Boy howdy. It takes all of 12 seconds to fly by in this new Jason James record before you decisively know that you made the smartest of all country music decisions by giving this young man your time and attention. Where have all those true sounds of country music gone? Straight into the lungs of Texas City’s Jason James.
It’s dizzying enough trying to keep up with all the great releases in country and roots music, especially with the kind of super release days we’ve been experiencing lately where eight to ten highly-anticipated titles come out at the same time. the Saving Country Music Top 25 Playlist is built to keep you informed of all the best songs and albums.
If you’re wondering what you might look forward to listening to in the final portions of 2019 in country and Americana music, let this be your guide. Here’s all the information Saving Country Music has been able to compile on the most anticipated upcoming releases, along with a more extensive catalog of releases to have on your radar.
Ags Connolly, Billy Strings, Chris Knight, Cody Jinks, Dallas Moore, Dori Freeman, Jason James, Jon Pardi, Kelsey Waldon, Kendell Marvel, Logan Ledger, Marty Stuart, Michaela Anne, Miranda Lambert, Stoney LaRue, Sturgill Simpson, Whiskey Myers
The wait for the sophomore record from Jason James hasn’t exactly been like ‘Chinese Democracy,’ but it’s been painstaking for his fans nonetheless. How can you blame the bellyaching when the Texas native is able to evoke the sounds and themes of classic country in a way you just can’t hear these days unless you dust off your old vinyl records?
Call it cautious or guarded optimism, but after the abomination that was the 2016 Houston Rodeo musical lineup led by folks such as Luke Bryan, Pitbull, and Florida Georgia Line, and where only one artist with Texas ties and only one female performer were booked (and both were Miranda Lambert), they couldn’t go any lower, that’s for sure.
Aaron Watson, Bri Bagwell, Cameran Nelson, Chris Stapleton, Conno, Curtis Grimes, Darrin Morris Band, Flatland Cavalry, Hoss Mayfield, Houston Rodeo, Jason James, John Baumann, Josh Ward, Max Stalling, MIke and the Moonpies, No Dry County, Randy Brown, Texas Renegade, The Strayhearts, Wade Andrew Smith, Willie Nelson, ZZ Top
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
Abbi Walker, Billy Currington, Bri Bagwell, Cole Swindell, Cooper Wade, Houston Livestock Show and Rodeo, Houston Rodeo, Jamie Richards, Jason James, JB and the Moonshine Band, Josh Ward, Justin van Sant, Little Big Town, Max Stalling, MIke and the Moonpies, Miranda Lambert, Randy Rogers, Sam Riggs, The Band Perry, Trent Willmon, Wade Bowen, Zane Williams
2015’s Album of the Year candidates might constitute the most wide open field of contenders since this exercise has been in practice. There’s no clear front runners, anyone could win, and each candidate has pluses and minuses. Like every year, your opinion counts, and may even count more this year with no clear front runner.
Brandi Carlile, Chris Stapleton, Don Henley, James McMurtry, Jamie Lin Wilson, Jason Boland and the Stragglers, Jason Isbell, Jason James, John Moreland, Kacey Musgraves, Lindi Ortega, Lonesome Wyatt, MIke and the Moonpies, Rachel Brooke, Randy Rogers, Roo Arcus, Ryan Bingham, Turnpike Troubadours, Wade Bowen, Ward Thomas, Whitey Morgan, Whitey Morgan and the 78's, Yelawolf
Jason James isn’t afraid to to pen a song in a traditional style and then challenge himself to sing it with the same heart and passion as one of the old greats. Nobody will ever replace George Jones or ‘Ol Hank, but that doesn’t mean others can’t try to reach for that same level of excellence, and pay forward the traditions of country to a new era of listeners who still find value in the classic modes.