Jonas in this list. Also, old favorite Jim Lauderdale.
Cody Wilson
December 1, 2014 @ 11:55 am
stellar list there, but I think Sunny Ledfurd’s Slick deserves a mention. I haven’t heard anyone hit that style in awhile https://m.youtube.com/watch?v=mQkHImMpx0g
Greg
December 1, 2014 @ 12:08 pm
Are we leaving Willie Watson’s Folk Singer vol. 1 off because of the songs not being originals? Just curious
Trigger
December 1, 2014 @ 12:21 pm
Willie Watson’s album is excellent, and in my mid-year list for the “Best Songs” he was featured, and he may be featured there again in the end of year list for songs. But yes, I wouldn’t say it completely disqualifies him, but for an album of covers and traditionals to be considered, it would have to be something so groundbreaking in some other way that it can’t be denied. Nonetheless, Willie Watson’s album comes very highly recommended and is not your run-of-the-mill covers album, and it will definitely make the “Essential Albums” list.
Dave
December 1, 2014 @ 12:11 pm
The Karen Jonas Album is SUPERB. The lyrics and composition are insanely well done…. I have it on Vinyl and it just could not sound any better.
Matt
December 1, 2014 @ 12:18 pm
Sturgill’s record is certainly the country album of the year and arguably the album of the year in any genre. This ain’t close.
Lauren
December 1, 2014 @ 12:19 pm
Have you listened to Angaleena Presley’s album yet? Curious what you thought…
Trigger
December 1, 2014 @ 2:02 pm
I have listened to it. May review it before the end of the year.
hoptowntiger94
December 1, 2014 @ 12:51 pm
Thinking of my top albums, here are my top 5 – Sturgill Simpson, Otis Gibbs, Jason Eady, Willie Nelson and Old Crow Medicine Show. I think. Maybe swap out OCMS for Arlo McKinley; depends on how I’m feeling.
86TELE
December 1, 2014 @ 12:58 pm
I think Willie Nelson’s Band Of Brothers album should be a top contender. A solid album start to finish in my opinion.
Synthetic Paper
December 1, 2014 @ 1:02 pm
While they all definitely do require a lot of consideration (and, man, I ADORE the Charlie Parr and First Aid Kit albums), this year really is Sturgill’s year. Not only for how amazing the album is, but also for the impact it has had on the music world in general.
hoptowntiger94
December 1, 2014 @ 1:05 pm
Also, I couldn’t agree more about this year being loaded with excellent albums in the first half! The fourth quarter was a dud! The release schedule for September was loaded with potential huge releases. But Tweedy, Lucinda Williams, Lee Ann Womack, Justin Townes Earle all left me feeling underwhelmed and disappointed. What a shame!
Trigger
December 1, 2014 @ 2:56 pm
The last six months of music have been very frustrating in my opinion, and I’ve even felt the blow back here as I’ve been searching through reams of albums looking for worthy projects to talk about and finding very few. Hard to “support” music that is not living up to expectations. There has been a few exceptions, but the 2nd half of 2014 has been a pretty big letdown.
GregN
December 1, 2014 @ 4:09 pm
Yeah, but it’s saved me some $$!
OT: my Seattle daughter saw Petunia there a couple weeks before Stugill. She asked him (for me) when the new album would be on iTunes. He said “it’s not”?
So hopefully soon now that he knows.
Pierre Brunelle
December 1, 2014 @ 4:28 pm
Hi Greg N,
It should be there. Two weeks ago, I bought songs on Itunes from Sturgill Simpson latest album (Metamodern Sounds in Country Music).
MM
December 1, 2014 @ 7:35 pm
I think Stoney and Wade both put out great records last month. The kind of music that could really bridge today’s radio “country” to all the other fine music listed above.
Trigger
December 1, 2014 @ 8:16 pm
Yes, the one exception to that observation would be the excellent run of Texas country albums last month, and add Adam Hood to that list as well. They’ll all be featured in the more detailed “Essential Album” list coming up.
ChrisNSC
December 1, 2014 @ 1:08 pm
I just don’t see how Sturgill’s album could be passed up this year. “Metamodern Sounds” is just too good and the perfect album for 2014. It’s got everything in it that makes great country music. There are stories, poetry, characters that we can relate to, and instrumentation that belongs on a country music album and not on the next Bon Jovi record. I’m excited to see what his next offering will be.
