“It’s always going to evolve, but it seems to return to its roots, and I think that’s what’s happening now.” This was the assessment of country legend and “Class of ’89” member Clint Black during a recent appearance on Tracy Lawrence’s “Honky Tonkin'” radio show.
It’s a rite of passage for any artist or band. And no matter how bygone the honor and opportunity might feel to some, to any act in the country and roots realm with any notion of history, it’s a bucket list item they will cherish and remember forever.
Unless you were there in person, you missed it. But now we’ll all get the opportunity to see the tribute concert that transpired on April 6th, 2017, when a hefty list of musical talent all assembled at the Bridgestone Arena in Nashville to pay tribute to the legendary Merle Haggard.
Let’s be honest. Do we really need yet even more new versions of old country songs? But the wildcard here, and what makes this record worth turning your attention to is that you have the once-in-a-lifetime voice of the great Josh Turner gracing these classic songs.
If anyone in country music has ever deserved to have their career unceremoniously wiped and cancelled, inadvertently or otherwise, it might be Chase Rice. Nonetheless, the criticism of his recent concert that has made him public enemy #1 deserves some context, and a deeper discussion.
As tax season approaches and we get the opportunity to tie a bow around the doings of 2019, it’s always interesting to look back on the year at the Grand Ole Opry to see which performing members are paying their proper dues to country music’s most historic institution, and which one’s aren’t.
It’s been said before, and it will be said again: We can’t agree on much these days. But we all agree on Dolly Parton. “Dolly Parton: 50 Years at the Grand Ole Opry” reminded us of why, and hopefully brought fans of music in country and beyond together at the commencement of the Holiday season.
Not all drunk driving arrests are the same, and we’re finding that out in the continued fallout after EDM country artist Sam Hunt was arrested last Thursday morning (11-21) in Nashville for swerving in and out of his lane, and driving the wrong way on a principle highway.
That’s right. The 83-year-old is blowing off the 2019 CMA’s and won’t be in attendance to receive is CMA Lifetime Achievement trophy. Instead of walking out on the stage at the Bridgestone Arena, Kris Kristofferson has elected to honor his contract to play the Adler Theater and Apartment Complex that night in beautiful downtown Davenport, Iowa.
An album by Cody Jinks has come in #1 in album sales for the second consecutive week. After hitting #1 with ‘After The Fire’ last week, Jinks has pulled off the same feat again this week with his album ‘The Wanting.’ The albums were released on October 11th and 18th respectively.
Surging up-and-coming country music artist Luke Combs will be the next member of the Grand Ole Opry. The 29-year-old was surprised during the Tuesday night (6-11) Opry presentation by traditionalist Craig Morgan, country legend John Conlee, and recent Grand Ole Opry member Chris Janson with the invitation.
As a country music fan, you just want to proudly be able to profess to people your appreciation for this music that you hold such a passion for. You want to believe in its institutions, and that the best and the brightest of a generation are foisted forward and given the greatest opportunities.
The brand new, $540 million-dollar arena started in November 2017 is said to have a seating capacity of 14,000, and though the area will be used for sporting events and other functions, Matt Homan, president and general manager of the venue, called it the “first concert announcement at Dickie’s Arena.”
Usually Christmas music gets shoved to the back burner around these parts, but this year there is such a surprising amount of quality selections of Holiday music being released, it’s worth a dedicated roundup. So if Christmas music is your thing—especially with a country or roots kick—give a gander to what 2018’s got in store.
The biggest threat to country music at the moment is the rampant and rancid ultra-politicization of the country music space by opportunistic, interloping, and woefully-misguided journalists attempting to use the genre, its fans, and its artists as unwitting pawns to assert a biased agenda to change the mindset of the electorate.
Most importantly, Chis Janson has proven that he cares, because you don’t play the Opry for the money. Ans as soon as the Opry membership is refreshed with names of artists who show passion for the Opry, then perhaps a renewed passion for the Opry itself will also appear in fans and other artists
We were so swept up in praising ourselves for all the gains made in the independent realm of country music in 2017, it wasn’t until here in the dwindling moments of the year that we realized just what a dreadful era 2017 posed in the mainstream.
While in the independent realm of country music, 2017 went down as a record year for quality projects, the mainstream was downright abysmal pretty much across the board for both songs and albums. There actually were quite a few pretty good songs, but most struggled to gain traction in the charts.
Man did Music Row in Nashville turn in a whole slew of stinkers this year, setting new lows for the substance, and non-country-ness of “country” songs in 2017. This year was a great example of how you should never think it can’t get any worse, because it can, and did, and by a long stretch.
The issue with Chris Janson has never been that he can’t write a song, or even sing one. The problem is Chris can’t resist the temptation to write and record the trashy super hit as well, and this is what has gone on to define his career. “Drunk Girl” is one of the good ones.
Since 1974, the Charlie Daniels Volunteer Jam concert has been a mainstay on the country music calendar, and a worthy fundraiser for veterans. Now in 2018, the event will hold special importance as it also acts as a tribute to Charlie Daniels himself, as he partners with tribute concert promoter Blackbird Presents for this year’s presentation.
Oh man are these some stinkers. Not only does an elite and highly-trained group of mainstream country artists seem to be like devoted experts at defining new lows for the genre, in 2017 the amount of non-country-ness of some of these “country” songs is so off the charts, it’s like they’re purposely challenging each other.
Now Nashville’s decided to try and make the Geico Caveman a superstar it appears, and it’s only appropriate, because to find anything fetching in this anthem to American devolution, your forehead has to stick out over your eyebrows so far that you don’t need to wear a hat in the rain.
If 90% of mainstream country music is garbage, then it stands to reason that 10% of it is at least decent, if not good or great. That calculus hasn’t really changed much recently, even as mainstream country has improved. What has changed is that 10% is actually finding traction on radio, at awards shows, and is making fierce inroads into the 90%’s monopoly.