William Michael Morgan has been dropped by his label Warner Music Nashville, Saving Country Music has confirmed. The 25-year-old from Vicksburg, Mississippi had recently released a succession of five songs he said he was using to test the waters for the direction of new music for an album.
William Michael Morgan
William Michael Morgan is not just sticking up for real country music with his music, he’s doing it with his words as well. After pop country site Taste of Country posted a tweet asking, “Who’s Saving ‘Real’ Country Music?” with a host of artists tagged on it, including Jon Pardi, Kacey Musgraves, Midland, Mo Pitney, […]
If you needed any further evidence of just how boss Country Music Hall of Famer Alan Jackson is, appreciate that on his upcoming 2019 tour, instead of sifting through the usual cast of major label characters in search for openers, he’s delved deep into the well of undiscovered country music talent.
Alan Jackson, Amanda Daughtry, Anna Laprad, Chris Monhollen, Emily Vince & Neal, Eric Holmgren, Francelle, Gary Gibson, George Dunn, Jake Shafer, James Carothers, Jay Bragg, Joel Shewmake, Justin Andrews, Kayley Hill, Lindsay Bowman, Lucas Barela, Luke Lander, Mark Box, Martin McDaniel, Mindy Campbell, Randy Houser, Sarah Martin, Steel Blossoms, The Skahls, Warren Garrett, William Michael Morgan
Country Music legend and Hall of Famer Alan Jackson recently announced the first round of tour dates for his upcoming 2019 arena tour to the excitement of many. And now three other names have been added to select stops which you may have not heard before, but you should be paying attention to.
Yes, Country Music Hall of Famer Alan Jackson will tour in 2019, and we’ve now got the dates to prove it. After announcing a few dates earlier this week, he let some more loose on Thursday (12-13), with more to come soon. Starting on January 25th, he’ll be heading out on an arena tour that will see him hit multiple stops.
William Michael Morgan has been keeping us on our toes lately, releasing three separate songs without a ton of fanfare, leaving us guessing to which one may materialize into a bona fide new single. Well it turns out there is a method to this William Michael Morgan madness: he’s testing us.
William Michael Morgan has sent us selling our stock, and then buying it all back again just in a matter of a couple of weeks. The first taste from his upcoming and unannounced sophomore record was a song called “Tonight Girl.” And then here comes “Brokenhearted.”
The crush of new releases of cool country and roots music has been pretty incredible over the past couple of weeks, and to help keep you up-to-date, the Saving Country Music Top 25 Playlist has been freshly provisioned. You can also find a supplemental list of all the records you should probably be aware of.
Alan Jackson isn’t one to pull punches, or to not say what’s on his mind when somebody asks him. His Hall of Fame career has been marked by taking hard stances for the cause of real country music. Alan Jackson was recently interviewed as part of a GQ feature, and had some interesting things to say about Chris Stapleton.
What Jon Pardi has done over the last year is prove that an artist can stick to a more traditional style, and not only sustain, but turn in career marks, even in this difficult environment for traditional artists in the mainstream, and a stacked field for artists looking to be launched. “She Ain’t In It” is a classic country crooning heartbreak song…
With all the talk about the cheeky machismo of Midland lately, including many assigning the trio savior status for finally returning a semblance of traditional country back to the mainstream of country, folks seem have forgotten that William Michael Morgan did that very thing with a single called “I Met A Girl” in 2016.
As we continue to ponder what country radio might look like after the impending implosion of iHeartMedia and corporate radio as we know it, some very interesting developments emerged on the country radio charts this week.
Country music is not just a commodity or even a form artistic expression. It is an integral part of people’s lives and has been the foundation for their cultural identities for generations. It’s what binds them to their homes and ancestry, and is interwoven into the very fabric of who they are as people.
Andrew Dorff was the kind of mainstream country music songwriter Nashville needed more of—someone who wrote the sleeper hits of surprising depth and humanity compared to most radio singles, and the solid album cuts from mainstream artists you may otherwise write off.
If 90% of mainstream country music is garbage, then it stands to reason that 10% of it is at least decent, if not good or great. That calculus hasn’t really changed much recently, even as mainstream country has improved. What has changed is that 10% is actually finding traction on radio, at awards shows, and is making fierce inroads into the 90%’s monopoly.
Though Stapleton may fall short of the touring numbers of names like Luke Bryan, or may not have the airplay of Florida Georgia Line, the incredible performance of his debut album ‘Traveller’ has put him in unprecedented territory, while still putting up a decent showing in touring and track sales too.
What’s going “outta style” is Bro-Country and songs that chase trends, while traditional country has once again proved to be the timeless influence in country music that always comes back to the forefront. This should bode well for an artist like Aaron Watson if he sticks to what he does best.
When Saving Country Music started in 2009, the biggest artist in country music was Taylor Swift. Now, it’s arguably Chris Stapleton. Independent artists are finding support like never before, allowing them to be able to completely sidestep the pitfalls of the mainstream industry and still have sustainable, and in many cases, very successful careers.
One of the reasons we feel so surprised at Americana’s success and so many have been so slow to recognize it is because it has been a slow and steady process. Because of Americana’s model of sustainability, the revolution has been plodding, yet purposeful. And now it’s success is palpable, and measurable by industry-standard metrics.
In January of 2016, Saving Country Music published an article explaining how 2016 Could Be 1975 All Over Again in country music—how an upsurge in more traditional and substantive talent and music could really take hold in country, from the independent realm to the mainstream. And that is exactly what we’ve seen as 2016 has progressed.
With absolutely no hyperbole intended, William Michael Morgan earning a #1 on country radio for his debut single “I Met A Girl” is a historic moment in country music. It’s a point in time when an undeniably traditional country song from an undeniably traditional country artist has topped the chart after a long vacancy for a traditionalist at the top spot.
This is it folks. Without qualifiers, caveats, or commercial dalliances outside of his tightly-knit traditional-leaning comfort zone, William Michael Morgan has released a country record that is quality cover to cover, true country at every turn, and most importantly, one that might actually pique the interest of the masses as its lead single eyes a top spot in the charts.
Hell I thought that George Strait had retired. Maybe a new day is dawning in country, because listening to William Michael Morgan’s “Missing” immediately gets you swaying, singing along, and settling into a good mood whether you can go missing yourself, or you’re stuck at work or in traffic and wish you could.
“I can’t believe it’s already about this time for me,” William Michael Morgan said. “Right now we’re sitting at about 11 songs that’s gonna be on the album. That could change, but it’s all country, true to the EP of course, and I just can’t wait to share this with you guys. We’ve been working so hard to try and find and write to get these songs out to the public.”