Sunny Sweeney is her own woman. It’s her approach and songs that make this album the standout that it is. It’s her honesty, and the way the sentiments marry perfectly with the music that make “Married Alone” a pretty excellent example of everything country music is supposed to be.
There are only a few women out there in country music that you would ever dare considering using the exemplifying qualifier of “Outlaw” with, but Sunny Sweeney sure fits the bill. She’s a full-blown independent music maverick these days.
Shit!No, not necessarily these nominations. Well, kind of the nominations as well. But the fact that by some obligatory sense of duty by the powers vested in me as the owner/operator of a country music website, I must convey the nominees of the 2022 ACM Awards, which have fallen so far down in relevancy they’re […]
ACM Awards, Ashley McBryde, Brooks and Dunn, Brothers Osborne, Caitlyn Smith, Carly Pearce, Chris Stapleton, Chris Young, Elvie Shane, Gabby Barrett, Lady A, Lainey Wilson, Luke Combs, Maren Morris, Miranda Lambert, Old Dominion, Thomas Rhett, Walker Hayes
It’s a rite of passage in country music, and a barometer of success. Ashley McBryde announced a two-night Ryman Auditorium residency on August 26th and 27th, and the dates have since sold out. So now they have added a 3rd date.
We’ve already run down the Greatest Country Albums of the Decade, and in there, albums in the mainstream were given fair competition to be included, and some made the cut. But in the spirit of inclusiveness and impartiality, let’s make sure the great records from the mainstream get their due as well.
Alan Jackson, Ashley McBryde, Brandy Clark, Caitlyn Smith, Chris Stapleton, Dierks Bentley, Eric Church, George Strait, Jamey Johnson, Jon Pardi, Kacey Musgraves, Kalie Shorr, Kellie Pickler, Kip Moore, Miranda Lambert, Mo Pitney, Pistol Annies, Randy Houser, Reba McEntire, William Michael Morgan
George Strait has minted yet another career milestone that puts him in an elite class of musical performers, not just in country music, but anywhere in the world. He’s now officially sold over 10 million tickets to events since first reporting touring revenue officially, only the 2nd country artist to ever do so.
Usually the themes of heartbreak in country music revolve around relationships, death, or perhaps the erosion of small town life or the family farm. But in the current environment in country, another type of heartbreak has emerged that is more intimately tied to the music itself.
Ladies and gentlemen, we have a split decision. In a year when it feels like a criminal act to choose the best song over so many worthy contenders, even whittling it down to just two feels like a grave offense. But it is two songs that just can’t be denied this year, and it would be a discredit to the process chooing one over the other.
Saving Country Music unapologetically leans towards the independent and traditional side of country music. But that doesn’t mean the mainstream of country doesn’t get it right every so often. It’s important that we highlight those positive albums and artists too.
A Saving Country Music Song of the Year candidate is not just your favorite ditty that gets stuck in your head. These are songs that change hearts, change lives, rest in your head for years to come, open up new ideas, or unlock memories or emotions you haven’t felt in years.
In the humble estimation of Saving Country Music, 2018 has been the second bumper crop year in a row for excellent, top shelf efforts in country music. To reflect that, the number of nominees for Saving Country Music’s vaunted Album of the Year recognition has been pushed to its capacity of 10 once again.
American Aquarium, Blackberry Smoke, Caitlyn Smith, Cody Jinks, Colter Wall, Courtney Marie Andrews, Dillon Carmichael, El Coyote, Jamie Lin Wilson, Jason Eady, John Prine, Kacey Musgraves, Lori McKenna, MIke and the Moonpies, Pistol Annies, Randall King, Sarah Shook and the Disarmers, Tom Buller, Whitey Morgan and the 78's
Virtually everyone has been ignoring Caitlyn Smith’s record Starfire, and specifically her song “This Town Is Killing Me.” With almost no press, with absolutely no radio play, and very little attention via streaming playlists, “This Town Is Killing Me” has received well over 5 million plays on Spotify alone since its release.
These six songs are admittedly sad bastard fare if there ever was any, but that’s the way it goes when you’re looking for songs that don’t just entertain, but fulfill, or illuminate something important in life most catchy tunes fall short of.
As we move past the musical halfway pole for 2018, it’s time once again to look back in the rear-view mirror and see what has wowed us the most so far. Along with some excellent albums that will go on to be considered for some of the best all year, the spring of 2018 has also revealed itself as one of the busiest release periods for in years.
Meghan Trainor will be the latest pop star to jump on the single of a country artist according to reports. Metadata feeding through the music pipeline is pointing to country artist Brett Eldredge releasing the song “Haven’t Met You” from his 2017 self-titled record as his next single, with Meghan Trainor guesting on a new remix.
Man has it been a frenetic last few weeks with the amount of marquee album announcements we’ve had for 2018’s most anticipated records, along with some excellent songs unveiled ahead of the releases. There’s also been the actual release of a couple of stellar albums that may go on to be crowned some of the best in all of 2018.
Cody Jinks will release a new record in 2018. It will be named Lifers and it will be delivered in “no later than June.” And we also know it will be Cody Jinks, because that is who he is, and what he does. The other thing Cody Jinks has is a plan, and a fan base.
Journeywoman songwriter and closet singer/performer Caitlyn Smith just released perhaps the best country pop record to grace the roster of Music Row projects in a half a decade or more, and we should all be embarrassed and inconsolably incredulous it took so damn long for this voice and these songs to get their proper due.
Will 2018 be yet another banner year for independent country releases like 2017 was? We’ll have to see, but what we do know is what to expect in the release department for at least the first quarter of the year, while rumors abound about other projects that could come to light later in the year. Here’s a detailed run down.
Anderson East, Ashley Campbell, Brandi Carlile, Caitlyn Smith, Caleb Caudle, Courtney Patton, Dallas Moore, Dave Cobb, Dusty Rust, First Aid Kit, JD Wilkes, Laura Benitez, Mary Gauthier, Mike & The Moonpies, Red Shahan, Ruby Boots, Scotty McCreery, Ugly Valley Boys, Vivian Leva, Wade Bowen
Don’t think of Swimming Alone as a commercial release. Think of it as something Liz Rose made for herself and maybe a few close friends and family that you somehow got a copy of. It’s sweet, quirky, funny at times, delightfully dated, refreshingly honest, and just a simple joy to listen to.
They’ve decided to divide opening duties among a total of 26 separate openers across the 65 total tour dates, as opposed to taking the usual stance with openers, which is to drag the same two or three lightweight mainstream up-and-comers around with them for six months. Even more surprising are the names selected to open.
With over 200 artists playing AmericanaFest this third week of September, it can be a little bit intimidating for the folks either looking to attend in person, or experience the gathering vicariously through various social channels and video streams. So here is a curated list of artists battle tested and approved by Saving Country Music.
AmericanaFest, Austin Lucas, Brent Cobb, Caitlyn Smith, Dori Freeman, Jason Eady, John Moreland, Lori McKenna, Luke Bell, Parker Millsap, Sammy Brue, Sarah Shook, Tami Neilson, The Secret Sisters, William Clark Green, Willie Watson
It’s a little hard to fathom that Chris Issak has never made a country record before. He combines the caramel singing and cool factor of Dwight Yoakam, the crooning capability of Raul Malo, and the lounge-like timelessness of Lyle Lovett into one smooth package that makes the felines swoon and the men hopping jealous. He’s a crooner whose styling cuts across all kinds of borders of taste and influence.