Don Williams’ “Reflections” is amazing. With this album and “And So It Goes”, I think he is making the best music of his career.
I love seeing the recognition for Charlie Parr. He is an artist that deserves to be heard by more people.
Raven
December 1, 2014 @ 1:36 pm
After seeing Sturgill twice so far this year, I just gotta go with him.
Even though he was sick as a dog in Atlanta & had a horrible sound guy, he STILL killed it.
And the Charlotte show?! HOT DAMN, son.
Applejack
December 1, 2014 @ 1:38 pm
Uh…… Trigger, aren’t you forgetting about a little album called ‘The Outsiders’ ???!? 0_0
Seriously though, I do think it’s interesting that no mainstream country albums made the cut on this list. I thought Lee An Womack’s new one was pretty strong. (Does she still qualify as mainstream?) I also seem to recall Zac Brown Band’s EP getting a pretty good review a few months ago.
I will look for those on the Essential Albums list.
Also, it’s really nice to see the attention paid to Don Williams’ recent efforts on this site. As much as I’m sure Don’s fans have appreciated his two most recent albums, unfortunately they seem to have fallen through the cracks of wider public acclaim. I bet if ‘Reflections’ had been released later in the year, Sugar Hill could have gotten Nash Icon to play a single from the album, which would have helped with promotion I’m sure. But by the time the Icon format launched, the label was promoting ‘The Way I’m Livin’ instead. Oh well.
Anyway, all things considered, I’m still gonna cast my vote for Sturgill.
I really liked First Aid Kit’s album too, though I think its connection to country music is dubious for the most part.
Mark
December 1, 2014 @ 2:02 pm
A MUST LISTEN. A MUST WINNER. The smooth and hypnotic, pleasurable and deep layers of Karen Jonas’ songwriting, strumming and vocals, puts her “Oklahoma Lottery” album at the very top of my stack of music in my home, car and at the office. When I pick up friends from local airports, every one has asked “Hey, who is this on the radio?”. Of course its Karen’s album. Impressive. I identify with the pain, sincerity, pureness and care with which she waxes and wanes her guitar strings and pours pain and beauty from her mouth. Get down here to Northern Virginia and catch one of her shows. She’s the REAL deal… enjoyable and REAL country music! Best wishes Karen.
ShadeGrown
December 1, 2014 @ 6:43 pm
Haven’t seen her perform but LOVE the album.
Albert
December 1, 2014 @ 2:36 pm
Haven’t had a chnce to listen to some of the above picks , Trigger …but the quotes below echo my thoughts about what I HAVE heard . Looks like a fairly comprehensive collection of some of the cream of this year’s crop , in any case .
“Don Williams”™ “Reflections” is amazing. With this album and “And So It Goes”, I think he is making the best music of his career. ”
“I believe that Tami Neilson should win. If that album had been recorded in the early 60”²s it would be a classic now.”
“I”™m giving it up to Don Williams. I think Reflections is country music at its absolute best. As great as Metamodern Sounds is and as important as it is, I have to agree that Sturgill is still “holding back”. I don”™t know why I think that but it”™s a feeling I can”™t shake whenever I revisit it. ”
“Willie Watson”™s album is excellent,….”
“I think Willie Nelson”™s Band Of Brothers album should be a top contender. A solid album start to finish in my opinion. ”
I’m not sure if Holly Williams’ last record qualified for 2014 . Nevertheless , she’s recording some great stuff …pared down and allowing her incredible vocal prowess to do the heavy lifting .
Jaimito
December 1, 2014 @ 2:40 pm
Man, alive, Trigger. It’s like a parent trying to pick a favorite child! If we’re going purely on sonic direction, I have to say “Metamodern,” from Sturgill. If lyrical content is the key, I gotta go with “Brushy Mountain,” from Matt Woods. His song, “Dead Man’s Blues,” literally saved my life. I was in a really dark place, making some really bad choices, and slowly pushing everyone who actually cared about me away. I was on the verge of making the ultimate bad decision, and committing the ultimate act of selfishness, when that song came to me. It was a harsh wake-up call that showed me where and how I was going to end, if I didn’t get my shit together. I had the opportunity to meet Matt earlier this year, and share my story with him and tell him how that song saved my life. He was beyond humble and gracious. I’ve since dug deeper into his work. What I love so much about Matt’s writing, is that he never shies away from the dark, troubled places and emotions that most artists either breeze past, gloss over, or just ignore altogether. From start to finish, “With Love From Brushy Mountain” is an excellent, gritty, dirty, punch-you-in-the-gut, grab-you-by-the-throat, Country record. The boy puts on one helluva live show, too…
Oh, and to show there is hope… I was actually wearing my Matt Woods shirt at a Mainstream Artist’s (who shall remain nameless, lest I be crucified for being an ardent fan) show a few weeks ago, and had a group of folks ask who Matt was. I pulled up his stuff from my Music Library and spun a few tunes. Three folks in line downloaded “Brushy Mountain,” right there! The tide’s slowly turning, and you’re leading the charge by getting the word out about these GREAT independent artists. Keep it up!
