At the time of Rowdy’s death, The Steel Woods were in the midst of preparing to release what they believe to be their magnum opus, written and recorded with Rowdy called ‘All Of Your Stones.’ To honor Jason “Rowdy” Cope and to bring his final work to life, they are soldering forward.
Along with picking one of the hottest and most well-respected producers from the independent side of country for his comeback record, Tritt has also called on some of the best songwriters and performers at the moment. Don’t expect a dated retrospective from Tritt.
Miranda Lambert’s latest album will be called “Wildcard.” Along with the album release date and artwork, we also get to see track list and songwriting collaborators Miranda Lambert worked with on the album. A regular champion of quality songwriters, ‘Wildcard’ will be no different, even if the sound and approach is.
Singer, songwriter, performer, and Pistol Annies member Ashley Monroe is no longer singed with Warner Music Nashville, Saving Country Music has confirmed. Monroe exited the label on May 1st. No reason has been given by Monroe’s management, or Warner Nashville for the departure.
This tour will be an all female affair, with Miranda Lambert’s supergroup with Ashley Monroe and Angaleena Presley, a.k.a. The Pistol Annies opening up select tour dates, along with Elle King, Caylee Hammack, Tenille Townes, Maren Morris, and Ashley McBryde. Each date will feature three openers, with a revolving cast for each stop.
Beyond her efforts as a solo performer, recording artists, and in the country music supergroup the Pistol Annies, Ashley Monroe is also a respected and accomplished songwriter. Now Monroe’s efforts are being rewarded with a new worldwide publishing deal.
Saving Country Music unapologetically leans towards the independent and traditional side of country music. But that doesn’t mean the mainstream of country doesn’t get it right every so often. It’s important that we highlight those positive albums and artists too.
The Pistol Annies have the power of the purse behind their latest effort, lifting their third record ‘Interstate Gospel’ above all competition during its debut week, and putting them at #1 on the Country Albums charts. Combining the talents of performers Miranda Lambert, Ashley Monroe, and Angaleena Presley together
On the Pistol Annies’ third record and their first in a long while, you will find the songs you would expect from the supertrio. But beneath the Southern female glitz and unruly frivolity on the surface of the Pistol Annies’ persona is perhaps the trio’s most involved work.
Yes, The Pistol Annies will have a radio single. Going for adds on October 29th via RCA Nashville, it will give the supergroup consisting of Miranda Lambert, Angaleena Presley, and Ashley Monroe an opportunity to try and break the male-dominated monopoly on country radio.
With the crush of new music constantly barraging consumers, the essential function of a single is to make one song a centerpiece representation of an artist’s work to draw further attention to their overall efforts and career. This is the tried-and-true system that has been in place for popular music for nearly a century.
Miranda Lambert has just loaded up her trophy case with a bunch of new precious metal after the RIAA handed down multiple new platinum accolades for previous songs and records. After one of her two sold-out shows at the Country Music Hall of Fame has part of her 2018 Artist-In-Residence duties….
The Pistol Annies present an important element to mainstream country as a unique project that compiles well-recognized star power with independent substance and a rootsy sound. Ahead of the release of their third album ‘Interstate Gospel,’ they have made available three new songs which pick up where the trio left off in 2013.
After months of hints and allegations, The Pistol Annies are back, and in a big way, dropping three surprise tracks Wednesday (9-26) night off a new album called Interstate Gospel that is set for release on November 2nd. “Got My Name Changed Back,” “Best Years of My Life,” and the title track all populated late Wednesday night.
It appears those waiting for a reunion of the country music supergroup The Pistol Annies will not have to wait that much longer. First formed between Miranda Lambert, Ashley Monroe, and Angaleena Presley in 2011, the trio released two records between 2011 and 2013, going #1 and #2 in the charts respectively.
Barring a miracle from Country Music Jesus, Ashley Monroe will never see the kind of career recognition that her talents deserve, at least in the here and now. That’s just the unfortunate product of the era in which her music matured. These are the real world results of the lack of support for women in country music today.
The Country Music Hall of Fame has partnered with Sony Music’s Legacy Recordings to release a 36-song companion double album to coincide with what the public can expect to see and hear as part of the upcoming Outlaws & Armadillos exhibit. The track list of the album reveals just how deep the exhibit will go.
Amanda Shires, Ashley Monroe, Billy Joe Shaver, Bobby Bare, Chris Gantry, Colter Wall, Commander Cody, Country Music Hall of Fame, Dave Cobb, Doug Sahm, Gary P. Nunn, Jack Ingram, Jamey Johnson, Jason Boland, Jason Isbell, Jessi Colter, Joe Ely, John Hartford, Kimmie Rhodes, Kinky Friedman, Michael Martin Murphey, Mickey Newbury, Outlaws & Armadillos, Shooter Jennings, Stevie Ray Vaughan, Terry Allen, Townes Van Zandt, Willis Alan Ramsey
“Countrypolitan” or “The Nashville Sound” are the terms used to describe the lush, orchestral approach to country music that took root in Nashville in the 60’s, which embellished the music with strings and chorus sections to make it appeal to a more distinguishing audience of the time. It was Music Row’s answer to the counterculture revolution.
Ashley Monroe’s much-anticipated new album Sparrow will be arriving on April 20th via Warner Bros. Nashville. Produced by Dave Cobb and recorded in Nashville’s historic Studio ‘A’, the record is said to take a very Countrypolitan approach to the music. Songwriting contributors were just revealed along with the full track list.
When you think of the modern country music landscape, you think of a clear delineation line between the independent and mainstream. However the songwriting credits for Miranda Lambert are the one clear exception. Looking through her list of collaborators, it’s pretty incredible.
Adam Hood, Allison Moorer, Anderson East, Angaleena Presley, Ashley Monroe, Audra Mae, Brandy Clark, Carlene Carter, Chris Stapleton, David Rawlings, Fred Eaglesmith, Gillian Welch, Jack Ingram, John Prine, Julie Miller, Miranda Lambert, Natalie Hemby, Patty Griffin, Priscilla Renea, Shake Russell, Steve Earle, Susanna Clark, The Pistol Annies, Tom T. Hall, Traivs Howard, Waylon Payne
Before Dave Cobb became known as the producer du jour in country and Americana, he was a workaday musician and engineer who was looking to get his name out in the industry. In 2009, The Oak Ridge Boys took a chance on working with Cobb on their release ‘The Boys Are Back,’ and it was the beginning of a revival in their career.
“I’m gonna do one by myself, because I can,” Miranda told the crowd. “I want to do this on behalf of all the girls that are not being played on country radio right now. If you really love us, you will call and request any female that has a song out and something to say. This is one of those called ‘Tin Man.'”
This week, Florida Georgia Line’s collaboration with the Backstreet Boys called “God, Your Mama, and Me” hit #1 on Billboard’s Country Airplay Chart, meaning The Backstreet Boys—a washed-up boy bad who otherwise had not received a #1 distinction for over 18 years—is now the owner of a country music #1.
Ashley Monroe, Backstreet Boys, Brandy Clark, Cam, Chris Stapleton, David Allan Coe, Florida Georgia Line, God Your Mama and Me, Jamey Johnson, Jason Isbell, Kacey Musgraves, Marty Stuart, Sturgill Simpson
Miranda Lambert isn’t releasing one, but two albums November 18th when her double record ‘The Weight of These Wings’ hits stores. With all that material she was sure to solicit help with songwriting. And as we attempt to read the tea leaves of what we might expect from the new record, the names in the songwriting credits are making the prospects more interesting.