Eric Church’s latest album Desperate Man will win the CMA Album of the Year in 2019, beating out Thomas Rhett’s Center Point Road, Dan + Shay’s self-titled release, Girl by Maren Morris, and Carrie Underwood’s Cry Pretty. This is the bold prediction Saving Country Music is putting out there right here and now.
Strong songwriting underpins inspired performances delivered by four women with passion for this project and its material in this initial effort by The Highwomen. Instead of writing it all themselves, they took the Nashville approach of utilizing co-writers to refine each effort that began with their original ideas, and it shows in the results.
In many respects, the CMAs did that this year with their 2019 nominations, or at least better than many years. But the Album of the Year nominations were especially easy to pick apart in 2019. The biggest reason to second guess these nominations is that this current awards shows cycle has been exceptional for excellent mainstream albums.
Miranda Lambert’s latest album will be called “Wildcard.” Along with the album release date and artwork, we also get to see track list and songwriting collaborators Miranda Lambert worked with on the album. A regular champion of quality songwriters, ‘Wildcard’ will be no different, even if the sound and approach is.
Singer, songwriter, performer, and Pistol Annies member Ashley Monroe is no longer singed with Warner Music Nashville, Saving Country Music has confirmed. Monroe exited the label on May 1st. No reason has been given by Monroe’s management, or Warner Nashville for the departure.
The Americana Music Association has announced the 2019 nominees for their annual Americana Music Awards to be held this September at the Ryman Auditorium in Nashville. In a video hosted by The Milk Carton Kids taped at Soundcheck Nashville on Tuesday, May 14th, four nominees in six categories were unveiled.
American Aquarium, Americana, Americana Music Awards, Brandi Carlile, Brent Cobb, Colter Wall, Dave Cobb, John Prine, Kacey Musgraves, Lori McKenna, Mark Erelli, Our Native Daughters, Pistol Annies, Rhiannon Giddens, The Milk Carton Kids, Yola
Beyond her efforts as a solo performer, recording artists, and in the country music supergroup the Pistol Annies, Ashley Monroe is also a respected and accomplished songwriter. Now Monroe’s efforts are being rewarded with a new worldwide publishing deal.
It’s no April Fools Joke. Country music legend Loretta Lynn is gearing up to celebrate her 87th birthday this April 14th, and on April 1st, many of country music’s finest will be coming together to show tribute to the Coal Miners Daughter in a massive concert and birthday party at Nashville’s Bridgestone Arena.
Alan Jackson, Brandy Clark, Darius Rucker, Garth Brooks, George Strait, Jack White, Kacey Musgraves, Keith Urban, Little Big Town, Loretta Lynn, Margo Price, Martina McBride, Miranda Lambert, Pistol Annies, Trisha Yearwood
Ladies and gentlemen, we have a split decision. In a year when it feels like a criminal act to choose the best song over so many worthy contenders, even whittling it down to just two feels like a grave offense. But it is two songs that just can’t be denied this year, and it would be a discredit to the process chooing one over the other.
Saving Country Music unapologetically leans towards the independent and traditional side of country music. But that doesn’t mean the mainstream of country doesn’t get it right every so often. It’s important that we highlight those positive albums and artists too.
A Saving Country Music Song of the Year candidate is not just your favorite ditty that gets stuck in your head. These are songs that change hearts, change lives, rest in your head for years to come, open up new ideas, or unlock memories or emotions you haven’t felt in years.
When the Pistol Annies sent the first single from their new record Interstate Gospel to radio, it came with a letter from the chairman and CEO of Sony Music Nashville, Randy Goodman. In that letter, Mr. Goodman made a personal plea to radio programmers to give preferred treatment to the Pistol Annies in their playlists.
In the humble estimation of Saving Country Music, 2018 has been the second bumper crop year in a row for excellent, top shelf efforts in country music. To reflect that, the number of nominees for Saving Country Music’s vaunted Album of the Year recognition has been pushed to its capacity of 10 once again.
