Beginning earlier in November—and rising to a fevered pitch over the last few days—there has been concern that the house of Hank Williams called Beechwood Hall is about to be demolished. But the house’s ties to country music and it’s history deserve greater context.
If you’ve been waiting for the right opportunity to catch the Turnpike Troubadours on their reunion tour and got locked out of the first round of shows due to the crazy run on tickets, the opportunities to see them live just got a lot more lucrative.
Texas music couple Bruce Robison and Kelly Willis announced the end of their marriage late last week, and with everything else going on, it may have been easy to miss the news, or to maybe gloss over just how significant this news is, and regard it simply as gossip.
Along with the fourth season of Yellowstone that is still ongoing, another series called 6666 about a sister ranch in Texas is ready to commence, while a prequel/origin story called 1883 has just started airing episodes on Paramount’s streaming platform, Paramount Plus.
The fourth season of the Paramount Network’s neo-Western Yellowstone starring Kevin Costner and created by Taylor Sheridan is finally set to premier on November 7th. And along with it, you can also expect a big boost for the independent country artists and songs…
Due to COVID-19, and then the protests and riots, the Saving Country Music snark machine has been pretty much powered down and collecting dust for the better part of 2020. But there has been as few instances of country music malfeasance so egregious, it would be unconscionable to not address.
Jimmy Snyder’s most lasting contribution was as a fixture in local clubs, playing classic country standards and originals, and often giving up-and-comers some of their first opportunities on legendary stages in both California and Nashville.
To help in the COVID-19 recovery effort, the Hall of Fame is planning a special live streaming event that will match up many of the iconic instruments in the “Precious Jewels” collection and other displays with many of the best artists and players of today.
Just remember, “It’s only the ACM Awards.” It’s just disappointing that one of their best presentations in perhaps a decade or more—and under difficult circumstances—had to be sullied at the very end by a silly and avoidable decision.
Through the Bro-Country era, Tim McGraw became one of the surprising saving graces in mainstream country music by entering his late career stage doubling back to his roots and releasing quality songs that were surprisingly more country than even some of his earlier stuff, and even finding success with them on the radio.
Also as part of the reopening, the Hall of Fame is planning a special live streaming event on October 28th, and one they hope will be one of their biggest fundraisers ever, called “Big Night (At The Museum)”. It will match legendary instruments with many of the legendary artists of today.
There should be no shame in major music outfits taking money through the government’s Paycheck Protection Program, or PPP, to keep their road crew and support staff financially stable, despite it being characterized as the cash grab of millionaires by some, aided by certain embellished and misleading headlines in the media.
Due to COVID-19, and then the protests and riots after the George Floyd killing, the Saving Country Music snark machine has been pretty much powered down and collecting dust for the better part of 2020. But there has been as few instances of country music malfeasance so egregious, it would be unconscionable to not address them.
The career trajectory of Tim McGraw over the past few years has been somewhere between confounding and nauseating. when he moved to Sony Music Nashville to facilitate being able to record and tour with his wife Faith Hill, it was one misstep in his solo career after another. But now he appears to be back on track.
Beware of the women who write songs for the mainstream of country. To make it in that evil world often dominated by men, you’ve got to be a real tough mother cut from a different cloth, capable of being told “no” over and over again and still continue on, and agile enough to deliver songs that can succeed.
When it comes to saving country music in the mainstream, Tim McGraw and Reba McEntire both have played important roles recently. During Tim McGraw’s time at Big Machine, he showed a somewhat unexpected but welcomed turn to his roots, and Reba’s “Stronger Than The Truth” was one of the best mainstream albums in years.
Ever since Tim McGraw’s move to Sony, it’s seemed like a series of missteps. Now Tim McGraw is a man without a label. We’ll likely hear about McGraw signing to a new label in a matter of days. Maybe it will even be Big Machine. Don’t count on it being Curb. But again the question is, why all the label musical chairs in the first place?
It’s never too late to revitalize your career, or to train wreck it. Tim McGraw saw all the hubbub being made over “Old Town Road” and decided he could mumble rap about pure nonsense and call it country too. Bad for him though, none of the Gen Z’ers with their Tik-Tok apps know or care who Tim McGraw is.
Dear NFL Fans, As the true disciples and aficionados of actual country music, we want to formally apologize to you all for the bad country music and doltish characters you will be forced to endure during this week’s NFL Draft coverage. Please accept our deepest apologies.
The incredible accolades and numbers just keep racking up for Texas country music artist Cody Johnson. After hitting #1 on the Billboard Country Albums chart with his recent album Ain’t Nothin To It, he rolled into Houston’s NRG Stadium on Friday night (3-15) for a performance on the star-shaped stage for a crowd of 73,009.
The boys from Tahlequah, Oklahoma known as the Turnpike Troubadours traveled down to Houston on Saturday (3-2) to take advantage of their first ever berth on the biggest stage in Texas—the star-shaped one in the center of the NRG Stadium as part of the annual Rodeo Houston production.
There is no way to sugar coat it for Scott Borchetta, Big Machine Records, and the two one-way streets just west of downtown Nashville known as Music Row where the heart of the country music industry resides. Taylor Swift leaving is huge. But she also leaves behind a legacy of how women can still succeed in country.
“As far as government politics, hell no!” said original ‘Rolling Stone Country’ Senior Editor Beville Dunkerley in May of 2014, assuring readers the publication would not engage in political discourse as part of its country music coverage. Now that has all changed.
Tim McGraw recently took time from crushing his core-sculpting exercises and scratching items off of Faith Hill’s honey do list to record a new single called “Neon Church.” If someone handed you a lyric sheet for this song, you’d probably nod in approval. It’s the production of “Neon Church” where the battle lines will be drawn.