GregN
December 1, 2014 @ 4:15 pm
Don’t be ashamed, I liked Jennifer Nettles solo album too!
😉
Jaimito
December 1, 2014 @ 4:25 pm
Ha! Not even close! I was actually at an Eric Church show, in Knoxville. Even got to meet the fella. Came across as sincerely appreciative and grateful for the support. Had a picture taken, and there in the picture, you can see the Matt Woods black and white bearded skull shirt. Y’know… Reppin’ my indie cred at a Mainstream show…
Bill Goodman
December 1, 2014 @ 3:21 pm
We all know Sturgill will be number 1 on most lists. Hell, “Metamodern” is going to be my top album and I write for a stoner rock site. I think everyone should guess at number 2. If I had to pick from this list, I would pick Karen Jonas. I really enjoyed her album a lot. Lucette’s debut is a winner for me too. I’m surprised it isn’t on this list.
markf
December 1, 2014 @ 3:31 pm
Thanks for all the hard work Trigger, and lots of interesting comments as well.
Matty T
December 1, 2014 @ 3:54 pm
For me it’s a close one between Sturgill and Don Williams but I have to go with Don on this one.
Sisternumber7
December 1, 2014 @ 4:29 pm
Don Williams Reflections gets my vote for number one. First Aid Kit comes in second. The main reason I like this website is because I learn about new artists, like Matt Woods. I really like his sound. Ughh, I tried, but I just don”™t get the hype over Sturgill Simpson. I have listened to his music and even saw a show at The Birchmere in VA so I could hear him live and see for myself why he is go great. My experience was that he was grumpy and mumbled his words. His voice fluctuated between sounding like Waylon Jennings and-on the high pitched songs-like John Conlee. It seems I am older than the average person on this sit, as such, for me listening to Sturgill Simpson is simply something I have already heard before.
Cobra
December 1, 2014 @ 4:48 pm
QUite surprised I’m not seeing Jason Eady or Wade Bowen on this list. Wade’s was my top album of the year, hands down, followed closely by Sturgill Simpson. Stoney Larue is also in my Top 10.
scott
December 1, 2014 @ 5:28 pm
I think Billy Joe Shaver’s Long in the Tooth or Metamodern Sounds is tops on my year end list
hoptowntiger94
December 1, 2014 @ 5:48 pm
Also, also …. A compilation album to consider “Look Again to the Wind – Johnny Cash’s Bitter Tears Reviseted” I ususally just casually listen an album of this kind of nature, but this one demanded some special consideration.
Taylor
December 1, 2014 @ 6:06 pm
I know it is not listed as a nominee but I would say Jason Eady’s album wins, but out of what is listed probably Sturgill’s album, I also like Matt Woods release, although I do not own it, yet. Billy Joe Shaver also didn’t disappoint, I will have to pick up that album. Happy to have a lot of these artists on youtube or somewhere I can listen till I can buy the album.
Thomas
December 1, 2014 @ 6:09 pm
Tami Neilson is a personal favourite of mine! This album has some of the best musicians (not just country) in NZ playing on it, and it just sounds so well done. Songs seem to tick all boxes, and surely must have something for everyone; they vary from swampy soul, string band to classic country, and though every one stands up by their own merit, Walk (back to your arms), Come Over and Dynamite are great places to start for those still on the fence.
matsfan
December 1, 2014 @ 6:34 pm
Not exactly a pure country record but The Dirty River Boys self titled self titled is near the top for me. Check it out if you haven’t heard it. Agree with Hank about Lydia Loveless and DBT although neither are straight country either. I like Sturgill and have seen him three times in concert but don’t quite have the love for him like many do here but his record makes my list. So do Don Williams’, Rodney Crowell’s and Willie’s. Oh, and I will admit it…the best nine or ten songs on Platinum by Miranda make a really good record. Just saddled with some weak songs.
jw
December 1, 2014 @ 8:01 pm
I’ll pile on with another Sturgill pick.
