With the re-formed Hurricane Ian bearing down on the Carolinas Thursday evening, forcing all of the festivities for the biggest gathering in bluegrass each year indoors, the International Bluegrass Music Association, or IBMA held their 33rd annual awards at the Duke Energy Center for the Performing Arts.
It’s always exciting when one of your favorite country artists like Dwight Yoakam, Alan Jackson, or Sturgill Simpson decides to cut a bluegrass album. It’s pretty rare to have a bluegrass outfit decide to flip the script and make a country album. But that’s exactly what long-time bluegrass duo Dailey & Vincent have decided to do.
The International Bluegrass Music Awards, or IBMA’s announced the nominees earlier this week, and it felt anything but perfunctory. In previous years you had the usual suspects up for all the major awards. It feels completely different here in 2022, and for good reason. Billy Strings, Molly Tuttle, Sierra Hull, and more.
Keith Whitley. Ricky Skaggs. Tony Rice and Larry Rice. Doyle Lawson. Jerry Douglas for crying out loud. Phil Ledbetter. These are just some of the many names that studied under bluegrass legend and banjo God J.D. Crowe, and did service time in his transformative band The New South.
From the hills and hollers of Kentucky as a strict traditionalist, to some of the most enterprising and innovative interpretations of the bluegrass form, from beside artists as far ranging as Ricky Skaggs and Jerry Garcia, Tony Rice was American string music incarnate.
The story goes that The Malpass Brothers were discovered by Merle Haggard after they played an opening gig for him in North Carolina. “Well they remind me a lot of myself and people that I knew when I was young,” says Merle. “They have their hearts into what we call ‘traditional’ country music. It’s valuable to me that we cultivate young talent for that kind of music.”
Nashville will always be the home of country music, but Bristol, TN/VA was where the big bang of country music occurred. In 1927, recording pioneer Ralph Peer from the Victor Talking Machine Company set up his equipment in the Taylor-Christian Hat Company in downtown Bristol and started recording acts that would become the very foundation of what we know as country music today.