American Aquarium, Blackberry Smoke, Caitlyn Smith, Cody Jinks, Colter Wall, Courtney Marie Andrews, Dillon Carmichael, El Coyote, Jamie Lin Wilson, Jason Eady, John Prine, Kacey Musgraves, Lori McKenna, MIke and the Moonpies, Pistol Annies, Randall King, Sarah Shook and the Disarmers, Tom Buller, Whitey Morgan and the 78's
The Pistol Annies have the power of the purse behind their latest effort, lifting their third record ‘Interstate Gospel’ above all competition during its debut week, and putting them at #1 on the Country Albums charts. Combining the talents of performers Miranda Lambert, Ashley Monroe, and Angaleena Presley together
The newest additions to the Saving Country Music Top 25 Playlist don’t include a lot of boot scooters, but it may contain some of the best-written songs released all year. As we near the end of the year, it’s time to start considering the best songs and albums of all of 2018. Some of them could be on this playlist.
On the Pistol Annies’ third record and their first in a long while, you will find the songs you would expect from the supertrio. But beneath the Southern female glitz and unruly frivolity on the surface of the Pistol Annies’ persona is perhaps the trio’s most involved work.
Yes, The Pistol Annies will have a radio single. Going for adds on October 29th via RCA Nashville, it will give the supergroup consisting of Miranda Lambert, Angaleena Presley, and Ashley Monroe an opportunity to try and break the male-dominated monopoly on country radio.
It was a night to honor the women of country music, rally support behind them, and remember the legacy of many of the women who have come before. The problem is, very few people witnessed it. Ratings for the 2018 CMT Artists of the Year were poor to put it mildly.
Alison Krauss, Carrie Underwood, CMT Artists of the Year, Hillary Scott, Karen Fairchild, Kelsea Ballerini, Kimberly Schlapman, Lady Antebellum, Leslie Fram, Little Big Town, Loretta Lynn, Maren Morris, Margo Price, Miranda Lambert, Pistol Annies
Miranda Lambert has just loaded up her trophy case with a bunch of new precious metal after the RIAA handed down multiple new platinum accolades for previous songs and records. After one of her two sold-out shows at the Country Music Hall of Fame has part of her 2018 Artist-In-Residence duties….
Ashley Monroe’s much-anticipated new album Sparrow will be arriving on April 20th via Warner Bros. Nashville. Produced by Dave Cobb and recorded in Nashville’s historic Studio ‘A’, the record is said to take a very Countrypolitan approach to the music. Songwriting contributors were just revealed along with the full track list.
Uncaged, unhinged, and at times even inappropriate, Wrangled is Angaleena Presley making the record she wants to, be damned of the bridges left aflame and the apple carts upset. It is an unusual record, in both sound production and theme. But it also remains solidly country, Angaleena country, where no recess of the unsettled mind is off limits.
You’re not quite sure exactly what message Angaleena Presley is trying to drive home when you first pull up the track. But things get turned up a big notch when Nashville resident and hip-hop artist Yelawolf, who is a well-known critic of arena rap and corporate country, goes careening into a tirade.
An all-star cast will come together to celebrate the life and music of country music icon and Hall of Famer Don Williams in a new tribute album with the proceeds going to a good cause. ‘Gentle Giants: The Songs of Don Williams’ will be released on May 26th via Slate Creek Records.
Alison Krauss, Amanda Shires, Brandy Clark, Chris Stapleton, Dierks Bentley, Don Williams, Garth Brooks, Gentle Giants: The Songs of Don Williams, Jason Isbell, John Prine, Keb Mo, Lady Antebellum, Morgane Stapleton, Pistol Annies, Trisha Yearwood
I see Cam, and I see a blank page. There’s nothing here. What’s her sound? What’s her style? What is she trying to say? What role is she fulfilling in country music? Is she a one-of-a-kind singer? Is she a critically-acclaimed songwriter? What is her contributions to the music at large? She’s got frizzy blonde hair, and likes the color yellow. And that’s about all the character information I’ve been able squeeze out of her.