I saw Matt Woods play about a year ago & I felt yelled at the whole time, and I get some of the same vibe from the record. It’s too much for me. He’s obviously a phenomenal songwriter, but what’s so great about most of the Greats is that they let the songs speak for themselves. I’m hoping he’ll mature a little bit before the next record & take it down a few notches because I think he could put out something I’d fall in love with, I just have a hard time listening to this one.
Canyonero
December 1, 2014 @ 8:04 pm
Where is Parker Milsap? His album, Jonas, Simpson, Trigger Hippie, and Eady are my top Five. And it will probably be Eady.
Blackwater
December 1, 2014 @ 8:22 pm
My vote for this year is Sturgill, that goes for record of the year, decade, hell maybe a lifetime. It is absolutely rare for me to put on an album and instantly mutter “wow” while my jaw drops. It usually takes me multiple listens to anything for it to “click”. He nailed it on so many levels. The album’s songwriting, music, flow, length, sound, instrumentation, everything.
I will throw out a write in for consideration – Deer Run Drifters “Appalachian Blues”. That’d be my #2.
Lunchbox
December 1, 2014 @ 9:13 pm
stoners and people who drink alone need to listen to Charlie Parr’s Hollandale before they make a final decision.
Stefan May
December 1, 2014 @ 9:22 pm
I got to see Sturgill live for the first time in Salt Lake last weekend. I was a huge fan of the band and Metamodern Sounds before, but seeing them live put things in a new perspective. As a fan of country and all kinds of music, it’s hard to express how bad ass these guys really are. If you haven’t seen the band live, go if you possibly can. Tickets were only $14, and at least 1 person outside was willing to pay $200. I drove 6 hours from Montana to get to the show and it was well worth it, and I’d do it again in a heartbeat. This isn’t about hype or influence or putting the hopes and dreams of country music on the shoulders of one man (and his band)…although its a little of all that. It’s really about a dude and his band that are head and shoulders above everyone else right now. That’s not a knock against any of the other great artists or great albums from this year, but it’s just a cold hard fact. Metamodern Sounds is the album of the year, and Sturgill and his band deserve every last bit of attention and credit they have gotten. It’s only going to get bigger from here. Exciting to watch it happen.
Rockies
December 1, 2014 @ 10:40 pm
I was also at that show on Friday. The energy from that show was amazing. To backtrack, Lucette opened for Sturgill, she has a great voice and her and her cellist really had a great feel for each other. Back to Sturgill…there was a vibe about the show that was hard to place. It’s like you know there is something different going on here…you aren’t sure what it is but are happy to have experienced it.
UT84043
December 1, 2014 @ 9:57 pm
Cody Johnson – Cowboy Like Me
Jason Eady – Daylight & Dark
Jon Pardi – Write You a Song
Joey+Rory – Country Classics
Dierks Bentley – Riser
Johnny Law
December 1, 2014 @ 10:31 pm
Don Williams “Reflections” all the way! The record was nothing short of great and he still puts an amazing live show on! Him and Merle have to two best voices in country in my opinion right now.
Spoony
December 1, 2014 @ 11:41 pm
“Daylight and Dark” I think for my favorite, personally, but Sturgill’s album has gotten such attention and acclaim that it has to get the nod.
Have been missing new music as of late though. It was a long dry spell from OCMS to to Stoney LaRue.
charley
December 1, 2014 @ 11:43 pm
bonnie montgomery put out a great album this year. also the ‘look again to the wind: johnny cash’s bitter tears revisited” was a great album.
Farmer
December 2, 2014 @ 12:02 am
Someone recommend me 3 Sturgill simpson songs for a first time listener.
Please
BrettS
December 2, 2014 @ 7:01 am
From High Top Mountain I love You Can Have the Crown. From Metamodern I love Living the Dream and Just Let Go. Those are my three personal favorites that I go to a lot. But I love his whole collection thus far.
