Before Dave Cobb became known as the producer du jour in country and Americana, he was a workaday musician and engineer who was looking to get his name out in the industry. In 2009, The Oak Ridge Boys took a chance on working with Cobb on their release ‘The Boys Are Back,’ and it was the beginning of a revival in their career.
What makes a country boy like Vince Gill think he has the ability to fill some of the biggest shoes ever rendered vacant in American music? Well, 21 Grammy Awards, and incredible voice, some of the most underrated guitar chops in music, and a longer lineage with the music of The Eagles than one might think.
Campbell was diagnosed with Alzheimer’s Disease in 2011, and subsequently announced a farewell tour for 2011 and 2012. After the tour is when Adiós was recorded to “[capture] what magic was left” according to Glen’s wife Kim. The album features songs that Campbell loved, but never had a chance to record in his career.
Well now, perhaps there is a reason for old school traditional country fans to tune into the CMA Awards in 2016. Celebrating their 50th Anniversary, the Country Music Association has promised to honor country music’s past in the presentation, and they have put their money where their mouth is.
It takes more than a few really good songs to make a great album. David Nail’s ‘Fighter’ has some really good songs. I’d even be willing to go on the record saying it’s got some really great songs. But it also has some of the usual suspects of mainstream songwriting tropes that you have to sift through to get to those great songs.
If you’re looking for more Willie Nelson and Ray Price in your life, you can knock out two birds with one stone, and get a heaping helping of The Time Jumpers at the same time on a new tribute album on the way. For The Good Times: A Tribute To Ray Price is set for release via Legacy Recordings on September 16th.
Bluegrass legend Dr. Ralph Stanley, who passed away on June 23rd, was laid to rest Tuesday evening (6-28) after a public service that included words and performances from Vince Gill, Patty Loveless, Jim Lauderdale, Ricky Skaggs, and other close friends and well-known performers in front of the crowd assembled at the Hills of Home Park in Coeburn, VA.
Rich Vanaugh played drums for Kitty Wells and Charlie Louvin, Jeannie Seely and Jack Greene, and Mel Tillis and Dottie West over his long career, but he will forever be known as one of the backbones of one of the most beloved bands in Nashville, the Western swing-inspired supergroup The Time Jumpers, and one of the friendliest musicians you would ever meet.
Never could I have dreamed when I first decided to channel my passion for music into operating a country music website that I would be asked to comment on a country record released from Queens-born New Wave 80’s sensation Cyndi Lauper. But this is not your average “gone country” project.
Vince Gill is the perfect model of how a country artist should age. Forget trying to run with the young crowd, or continuing to try and tap into whatever made you famous in the past. An artist like Vince Gill has accrued all the personal wealth he and his family will ever need. He’s as decorated with awards as any living country music artist, including a Hall of Fame induction.
Believe it or not, there’s even a deep history for more lewd comedy that would happen in country music under the covers. Roy Acuff, the “King of Country Music” cut dirty songs when nobody was looking, and so did other early country legends, some under assumed names. These recordings were like the peep shows of music in the early days, passed around at beer parlors or in the back rooms of studios.
So what in the hell are well-versed country and Americana fans who finds themselves in stiff opposition to folks like Luke Bryan and Sam Hunt supposed to feel about ol’ Isbell sharing the stage with these turkeys? I’ll tell you what they should feel, they should shut up and be happy because it’s yet another sign that the good stuff is breaking through, and is getting its deserved due on Nashville’s biggest stages.
Are you waiting for your favorite music artists signed to MCA Nashville to release an album after a prolonged hiatus? Perhaps you heard the first single months or sometimes years ago, but still no record? Well you’re not alone. It looks like the unenviable position of being the most notorious label on Music Row is no longer a slam dunk for Curb Records.
Who will be releasing new albums in 2016? What are some of the most-anticipated projects? What are the rumors swirling out there about new albums that may be released in the coming year? Here’s a rundown of upcoming projects from artists recommended by Saving Country Music that you can look forward to in 2016.
“I Hope You Dace” written by Mark Sanders and Tia Sillers was a #1 song in country, won the 2001 CMA and ACM awards for Song of the Year, the Grammy Award for Best Country Song and was nominated for the Grammy’s Song of the Year. But even more than that, it touched people’s lives in very specific ways, which this new film explores.
Look, Chris Young has a tremendous head of hair, seems like a super swell guy, and heretofore has never done anything to run afoul of Saving Country Music. But man, listening to this record was like the most non-listening experience ever. That’s about the only way I know how to put it. It’s not that this album is bad necessarily, or wrong. Those things would still be senses one feels and would raise the pulse.
The long wait for a new Vince Gill solo record is about to be over. Announced Thursday morning (11-19), Vince Gill will release his twentieth official album over his 30-plus year career, and last solo album since 2011. Down To My Last Bad Habit will arrive in stores on on February 12th, and ahead of the new record, Vince has released a new single called “Take Me Down”
Ward Thomas is Maddie & Tae without the baggage or the need for qualifiers or quips like “Oh, but at least it’s better than Bro-Country.” Ward Davis is First Aid Kit but with a more sensible, positive, and wide-appealing sound that doesn’t shed the intelligence or inspiration from the listening experience to get there.
Joe Nichols is fed up with all of the country music that doesn’t sound country and says the same things over and over dammit, and he’s aiming to do something about it. You know . . . like release a song that references the same things all the others songs he’s complaining about do.
In some respects, broaching a discussion on this album seems nearly futile. Or maybe not futile, but at least frustrating. It’s almost fait accompli that it will fail to achieve the commercial feats and radio success the quality of the material warrants, but that’s just the way it is for women in this particular era of country music. We should be basking in the enjoyment of a new generation of inspiring country music females…
