Call it cautious or guarded optimism, but after the abomination that was the 2016 Houston Rodeo musical lineup led by folks such as Luke Bryan, Pitbull, and Florida Georgia Line, and where only one artist with Texas ties and only one female performer were booked (and both were Miranda Lambert), they couldn’t go any lower, that’s for sure.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
Abbi Walker, Billy Currington, Bri Bagwell, Cole Swindell, Cooper Wade, Houston Livestock Show and Rodeo, Houston Rodeo, Jamie Richards, Jason James, JB and the Moonshine Band, Josh Ward, Justin van Sant, Little Big Town, Max Stalling, MIke and the Moonpies, Miranda Lambert, Randy Rogers, Sam Riggs, The Band Perry, Trent Willmon, Wade Bowen, Zane Williams
2015’s Album of the Year candidates might constitute the most wide open field of contenders since this exercise has been in practice. There’s no clear front runners, anyone could win, and each candidate has pluses and minuses. Like every year, your opinion counts, and may even count more this year with no clear front runner.
Brandi Carlile, Chris Stapleton, Don Henley, James McMurtry, Jamie Lin Wilson, Jason Boland and the Stragglers, Jason Isbell, Jason James, John Moreland, Kacey Musgraves, Lindi Ortega, Lonesome Wyatt, MIke and the Moonpies, Rachel Brooke, Randy Rogers, Roo Arcus, Ryan Bingham, Turnpike Troubadours, Wade Bowen, Ward Thomas, Whitey Morgan, Whitey Morgan and the 78's, Yelawolf
Jason James isn’t afraid to to pen a song in a traditional style and then challenge himself to sing it with the same heart and passion as one of the old greats. Nobody will ever replace George Jones or ‘Ol Hank, but that doesn’t mean others can’t try to reach for that same level of excellence, and pay forward the traditions of country to a new era of listeners who still find value in the classic modes.