Andrea
December 2, 2014 @ 7:57 am
Water in a Well is amazing
Jim Bob
December 2, 2014 @ 9:20 am
Just go to bandcamp, pull up either album and pick any 3 you want-you will not be disappointed. You will very likely wind up buying the albums after you hear them! But since you asked, I’d probably go with Life Ain’t Fair and the World is Mean, Railroad of Sin, and You Can Have the Crown off Hightop Mountain or Turtles All the Way Down, Life of Sin, and The Promise off Metamodern.
Farmer
December 2, 2014 @ 12:06 am
NOTE: Im into hillbilly kinda sound.
Bear
December 2, 2014 @ 12:14 am
With the majority of folks are gunning for Sturgill I’m going to fight for the underdogs because Sturgill already has a lot of wind at his back. So I vote for the women! On almost any list I ever see of anything related to music women are hardly present (unless it is a female centric list).
You have presented the astoundingly good choices all around (not just women) but Tami Nelson & Karen Jonas (& Kelsey Waldon) created two albums that have absolutely no missteps or filler and while Taylor Swift may have cleaned up in sales with in the moment pop. These 2/3 women created albums that defy time and place and prove once again there have been and always will be women making authentic truthful music.
These albums will be the ones future young music junkies will stumble upon in some bin or on some blog and lose their minds over.
Now if I was giving an award to best album by an icon, I’d give it to Willie Nelson some of his best work ever.
Che
December 2, 2014 @ 12:15 am
Sweet Ga Brown released a mother fucker called Wordsmith that completely blew my mind.
Trigger
December 2, 2014 @ 12:20 am
That’s a great one. I reviewed it a while back:
https://www.savingcountrymusic.com/sweet-ga-brown-proves-hes-a-wordsmith-in-new-album
Will certainly make the “Essential Albums” I’m posting soon.
Hillbilly Sheep
December 2, 2014 @ 1:25 am
Out of that list it’s Sturgill for sure
but I’d chose close behind
Ags Connolly ‘ How About Now’
Cale Tyson ‘High On Lonesome’ (it’s only an EP though)
one’s to watch for the future !!
Kate howell
December 2, 2014 @ 1:36 am
Tami Neilson is just the best by far
Kev
December 2, 2014 @ 5:09 am
That’s a fine list – the releases from Simpson, Woods, Eady, and Lauderdale are definitely amongst my favourite albums of the year and I would also give a thumbs up to Ags Connolly, as mentioned above. But if I had to choose one album from this year I would go for “Home Is Where The Heart Is” by JP Harris & The Tough Choices: an excellent collection!
Ranger
December 2, 2014 @ 6:29 am
I love Sturgill, but I got to go with Don Williams on this one.
marko
December 2, 2014 @ 6:36 am
In 3…..2……1…..
But what about Florida Georgia Line and Sam Hunt?!
Henning
December 2, 2014 @ 6:41 am
It’s Sturgill for me, too, not just in Country, in any genre.
Top 5 within the Country borders:
2. Lydia Loveless
3. Shakey Graves
4. Parker Millsap
5. Whiskey Shivers
Carmines04
December 2, 2014 @ 7:18 am
Thanks for posting this. Some of the best music “new” music I’ve added to library comes from your posts like this. I also appreciate the “essential albums” post as well. This is when your website really shines. Just think – before the internet these folks would have gotten zero publicity. Now I’ve got myself two new playlists chalk full of new music for winter in Chicago.
Also, thanks to all the folks who post their two cents worth. Really good input.
I’ll even give the Don Williams one a try. I’ve hesitated, because I had thought it would just be a re-tread, but this isn’t the first time you’ve mentioned this album on your web site.
My buddies and I are going to see Sturgill at Thalia Hall in Chicago this weekend. Super excited. I missed him last time he was in town right when “Metamodern Sounds” came out. This show will be pretty special for us.
HaydenLane
December 2, 2014 @ 8:14 am
I can’t argue at all with Sturgill deserving the win, but my top would be Matt Woods followed closely by Jason Eady. They just suit my tastes better, I suppose.
I think Johnny Cash deserves an honorable mention here. Was ‘Out Among the Stars’ his finest work? No, not by a long shot. The songs are from a point in his career where nothing he recorded was exceptional compared to what he’d already done. However, the impact is there. A complete album of unheard music, being released by a legend who’s style seemingly has no appeal to younger generations, was a #1 on the country charts and #3 on the Billboard Top 200. I think that sends a very powerful message to the mainstream. It let them know that the people who crave heartfelt, well-written, and traditional sounding music still exist.
