Cody Johnson is what mainstream country music in 2021 should be: country, but widely appealing and pragmatic, while being unafraid to make you think and feel a little too. Perhaps more than any other Cody Johnson record, Human: The Double Album feels organic.
For years, any time a country music artist lashed out about the direction of country music or the quality of its current stars, they received pretty loud applause for their bravery and leadership from the true country music community. That’s still the case, but things are changing as well.
Aaron Watson, Alan Jackson, Alexandra Kay, Ashley McBryde, Blackberry Smoke, Cody Jinks, Cody Johnson, Drew Parker, Eric Church, Loretta Lynn, Luke Combs, Randy Travis, Sturgill Simpson, Tyler Childers
Commonly we see mainstream country stars bring in a pop star or hip-hop artist for a timely remix. Cody Johnson has chosen to go the star duet path with “Dear Rodeo,” but instead of selecting someone outside the genre, they’ve gone with a country legend in Reba McEntire.
There should be no shame in major music outfits taking money through the government’s Paycheck Protection Program, or PPP, to keep their road crew and support staff financially stable, despite it being characterized as the cash grab of millionaires by some, aided by certain embellished and misleading headlines in the media.
A heart pounding, half time beat with a heavy emotional component is where Parker McCollum does his greatest damage, and that’s what you get with “Like A Cowboy.” It also comes with the additional wrinkle of having been written by Chris Stapleton with Al Anderson, which is unique in itself.
The amount of cancellations tied to the Coronavius outbreak can be dizzying to keep up with, even within the confines of independent country and roots. But a few important cancellations are worthy of note, including two dates on the Sturgill Simpson / Tyler Childers tour, and the Mike & The Moonpies Europe tour.
Brad Paisley, Chris Stapleton, Cody Johnson, Coronavirus, Dierks Bentley, Jon Pardi, Kane Brown, Keith Urban, Luck Reunion, Luke Bryan, MIke and the Moonpies, Old Settler's Music Festival, Rodeo Houston, Sturgill Simpson, SXSW, Tyler Childers, Zac Brown Band
Two important independent festivals that are working hard to support and expand Texas, Red Dirt, Americana, and independent country music beyond its traditional borders will not be happening in 2020. Both the Tumbleweed Festival near Kansas City, and the Wild Hare Country Festival in Oregon have cancelled for 2020.
Blackberry Smoke, Bri Bagwell, Cody Jinks, Cody Johnson, LiveNation, MIke and the Moonpies, Sarah Shook and the Disarmers, The Scooter Brown Band, Tumbleweed Festival, Whiskey Myers, Whitey Morgan, Wild Hare Country Festival
It’s been 10 years since Country Music Hall of Famers Brooks & Dunn hit the road for a proper national tour. That will all change this summer and fall when the duo hits the road on the REBOOT 2020 Tour. Who will the opening acts be? According to the duo, there won’t be any. But there will be “special guests.”
Releasing a live record is seen as a rite of passage for many artists. And with the energy she brings to a live show, you would think Miranda Lambert would be a good candidate for one. Many fans have been requesting a live record, and now some 15+ years into her career, you would think she’s about due. But she says it’s not going to happen.
All country albums, regardless if they emanate from a major label or receive radio play, are considered for Saving Country Music’s Album of the Year nominations. But not every year does a mainstream album make it. Even though one didn’t make it to the top of the heap in 2019, we had a bumper crop of quality mainstream country releases.
The good news for good country music keeps coming, and this time it comes in the form of upsurging Texas country throwback artist Randall King signing to Warner Music Nashville, and readying the release of a debut major label album. As part of the resurgence of interest in 90’s country, Randall King fits the bill just about perfect.
Texas country artist Cody Johnson will get the distinct honor and worthy exposure of singing the National Anthem at the World Series Game 7 Wednesday night (10-30) pitting the Houston Astros against the Washington Nationals in Houston. The game and National Anthem will be broadcast live on FOX.
