Here are the greatest country and roots albums of the last decade in Saving Country Music’s estimation. Albums were regarded primarily on quality, and how they held up over the decade, as well as the influence they had on country music, and music at large. These are the albums that should not be overlooked over the last 10 years of music.
2019 was a stacked year for top live performances. This was supposed to be a list of the top 10 live performances, but due to such a crowded field, things boiled over. And yes, there are three #1 acts. All should be considered equals at the very top level of live performance. They were all so great, it seemed unfair to put one over the other.
‘Wildcard’ is just that—a spin of the wheel and a roll of the dice, because you just don’t know what you’re gonna get dealt when you cue up the next track. But there’s too much good stuff here to cast it off as just another mainstream country pop record. You have to be willing to dig a little. But it’s ultimately worth the patience and effort.
The 18th Annual Americana Music Awards transpired Wednesday night (9-11) at the Country Music Mother Church, the Ryman Auditorium in Nashville, with lots of love spread out among a diverse list of winners, but John Prine emerging as the biggest winner walking away with both Album of the Year for ‘Tree of Forgiveness,’ and Song of the Year
Miranda Lambert’s latest album will be called “Wildcard.” Along with the album release date and artwork, we also get to see track list and songwriting collaborators Miranda Lambert worked with on the album. A regular champion of quality songwriters, ‘Wildcard’ will be no different, even if the sound and approach is.
How hard could songwriting really be? You learned a few chords on the guitar in college, and if you had some more free time you could probably gnaw on rhyming a few lines of verse … or so you tell yourself. Then you hear an album like ‘Beautiful Lie’ from the First Couple of Texas Country, and it’s so enriching, you’re immediately demoralized.
Songwriter and Texas music wildman Jack Ingram has a new album on the way called ‘Ridin’ High … Again.’ It will be Ingram’s tenth studio record overall, and was recorded at Austin, TX’s iconic Arlyn Studios in just two days in what Ingram describes as one “forty-eight hour party.”
30 minutes before Texas music legend Charlie Robison was scheduled to be paid tribute by his fellow Texas and Red Dirt artists, a line 400 deep snaked around the block of the 200-capacity Key West Theater as part of the 2019 Mile 0 Fest. Some folks had shown up hours before.
Texas music legend Charlie Robison will be making a rare public appearance since retiring from music in September of 2018 as part of a special tribute being put together at this week’s Mile 0 Fest in Key West, Florida. Mile 0 Fest also addresses the Turnpike Troubadours cancellation.
It’s not exclusively the music from our favorite artists that inspires us. It’s how they’re gifted with the tenacity to pursue their dreams fearlessly, and with a willingness to sacrifice we all wish we had, or maybe we did have at one time before life got in the way. But they don’t let life get in the way. They get in the way of life.
One of the members of the First Family of Texas Music—and a landmark musician and songwriter for a quarter century—shocked and saddened fans on Monday (9/24) evening when he announced that he’s calling it quits. In a short note to fans, Charlie Robison let it be known that he will no longer be pursuing music.
Texas music singer, songwriter, spirit animal, and general badass woman Jamie Lin Wilson has announced her latest album ‘Jumping Over Rocks.’ Her follow up to 2015’s ‘Holidays and Wedding Rings,’ it comes at a time when Texas music is looking for headliner-caliber women, and looking in the direction of Jamie Lin.
Artists give greatly of their personal lives to entertain us. The least we can do is not use their personal lives as our entertainment. The story of how the Evan Felker and Miranda Lambert relationship became the worst kept secret in Texas music, and how when it broke, the celebrity gossip rags got it all wrong.
The Country Music Hall of Fame has partnered with Sony Music’s Legacy Recordings to release a 36-song companion double album to coincide with what the public can expect to see and hear as part of the upcoming Outlaws & Armadillos exhibit. The track list of the album reveals just how deep the exhibit will go.
When you think of the modern country music landscape, you think of a clear delineation line between the independent and mainstream. However the songwriting credits for Miranda Lambert are the one clear exception. Looking through her list of collaborators, it’s pretty incredible.
In wanton disrespect of the Labor Day holiday (aren’t journalists laborers too?), the Country Music Association announced their nominations for the 2017 CMA Awards on Monday (9-4) morning, with Miranda Lambert leading all nominees with five total nominations.
2016 was a difficult year to be a traditional country music fan in many respects, and not just from the death of so many legends. In independent circles, it was a year of having to settle for albums prefaced with explanations of why the artist decided to move away from their country influences, even if it was just slightly, or just on a temporary basis.
It has once again come that time of year for reflecting back on some of the best albums released in the last 12 months or so, not to treat country music as competition per se, but as an exercise undertaken with the intent of expanding your musical knowledge in hopes the gaps that formed due to the busy lives we all live get filled in with joyous little music projects.
Miranda Lambert isn’t releasing one, but two albums November 18th when her double record ‘The Weight of These Wings’ hits stores. With all that material she was sure to solicit help with songwriting. And as we attempt to read the tea leaves of what we might expect from the new record, the names in the songwriting credits are making the prospects more interesting.
List making either before or after events has become a dubious enterprise of mainstream outlets just looking to troll the fan bases of independent performers to get these performers to dutifully post the coverage to their social network feeds and drive unique views to the outlets while little if any true discovery for said artists by new fans actually occurs.
After the awards, Jason Isbell did like so many artists of country music’s storied past once did after playing at the Country Music Mother Church. He ambled out of the backstage exit into the famous alley that separates the Ryman and the bars of Lower Broadway, and took the stage with his wife Amanda Shires at Robert’s Western World.
Midnight Motel is not just an album, it is an experience. Many artists try this, but Jack Ingram, producer Jon Randall, and his Beat Up Ford Band pull it off. Jack Ingram wanted to let everyone know as soon as they turn this record on that he doesn’t give a damn anymore about “making” it in music, or making tons of money from it.
The incredibly long drought for new music from one of the biggest names in Texas country is finally coming to a close. After releasing two records with Big Machine—the last being Big Dreams & High Hopes in 2009—Ingram pulled a disappearing act for the last seven years or so when it came to studio work, but will be returning in a big way this summer, and with a label known for letting artists do what they do best.
Starting around 2011 or so, if you hung around and talked to up-and-coming country and roots bands attending SXSW, you’d hear whispers about an invite-only event out at Willie Nelson’s ghost town outside of Austin called Luck, TX. Luck was originally constructed as part of the set of the movie The Red Headed Stranger released in 1986—a companion to Willie Nelson’s legendary album.