HaydenLane
December 2, 2014 @ 8:18 am
Forgot to mention, Jon Pardi’s ‘Write You a Song’ easily gets my vote from the mainstream side of things. I absolutely loved that album.
Joshua Neilson (Jay)
December 2, 2014 @ 8:17 am
Tami Neilson may be my sister (and I may’ve written a song off the album), but in no way does that dim the fact that “Dynamite” is the best kept secret of this bunch.
#1 with a bullet
All due respect to Don and Jim of course!
Topher
December 2, 2014 @ 8:19 am
Hard to argue with any of the nominations, but my top 2 this year are Jason Eady’s Daylight & Dark and Kelsey Waldon’s The Goldmine.
Kelsey Waldon especially because it took me completely by surprise. I think I listened to it like 5 times on repeat right away. Everything about the album grabbed me and never let go.
RD
December 2, 2014 @ 8:25 am
Of the list, I’d go with Sturgill Simpson.
I’d be interested to know if Chris Knight, Jason Boland, Wayne Hancock, Unknown Hinson, Bob Wayne, or Corb Lund have anything in the works… Dale Watson is always working on something….
Trigger
December 2, 2014 @ 11:39 am
Haven’t heard anything specific about new music from any of these artists. When I do I’m sure I’ll let folks know.
Bigfoot is Real (and full of... well you know what)
December 2, 2014 @ 2:08 pm
Corb Lund released Counterfeit Blues in July of this year.
Trigger
December 2, 2014 @ 2:42 pm
Yes, and Bob Wayne released an album as well and I covered both. I thought he was talking more about new upcoming projects. Some Corb fans aren’t counting “Counterfeit Blues” because there’s no new songs. I think I saw some murmurings he’ll have something new out in 2015.
Kross
December 2, 2014 @ 8:46 am
thought for sure Adam Hood would have made the list. Trying to to write a love song should at least make the song list.
Trigger
December 2, 2014 @ 11:38 am
Adam Hood will definitely be on the “Essential Albums” list. It’s a great albums with some great songs. It goes without saying when choosing selections that everyone’s tastes are going to be different. That is why I call this the “Saving Country Music” Album of the Year, and don’t try to say it’s anything more than my opinion. Even if I included 25 albums here, someone would feel their favorite is represented. My ultimate hope with end-of-year lists is to turn people on to stuff they may have missed. If a different album looms large for you, then that’s great. That means you’re one step ahead of finding music that speaks to you.
Mitch N.
December 2, 2014 @ 9:39 am
While there are some worthy efforts on this list, the choice this year is relatively easy. Has to be Sturgill Simpson.
Scott
December 2, 2014 @ 9:50 am
Sturgill. After that Lee Bains 3 and the Glory Fires (it’s not country but it’s GREAT), Stoney, Jason Eady.
Bigfoot is Real (and full of... well you know what)
December 2, 2014 @ 2:16 pm
Hey thanks for the reminder on Lee Bains III, Dereconstructed is an incredible album and they are an amazing band live. Maybe as good as any guitar band anywhere. Saw ’em in 2013 and they just tore the house down. You listen to these guys and other “southern rock” bands just sound like Blackberry posers. Ya, should be on this year’s best of for sure. And Benjamin Booker too while we’re on a bit of a rock roll….
Tx music Jim
December 2, 2014 @ 10:09 am
Jason Eady is my pick track for track the epitome of country music ! Strugil Simpson is a close second
BJones
December 2, 2014 @ 10:40 am
Going to go with Charlie Parr. Would’ve liked to see Joseph Huber and JP Harris make it over that “bubble.” Ags Connelly too. Lot of good ones this year.
Joshua Brown
December 2, 2014 @ 1:24 pm
Sturgill Simpson gets my vote. I saw him last week at Mississippi Studios in Portland, OR. There was basically no difference between his albums or his live show, except for the occasional jam session at the live show. I see lots of comments for Jason Eady. I would give him co-honors as best album with Sturgill. Hey, could they tour together? Maybe rekindle the Southern Brothers From Another Mother tour with Jason Eady and Adam Hood, adding Sturgill!
