Two of the last remaining important pieces in the cast of the upcoming biopic on the life of Hank Williams entitled “I Saw The Light” have been revealed. “I Saw The Light” is being produced and directed by Marc Abraham, who also adapted the screenplay from Colin Escott’s Hank Williams biography. The movie is currently shooting in Shreveport, Louisiana, and is set to be released in 2015.
The bayou cries out in mourning, but the music will live on. Jimmy C. Newman, the ‘C’ standing for “Cajun,” known as one of country music’s most passionate champions of the Cajun influence and nicknamed “The Alligator Man,” passed away on Saturday, June 21st due to Cancer. He was 86-years-old. Jimmy C. Newman, “The Alligator Man”, is now sitting on the banks of the great bayou in the sky.
Bill Monroe, Cajun, dead, Dolly Parton, Fred Rose, Gene Autry, Jimmie Rodgers, Jimmy C. Newman, obituary, passed away, Ricky Skaggs, The Alligator Man, The Carter Family, The Grand Ole Opry, Tom T. Hall
Tuesday was the release of Jerrod Niemann’s dumb new album High Noon, and before we’ve even had a chance to really delve into just how much of a mockery it makes of country music, Niemann’s already out there on the defensive, preaching to us how country “purists” really don’t know what the hell country music is all about, and how he’s just carrying on the traditions of Willie and Waylon.
Bill Anderson, Bill Monroe, Donkey, Eddy Arnold, Ferlin Husky, Florida Georgia Line, Fred Rose, Hank Williams, Hank Williams Jr., High Noon, I Can Drink To That All NIght, Jerrod Niemann, Loretta Lynn, Ralph Mooney, Red Headed Stranger, Roy Acuff, Taylor Swift, Tim McGraw Shania Twain, Waylon Jennings, Willie and Waylon, Willie Nelson
Unlike Elvis, The Beatles, and other such acts that withstood the test of time to become commercial success stories in multiple decades, The Everly Brothers seemed to hit a wall in the early 60â€²s, and never really rekindled their popular magic later in life. Why did this happen? How could an act that was so popular, and seemed to resonate so deeply with the American public get lost in the shuffle?
This album is good both because it is Willie, and because it is good. After years of navigating through a gray area in his career and having to dabble with some record labels probably less able to do a Willie release justice, he’s back with the same company who released Red Headed Stranger, and back to making albums worthy of the world stopping down to pay attention to.