Not as a rebuke of the work of the documentary, but as an addendum for those who watched and might want to dig deeper into the history of country through some of its more important personalities not represented well in the film, here are some of the Country Music film’s biggest oversights.
If you’re a country music fan and are disappointed that your favorite artist didn’t get enough screen time in the Ken Burns film on country music, well guess what, your favorite genre did, and by the most revered documentary filmmaker of our time, and before rock n’ roll, pop, the blues, soul music, or hip-hop.
Alan Jackson, Allen Reynolds, Bill Monroe, Billy Ray Cyrus, Bluebird Cafe, Brooks & Dunn, Chris Stapleton, Clint Black, Conway Twitty, Dayton Duncan, Dierks Bentley, Dixie Chicks, Don Williams, Dwight Yoakam, Emmylou Harris, Garth Brooks, George Jones, George Strait, Glen Campbell, Jamey Johnson, Johnny Cash, Kathy Mattea, Keith Whitley, Ken Burns, Lil Nas X, Little Big Town, Lucinda Williams, Lyle Lovett, Mary Chapin Carpenter, Miranda Lambert, Nanci Griffith, Randy Travis, Reba McEntire, Rick Rubin, Ricky Skaggs, Rosanne Cash, Ryman Auditorium, Steve Earle, Sturgill Simpson, Taylor Swift, The Judds, Toby Keith, Travis Tritt, Trisha Yearwood, Vince Gill
By the bullet points on the resume, Burt Reynolds had little to do with country music. Not since Gram Parsons did a figure in American pop culture act like a bigger bridge to country music, and proved how it could be cool. For most famous humans, the myth precedes them. But with Burt Reynolds, the myth really was the man.
If you’re 17-years-old, can’t wait to get out from under the repressive regime of your parents house, and generally hate country music, Keith Urban’s new album ‘Graffiti U’ is right for you. It’s almost as if in a maniacal obsession, Keith and his legion of SIXTEEN producers set out on a purposeful mission to make the worst country album they could.
When we saw the expansive list of performances scheduled for the 2018 ACM Awards Sunday night (4-15) in Las Vegas, we knew something would need to be axed from the presentation to make room. During most every awards show in the modern era, performers and dignitaries of note who have passed away in the last year are honored.
As the end of the year draws near, it comes time to reflect on all the country music greats big and small, superstars and sidemen, session players and songwriters, who passed away in the past year, and pay our respects to the contributions they made to country music, and to us as fans through the music they shared.
Allman Brothers, Ben Dorcy, Bob Wooton, Bobby Boyd, Butch Trucks, Don Warden, Don Williams, George Reiff, Glen Campbell, Greg Allman, Izzy Cox, Jimmy LaFave, Kayton Roberts, Leon Rhodes, Mel Tillis, Richard Dobson, Tammy Sullivan, Tom Petty, Tommy Allsup, Wendell Goodman
For many country fans, the way you would deal with the death of a close friend or a loved one would be to put a Don Williams record on. So what are you supposed to do when Don Williams is the one who has died? The memories are so rich and the voice is so familiar, it’s like Don Williams is part of your family.
Today, September 8th, 2017, would have been the 85th birthday of Patsy Cline—one of the most iconic, influential, and immediately recognizable voices in the history of country music. But she died tragically in a 1963 plane crash near Camden, Tennessee that also killed country starts Cowboy Copas, and Hankshaw Hawkins.
Country music legend, Hall of Famer, iconic voice, and gentle soul, Don Williams, has passed away at the age of 78. He died after a short illness according to his representatives at Webster Public Relations. He is the owner of 17 #1 country hits, 9 total Male Vocalist of the Year Awards, and countless other distinctions and accolades.
An all-star cast will come together to celebrate the life and music of country music icon and Hall of Famer Don Williams in a new tribute album with the proceeds going to a good cause. ‘Gentle Giants: The Songs of Don Williams’ will be released on May 26th via Slate Creek Records.
Alison Krauss, Amanda Shires, Brandy Clark, Chris Stapleton, Dierks Bentley, Don Williams, Garth Brooks, Gentle Giants: The Songs of Don Williams, Jason Isbell, John Prine, Keb Mo, Lady Antebellum, Morgane Stapleton, Pistol Annies, Trisha Yearwood
When Saving Country Music started nearly nine years ago, the media rarely talked about country legends. They were relics forgotten in time that weren’t worth wasting website space on because few people cared, and the ones who did weren’t online. Now that your mother and grandmother all have Facebook pages and smartphones, country legends and their regular health ailments are the stuff of clickbait dreams for viral farms.
It’s perfectly alright to be totally not okay with the news Tuesday (3-1) that Don Williams has decided to go into retirement, again. That hat, that beard, and most importantly that legendary smooth baritone voice that won him 17 #1 hits over his career and an induction into the Country Music Hall of Fame in 2010 can’t just go softly in the night and not expect there to be some sad faces, and disappointed ears.
“Things That I Lean On” begins by acquiescing to the frailties of being human, and then singing the praises of the gifts life bestows to overcome them. Written by Travis Meadows and Daniel Sanders, it is a perfect song for the conditions Cactus Moser created to record in. Though it’s not her own song, the love and honesty Wynonna sings with let’s you know it is still very personal and true to her experience.
Cactus MOser, Chris Stapleton, Daniel Sanders, Derek Trucks, Don Williams, Jason Isbell, Julie Miller, Review, Susan Tedeschi, Things That I lean On, Timothy B. Schmit, Travis Meadows, Wynonna & The Big Noise, Wynonna Judd
Tim McGraw is one of the last remaining artists who can release what he wants to radio, including music that actually says something and is fit for consumption by fully maturated adults, and it somehow finds not just a semblance of traction and acceptance, but downright success.