Susan Laur
December 2, 2014 @ 1:29 pm
Well, there is so much to say about Tami Neilson but the first thing that comes to mind is dynamic…she is just so talented!
Her voice is like a nightinggale and her album is one you play over and over again!
Walk the song that won her the Silver Scroll Award in New Zealand is fantastic. Vocals, music and the lyrics all works and that is why it won.
Just the full package!!
Tami is the star of New Zealand country that’s for sure…love her!
She is everything a country artist should be…talented, gifted writer, gorgeous and just a wonderful person…and that smile should win this for her on that alone!!
Just a great artist…love her!!
Bigfoot is Real (and full of... well you know what)
December 2, 2014 @ 1:58 pm
I am sure it is just me but if these are the best releases of 2014 I don’t think 2014 was a stellar year. Hollandale isn’t even Charlie Parr’s best album (call me out of touch but King Earl is his true masterpiece). Don Williams is an icon but this wasn’t his best career effort either. Sturgill Simpson is a refreshing change from all the pop country crap and certainly a front runner for album of the year and all the other choices are solid albums with the exception of Matt Wood who I just can’t get into at all. Again I am not saying they are bad but if they are the best this past year kinda disappointed.
Really feel like Joseph Huber’s Hanging Road was the best release of the year with nods to Sturgill Simpson, Shovels and Rope, and Lucinda Williams (to me the still best songstress in the biz and the production on Where the Spirit Meets the Bone is perfect).
Trigger
December 2, 2014 @ 2:43 pm
I don;t know that I would characterize 2014 as “stellar.” I felt like I spent most of the year searching for the next big album and being frustrated, while some big releases were slight letdowns. I don’t know that I would call it a bad year either.
Josh
December 2, 2014 @ 2:08 pm
1. Metamodern Sounds- Sturgill Simpson
2. The Hanging Road- Joseph Huber
3. Daylight & Dark- Jason Eady
Those are the three that I have listened to almost everyday since their release.
Mike
December 2, 2014 @ 2:28 pm
1. Sturgill Simpson ”“ Metamodern Sounds in Country Music
2. Hurray for the Riff Raff ”“ Small Town Heroes
3. Drive By Truckers ”“ English Oceans
4. St Paul & the Broken Bones ”“ Half the City
5. Delines ”“ Colfax
These are my top 5 – Not too many people heard Delines album, but I think alot of folks here would dig it.
yessir
December 2, 2014 @ 3:39 pm
Good lookin out was just able to check out The Delines…..I haven’t gotten all the way through but already digging it big time!
Tate Hall
December 2, 2014 @ 8:12 pm
Matt Woods. Nothing more needs to be said.
Jeremy Abell
December 2, 2014 @ 9:30 pm
Sturgill is #1 for me as well. I think it’s just too good to top this year. Also, I’d like to mention Parker Millsap’s self titled album…I believe that it came out in 2014.
I love this time of year though. It’s great to get awesome lists of music to sample around Christmas time, and spend some of that extra cash! Plus, looks like 2015 will be an exciting musical year too. I can’t wait for American Aquarium’s Wolves to arrive.
Brian
December 3, 2014 @ 12:33 am
Ommiting Cody Johnson: Cowboy like me is a real travisty. He has the voice, the song writing and some dang fine players.
It’s been on heavy rotation in my circles, it also don’t hurt he’s been killing the Texas music charts.
Ian
December 3, 2014 @ 2:19 am
Tami Neilson’s album is a timeless country classic.
I just don’t get the appeal of the Sturgill guy?
Also my other album of the year so far is C.W. Stoneking: Gon’ Boogaloo. Take a listen it will seriously blow your mind!
Charlie
December 3, 2014 @ 5:36 am
Sturgill has gained enough traction that he is in the best position to Save Country Music–even more so than The Mavericks were last year. So there you go. ‘Nuff said.
I hope he gets a new producer for the next one, though. The production on both his album AND Jason Isbell’s was a letdown for me.
Jared
December 3, 2014 @ 7:12 am
I really like Jim Lauderdale’s album although I never imagined I would. I’m stuck with a 3-way time between Sturgill, Jason Eady, and Joseph Huber for year’s best though. I echo Jeremy’s enthusiasm for the Wolves release.
Dave D.
December 3, 2014 @ 10:24 am
Out of the ones you’ve listed, clearly Sturgill. As good as Metamodern was, though, I spent more time in 2014 listening to the Jason Eady, Kelsey Waldon, and Lydia Loveless albums.
