Texas and Red Dirt music isn’t just for folks in Texas and Oklahoma. The title of the music may imply that it’s a regional thing, but the appeal is international, and the talent is world-class. No matter where you are, Texas/Red Dirt is a much more healthy alternative to the mainstream.
Though the venue isn’t as large, the Rodeo Houston Hideout Stage is the place where up-and-coming talent and future rodeo headliner hopefuls can cut their teeth. It’s also where rodeo attendees can get the opportunity to discover some of Texas’s and country music’s best budding talent.
Travis Tritt’s “team” has been revealed, and regardless of where this show goes, how many people watch, and who wins, Tritt has done a superb job picking out his contestants. I don’t think Hank done it this way, but if someone’s going to win, hopefully it’s Tritt’s hopefuls, 4 of which who’ve been featured on SCM recently.
The summer is winding down, but the fall and winter release cycle in country and roots music is heating up, with some of the most anticipated projects of the entire year to be released between now and when the hammer falls on 2018. To help you keep up, here’s a list of Saving Country Music’s most anticipated releases for the final portion of 2018.
“I am so proud of the record we have created, no matter how cliche that sounds,” Bagwell says. “I have put everything I have, and every dollar to my name creating this record for myself and my fans. I truly believe it is the best record I have ever released.”
Plain and simple, the trolling of music festivals on Twitter for not having 50/50 men vs. women on their lineups is very specifically hurting the cause to include more women on festival lineups. Expecting every festival to achieve 50/50 representation of women immediately is unreasonable to impossible in certain sectors of the music economy.
Benefiting The Young Texans Against Cancer, the 10th Annual Lone Star Jam held forth at the rodeo grounds in Austin, TX over Memorial Day weekend, May 26th and 27th. Saving Country Music braved the heat to take in the festivities and snap a few photos.
You’ve never heard of the Mile 0 Festival in Key West, Florida before, but you have now. And it will be hard to forget about it once you feast your eyes on the pretty ridiculous lineup they’ve assembled for their inaugural run. It’s scheduled for February 7th – 11th 2018 at the new Truman Waterfront Park Amphitheatre in Key West.
The 5th Annual Medicine Stone Music Festival focusing on the best of Red Dirt music and sponsored by the Turnpike Troubadours, and Jason Boland & The Stragglers will once again commence at the Diamondhead Resort in Talequah, Oklahoma. This year the event will be held on September 21st-23rd, and they have just revealed the fest’s initial lineup.
Call it cautious or guarded optimism, but after the abomination that was the 2016 Houston Rodeo musical lineup led by folks such as Luke Bryan, Pitbull, and Florida Georgia Line, and where only one artist with Texas ties and only one female performer were booked (and both were Miranda Lambert), they couldn’t go any lower, that’s for sure.
Right now, Texas and Oklahoma is being robbed of its female talent from Nashville and the two coasts. And these women are regularly sucked up into a system that absconds with their creative freedom, sexualizes their image, and drops them unceremoniously whenever their commercial viability is perceived to be spent.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
As for the music, the Red Fest lineup was built on good intentions. Big names like Florida Georgia Line, Tim McGraw, Kellie Pickler, and Lynyrd Skynyrd were billed alongside lesser-known bands from the local and national landscape like Hellbound Glory, The Whiskey Sisters, and Bri Bagwell. Instead of segregating independent and mainstream music, integrating it.