The distaste the CMA Awards experience can leave in the mouth of actual country music fans is chased early this year by the announcement of the 2020 Grammy Award nominees in the Country and American Roots categories. Though no set of ears will find the nominees list ideal, those with distinguishing tastes will be much more rewarded.
If you’re wondering what you might look forward to listening to in the final portions of 2019 in country and Americana music, let this be your guide. Here’s all the information Saving Country Music has been able to compile on the most anticipated upcoming releases, along with a more extensive catalog of releases to have on your radar.
Ags Connolly, Billy Strings, Chris Knight, Cody Jinks, Dallas Moore, Dori Freeman, Jason James, Jon Pardi, Kelsey Waldon, Kendell Marvel, Logan Ledger, Marty Stuart, Michaela Anne, Miranda Lambert, Stoney LaRue, Sturgill Simpson, Whiskey Myers
After growing frustrated by having to cater his songs to what country radio would play, Kendell Marvel launched a solo career. Now he’s looking to take his solo career a step further by partnering with Dan Auerbach of The Black Keys as both producer and label owner to release “Solid Gold Sounds.”
When we look back at the first week of August 2019, we might count it as a week for the ages in country music. Not only did we have Tyler Childers drop a new landmark album, Mike and the Moonpies came out of left field with their own. We’ve also had a bunch of new announcements for highly-anticipated records recently.
If you missed Chris Stapleton and his All-American Roadshow Tour in 2017 or 2018, you have another chance next year with reams of new tour dates just released. 44 total dates are now included on Stapleton’s tour itinerary, and they include a cool new mix of openers.
Country interloper Kane Brown just released his second record called Experiment, and since most of music media has devolved into nothing more than a promotional arm of the mainstream industry, the album’s arrival has been dutifully met with a host of fawning puff pieces filled with over-hyped tripe.
Heretofore, the greatest asset of the Brothers Osborne has been that they’re not Florida Georgia Line. This is how the singing and guitar playing brother duo hopscotched Beavis and Butthead to become the shoo-in duo for all of mainstream country’s industry awards, despite having not nearly the commercial prowess, or frankly, the influence.
At 12:01 last night (or this morning), after all the hands had been shaken, and all the hugs exchanged on the Saturday Night Live set in New York’s Rockefeller Center, you didn’t know what to do with yourself. Okay, now you’re supposed to just nestle into bed and act like that didn’t just happen?