In many respects, the CMAs did that this year with their 2019 nominations, or at least better than many years. But the Album of the Year nominations were especially easy to pick apart in 2019. The biggest reason to second guess these nominations is that this current awards shows cycle has been exceptional for excellent mainstream albums.
The commonality of criticizing country radio within the ranks of country music’s classic and independent fans is pretty severe, and for good reason. Generally speaking, country radio is a blob of nationalized playlists and unimaginative music, and no curation by the DJs on the ground in local markets. But this doesn’t mean all radio is bad.
Canaan Bryce, Chris Colston, Cody Johnson, Copper Chief, Eric Raines, Joe Diffie, Kody West, Koe Wetzel, KOKE, KOKEFEST, Kylie Rae Harris, Parker McCollum, Randall King, Read Southall, Shane Smith and the Saints, Turnpike Troubadours, Willie Nelson
The Texas music and Red Dirt movement is growing. There is no doubt about that. The appeal and participation in the music is no longer regional, despite what the names might imply. It’s just as much of a genre at this point as a collaboration of local scenes, offering a much more healthy alternative to the mainstream of country.
Bri Bagwell, Cody Johnson, Eli Howard, Jacob Bryant, Jason Boland and the Stragglers, Joshua Allen, Kaitlin Butts, Micky and the Motorcars, MIke and the Moonpies, Miller Campbell, Scooter Brown Band, The Brass Tacks, The Lowdown Drifters, The Piedmont Boys, Tyler Hatley, Tylor and the Train Robbers, Whitey Morgan and the 78's, Wild Hare Country Festival
Independent country is getting a huge boost in 2019, and sometimes from some unlikely places. Not only are worthy artists who’ve been working hard for years for recognition finally receiving their due from important independent record labels, even the major labels are getting into the game.
Feeling the spirit in the Ryman Auditorium, Cody Johnson addressed the sold out crowd about what country music means to him, and the commitment it truly takes to consider yourself a country artist. Cody Johnson was dead on about the importance of supporting country artists who don’t just use the word “country” as a sales tactic.
The incredible accolades and numbers just keep racking up for Texas country music artist Cody Johnson. After hitting #1 on the Billboard Country Albums chart with his recent album Ain’t Nothin To It, he rolled into Houston’s NRG Stadium on Friday night (3-15) for a performance on the star-shaped stage for a crowd of 73,009.
It’s said that time is the harshest critic of all. If that’s the case, time has not been very kind to the music of Florida Georgia Line at all. The title of their new album ‘Can’t Say I Ain’t Country’ isn’t fooling anybody, and apparently the fickle pop country music fan has moved on en masse to the likes of Luke Combs and others.
The boys from Tahlequah, Oklahoma known as the Turnpike Troubadours traveled down to Houston on Saturday (3-2) to take advantage of their first ever berth on the biggest stage in Texas—the star-shaped one in the center of the NRG Stadium as part of the annual Rodeo Houston production.
Texas and Red Dirt music isn’t just for folks in Texas and Oklahoma. The title of the music may imply that it’s a regional thing, but the appeal is international, and the talent is world-class. No matter where you are, Texas/Red Dirt is a much more healthy alternative to the mainstream.
Brass Tacks, Bri Bagwell, Cody Johnson, Jason Boland and the Stragglers, Kaitlin Butts, Micky and the Motorcars, MIke and the Moonpies, Scooter Brown Band, The Dirty River Boys, The Lowdown Drifters, The Piedmont Boys, Tylor and the Train Robbers, Whitey Morgan and the 78's, Wild Hare Country Fest
The heart welled up with excitement in many true country music fans when word came down that Brooks & Dunn had a new title on the way, only to be tempered by the fact that it’s a Reboot (nice double entendre there) of some of their old classics re-recorded with contemporary stars.
For how many years have country fans from all across the world looked towards the two parallel one-way streets just east of downtown Nashville called “Music Row” with frustration, bewilderment, and even outright disgust, and then dreamed of a scenario where the whole mess could be switched out like a reversible sweater for what’s happening […]