Uncaged, unhinged, and at times even inappropriate, Wrangled is Angaleena Presley making the record she wants to, be damned of the bridges left aflame and the apple carts upset. It is an unusual record, in both sound production and theme. But it also remains solidly country, Angaleena country, where no recess of the unsettled mind is off limits.
You’re not quite sure exactly what message Angaleena Presley is trying to drive home when you first pull up the track. But things get turned up a big notch when Nashville resident and hip-hop artist Yelawolf, who is a well-known critic of arena rap and corporate country, goes careening into a tirade.
An all-star cast will come together to celebrate the life and music of country music icon and Hall of Famer Don Williams in a new tribute album with the proceeds going to a good cause. ‘Gentle Giants: The Songs of Don Williams’ will be released on May 26th via Slate Creek Records.
Alison Krauss, Amanda Shires, Brandy Clark, Chris Stapleton, Dierks Bentley, Don Williams, Garth Brooks, Gentle Giants: The Songs of Don Williams, Jason Isbell, John Prine, Keb Mo, Lady Antebellum, Morgane Stapleton, Pistol Annies, Trisha Yearwood
I see Cam, and I see a blank page. There’s nothing here. What’s her sound? What’s her style? What is she trying to say? What role is she fulfilling in country music? Is she a one-of-a-kind singer? Is she a critically-acclaimed songwriter? What is her contributions to the music at large? She’s got frizzy blonde hair, and likes the color yellow. And that’s about all the character information I’ve been able squeeze out of her.
Lexington, Kentucky-based Southern rock / sometimes country band Fifth on the Floor is breaking up, according to a missive sent out by the band today (1-6-15). Led by songwriter and lead singer Justin Wells, Fifth on the Floor was seen by many as one of the most promising upstart Southern rock bands of the last decade, releasing three albums over the eight year span of the project.
2013 very well may go down as the year when referencing marijuana and other drugs in your songs is no longer cool as much as it is conformist—a lyrical hook, a well-recognized buzz word made for marketing an artist or song just as much as anything else. There has ceased to be either the generational gap, or the exclusivity of drug references in music to make them “cool.”
Arlo Guthrie, Ashley Monroe, Brandy Clark, Charlie Daniels, Cypress Hill, Eric Church, Gram Parsons, Green Day, Hank Williams Jr., Hank3, Kacey Musgraves, Kris Kristofferson, Luke Bryan, marijuana, Miley Cyrus, New Riders of the Purple Sage, Pantera, Pistol Annies, pot, Snoop Dogg, Waylon Jennings, Willie Nelson
The hidden dystopia seething under the smile of sweet suburban life, and the general dysfunction plaguing any and all affairs of the heart is the broken-minded madness that Brandy taps into with this album, following fed up and frustrated fraus who are willing to medicate themselves and match the misdeeds of their men sin for glorious sin.
It’s so easy to get swept up in stereotyping mainstream country as being completely void of anything worth your time these days, but in truth there’s still a lot of great music in the popular music world, however a small percentage it might be of the total package. Saying the mainstream has nothing good to offer is narrowing your musical experience no different than saying that music is bad because it’s not popular.
Alan Jackson, Ashley Monroe, Dierks Bentley, Easton Corbin, Eric Church, Gary Allan, George Strait, Jamey Johnson, Joey + Rory, Kacey Musgraves, Kellie Pickler, Luke Bryan, Miranda Lambert, Pistol Annies, Reba, Taylor Swift, The Mavericks, Vince Gill, Zac Brown Band
All of a sudden hip-hop influences are dominating the top of the country music charts, asserting just as much influence, if not more than indigenous country influences, with a bevy of new country rap tunes from numerous artists ready to be released, and mainstream artists lining up to try and be a part of the trend. How did country music get here?
Aaron Lewis, Accidental Racist, Ashley Monroe, Blake Shelton, Boys 'Round Here, Brad Paisley, Brantley Gilbert, Colt Ford, country rap, Cowboy Troy, Cruise, Darius Rucker, Dirt Road Anthem, Florida Georgia Line, George Jones, Jason Aldean, Jawga Boyz, Joe Diffie, Kid Rock, Lil Wayne, Limp Bizkit, Linkin Park, LL Cool J, LoCash Cowboys, Ludacris, Luke Bryan, Lynard Skynard, Miranda Lambert, Moonshine Bandits, Nelly, Pistol Annies, remix, Sheryl Crow, Staind, Struggle, T Pain, Taylor Swift, Tim McGraw, Warren Zevon, Waylon Jennings
If equality is what Blake Shelton was looking to strike in the video for “Boys ‘Round Here,” then he deserves a big pat on the back. Because anything and everything about this eye-raping edifice to the universal monoculture and hyper-driven consumer excess mixed with vomit-inducing racial tokenism is as equally repulsive as it is embarrassing.
We’ve talked about 7 Men Who Could Immediately Make Country Music Better, now let’s take a look at 9 women who could do the same. It’s been well documented that here in 2013, the women of country are outpacing the men when it comes to the quality of music–women like Kacey Musgraves who’ve seen breakout commercial success.
Ashley Monroe, Cary Ann Hearst, Dixie Chicks, Emmylou Harris, Eric Church, First Aid Kit, Holly Williams, Kellie Pickler, Lindi Ortega, Pistol Annies, Rachel Brooke, Shovels & Rope, The Civil Wars, The Trishas, Valerie June
Just when we thought the American public was finally getting wise to the fact that country rap is a Cancer of Western Civilization, needing to be cut out and radiated like the grapefruit-sized, puss-filled tumor it is, here it comes roaring back like a raging case of bleeding hemorrhoids. It’s the audio equivalent of sneaking out of your mom’s house to smoke pot behind a Pizza Hut.
Blake Shelton, Boys 'Round Here, Brantley Gilbert, CHarlie Sheen, Florida Georgia Line, Grand Ole Opry, Jason Aldean, Listen to Blake Shelton's Boys 'Round Here, Pistol Annies, puss-filled grapefruit-sized tumors
Like A Rose is a short and sweet, classic country album that encapsulates Ashley Monroe’s skills as a formidable traditional country songwriter with a sweet voice embellished with sincere pain. The approach to Like A Rose is traditional, but light in the way the rhythm is laid back and some of the textures are ambient, making it in some respects a cross between country and Americana, broadening the appeal of the record.