One of the big story lines in country music over the past few years has been the rehabilitation of country music from a quarter century ago that emerged during the period known colloquially as the “Class of ’89.” Despite the commercial rise of country during the era, it’s also the period people love to point […]
It seems to be the destiny of man to make the same mistakes over and over, even when we have insurmountable evidence of the fallacy of our actions right in front of us. Country music might be one of the greatest examples of this as it cycles from being obsessed with pop and contemporary sounds, and then gets reeled back in towards its traditional heart during the tug and push of its sometimes tumultuous history.
From crude videos taken on somebody’s phone, to full production videos with scripts and actors and sets, to animated shorts and everything in between, you never know what’s going to capture the imagination and become the perfect compliment to a song in the visual form. what breaks through the crush of visual material to be called the best in 2014?
Don Williams, First Aid Kit, Florida Georgia Line, Gary Nicholson, Ray Benson, Steelism, Sturgill Simpson, The Tillers, The Whiskey Shivers, Townes Van Zandt, Waylon Jennings, Willie Nelson, Willie Watson
If you’re looking for names to populate your most anticipated projects to be released in 2015, putting Mo Pitney at or near the top would be a savvy choice. With a one in a million country voice conveyed in a smoothness we haven’t heard since Don Williams, Mo Pitney is a chill-inducing traditional country artist with a succulent pentameter and delivery, and a songwriter’s pen engorged with stories.
Each year when Saving Country Music sits down to compile the best songs, it’s done so with a solemn reverence and understanding that the idea embedded in a song has the power to change a life, and change the world. There are many songs out there that are a joy to listen to, but a Song of the Year must say something that can evoke shivers, and do so in a way nobody else has done before.
Don Williams, Everything's Gone, First Aid Kit, Garry Nicholson, Hellbound Glory, Hurray For The Riff Raff, I Lost You, Jim Lauderdale, Joseph Huber, Leon Virgil Bowers, Lloyd Maines, Lydia Loveless, Parker Milsap, Ray Benson, Streets of Aberdeen, Sturgill Simpson, Tami Neilson, The Body Electric, The Lonely Island, The Secret Sisters, Truck Stop Gospel, Turtles All the Way Down, Waitress Song, Wanchese & Manteo, Waylon Jennings, Willie Nelson, Willie Watson
2014 has revealed itself as the “Year of the Dark Horse” when it comes to compiling the greatest albums released in the last 12-month span. Tami Neilson, Karen Jonas, Charlie Parr, Matt Woods? Who’s heard of these people outside of their respective fan bases? And meanwhile the realm of mainstream music can’t field one candidate, unless you want to count First Aid Kit.
2014 Album of the Year, Charlie Parr, Don Williams, Doug Seegers, Dynamite!, First Aid Kit, Hollandale, I'm A Song, Jason Eady, Jim Lauderdale, John Fullbright, Joseph Huber, Karen Jonas, Kelsey Waldon, Matt Woods, Metamodern Sounds In Country Music, Oklahoma Lottery, Reflections, Stay Gold, Sturgill Simpson, Tami Neilson, With Love From Brushy Mountain, Zoe Muth
Compared to albums, making picks of songs is such a tough, arbitrary business. This year seems especially tough, not because the field isn’t strong, but because many of the best moments are coming from unlikely sources, including a cadre of cover songs that despite the spirit of the “Best Songs” approach being about original compositions, seem almost criminal to omit.
Bob Wayne, Dierks Bentley, Don Williams, Eric Church, First Aid Kit, Hellbound Glory, I'll Be Here In The Morning, Jason Eady, John Fullbright, Karen Jonas, Kirsty Lee Akers, Leroy Virgil, Liberty Bell, Lonely Island, Matt Woods, Melody Williamson, Miranda Lambert, Parker Milsap, Red Eye Gravy, Streets of Aberdeen, Sturgill Simpson, Take Me Back, The Promise, The Secret Sisters, The Wall, There's No Country Here, Turtles All the Way Down, Willie Nelson, Willie Watson, Zoe Muth
2014 so far has been an interesting year for album releases for sure. Some names we were hoping big things from like Sturgill Simpson and Jason Eady delivered in big ways. Other dark horse names we’d never heard of like Karen Jonas came out of the woodwork to stun. Some names like Don Williams and Charlie Parr put out surprising albums that have to be considered high water marks of their career.
Best Albums So Far, Charlie Parr, Dalight & Dark, Don Williams, First Aid Kit, Hollandale, Jason Eady, John Fullbright, Joseph Huber, Karen Jonas, Matt Woods, Metamodern Sounds In Country Music, Oklahoma Lottery, Reflections, Songs, Stay Gold, Sturgill Simpson, With Love From Brushy Mountain, World of Strangers, Zoe Muth
Fans of Lee Ann Womack have been waiting not-so-patiently since 2008’s Call Me Crazy for new music from the multi-Grammy and multi-CMA Award winner, and on September 23rd they’ll finally get their wish. After years on major labels, Womack has teamed up with renown label Sugar Hill Records to release The Way I’m Livin’ this fall.
Bruce Robison, Buddy Miller, Chris Knight, Don Williams, Frank Lidell, Hank Cochran, Hayes Carll, Jamey Johnson, Lee Ann Womack, Mando Saenz, Marty Sturat, Mindy Smith, Neil Young, Paul Franklin, release date, Roger Miller, Sugar Hill Records, The Way I'm Livin'
Scott Borchetta’s Big Machine Label Group is now bigger by one, and adds a new branch on the Big Machine tree right beside the labels other imprints of Republic Records and Valory Music Group. Announced today, Scott Borchetta and Universal Music Group have resurrected the “Dot Records” label name—a legacy music brand that was first started in Gallatin, TN.