NorCal Hellbilly
December 3, 2014 @ 11:35 am
I think Jimmy Swope should be on this list! Great list otherwise
Don
December 3, 2014 @ 11:58 am
1. Don Williams, best beer on the front porch at the end of the day album I’ve heard in years.
2. Tami Neilson, what can you say about her voice? It speaks for itself.
3. Sturgill, I love this album, but when I think about it, I’ve listened to Don Williams way more this year
Nathan
December 3, 2014 @ 2:45 pm
Sturgill. I really like the Don Williams album; it’s just hard not to say Sturgill at this point. His album on Amazon is outpacing some commercial darlings at this time without the commercial success. All the albums on the list are very deserving. Metamodern sounds is just an unbelievable album and gets better each time I listen.
Side note: Has anyone ever noticed that Sturgill bears a striking resemblance to the crazy guy off Braveheart.
brettp
December 3, 2014 @ 5:14 pm
A dark horse year indeed but Metamodern by Sturgill takes this one hands down. It showed us everything that country music can be, and should be. I am puzzled as to why Willie and/or Billy Joe werent at least nominated. I would have even considered old 97s or DBT over some of these nominees, but just one mans opinion.
OFT
December 4, 2014 @ 7:44 am
I feel sorry for anyone not named Sturgill Simpson who put out a record this year. All in, can anyone make an argument that 20 years from now Metamodern Sounds won’t be looked at like another Red Headed Stranger, At Folsom Prison, Greivous Angel, etc…? Sturgill hands down. 2nd place has to be the new Florida Georgia Line, there’s a talented duo right there.
Ok, but the first part was sincere. Pretty sure I’ll burn for eternity just for typing that.
Toby in AK
December 4, 2014 @ 11:00 am
As a big fan of several artists on this list, I’m going to have to give Don Williams my vote for favorite album of the year. Then again, maybe it’s just a Don Williams kind of morning for me.
If I look at this in terms of which album has had and will have the largest impact, the answer’s clear at least to me. Metamodern in not even my favorite Sturgill Simpson album, but in terms of impact on country music and the potential for placement on the “classic albums” type lists, this album is the one.
I’ve got to say, there’s a lot of great suggestions here in the comment as well. Count me in as a fan of Willie Nelson’s newest, and not just because he’s Willie Nelson. This was one of his best in at least a decade.
Chris
December 4, 2014 @ 2:19 pm
Lee Ann Womack.
Sloane Spencer
December 4, 2014 @ 3:37 pm
Matt Woods.
Disclosure: I featured Matt Woods several years ago on Country Fried Rock, but he’s gotten even more incredible.
Harrison
December 4, 2014 @ 7:47 pm
In no particular order:
Sturgill Simpson – Metamodern Sounds…
Jamestown Revival – Utah
Parker Millsap – Parker Millsap
Joseph Huber – The Hanging Road
First Aid Kit – Stay Gold
Alo
December 6, 2014 @ 1:32 pm
Casey James Prestwood & The Burning Angels: Honky Tonk Bastard World deserves to be recognized.
scottinnj
December 8, 2014 @ 5:23 am
i can’t object to the positive vibes to MMSICM but I really think it is the woman of country music that warrant support. Sturgill is deserving and his careeer is truly and deservedly taking off.
i went back and listened to all these again and feel like choosing an album amongst thisnfine group is like asking the rainbow for their favorite color. that said if i have to pick one i think the most moving and solid album amongstbthe bunch is the debut Karen Jonas album. its what i think of when i think of someone out there trying to save country music.
Mike
December 12, 2014 @ 3:11 am
It’s great to see an album from the other part of Men At Work’s “down under” equation (New Zealand) get a nomination. We now consider Canadian-born Tami Neilson one of our own. And while I know she doesn’t have a country miles chance of winning, it’s a reflection on what Saving Country Music is all about that they’ve not just reviewed a country album from lil old New Zealand but hopefully made other people aware that there is great country music being made beyond the borders of North America. Well done.
Brandon
December 23, 2014 @ 10:08 am
Sturgill Simpson. While there were many fine albums this year, none have made the kind of impact outside of ‘Americana/alt-country/whatever’ that Mr. Simpson’s album made. Mainstream artists and labels have taken notice and the radio waves will be better because of it.