In the late 80’s, there was a commercial for Pace Picante Sauce that featured a bunch of cowboys sitting around a campfire eating a chuck wagon dinner. When the cowboys ran out of Pace made in San Antonio (by folks who know what Picante sauce is supposed to taste like, the commercial proclaimed), the cook […]
When you’re looking for the names of people who were imperative to the rise and eventual success of independent country music that we enjoy today, the drummer for the metal band Pantera may not be your first choice to finger. But Vinnie Paul, who passed away on Friday, played a seminal role in the formation of the country music underground.
2018 has been incredibly busy with new albums in the country and roots realm, and the 2nd half of the year looks to be just as busy. So to help you keep track of it all and perhaps help separate the wheat from thew chaff, here is a handy guide to some of the top releases to anticipate, a more expansive list of confirmed releases, and a rumor mill.
AHI, American Aquarium, Coco O'Connor, Cody Canada and The Departed, Cody Jinks, DeviDriver, Dillon Carmichael, Hank3, Jim Lauderdale, Karen Jonas, Kinky Friedman, Lori McKenna, Lucero, mmhmm, Rhyan Sinclair, Shooter Jennings, Tami Neilson, Tyler Childers, William Clark Green
Hank3 has been out of the spotlight for the last few years as he takes an extended period off to reshuffle his personal life, but he has re-emerged recently as part of the heavy metal band DevilDriver’s upcoming tribute to Outlaw country called “Outlaws ‘Til The End” to be released July 6th.
As first reported by Saving Country Music, the heavy metal band DevilDriver has been working on an Outlaw country tribute record that will include special guests and a heavy metal influence. Now we have the details on the project called ‘Outlaws ‘Til The End.’ From the country world, Hank Williams III and John Carter Cash will participate.
Normally the release of a Greatest Hits album would not be a reason for consternation, but Curb Records has a long history of re-releasing songs under different titles for various purposes that only serve the label’s best interests instead of the public or the artists.
It’s hard enough for side players in any genre to receive the recognition their contributions to the music deserve, let alone ones who choose a discipline that is a dying art. Kayton Roberts had it hard enough as a steel guitar player. But Kayton’s instrument of choice—the pedal-less steel—was in even less demand throughout his career.
Hank Williams III, the grandson of Hank Williams and the son of Hank Williams Jr., has been named as one of the principal defendants in a lawsuit by a concertgoer who is claiming he was assaulted by the crowd at a concert for the heavy metal band Superjoint, formerly known as Superjoint Ritual. The fan claims the band incited the crowd to assault him.
At Wednesday night’s (2-15) Ameripolitan Awards hosted by Dale Watson and Ray Benson, Hank Williams III, who not much has been seen or heard of for a few years now, was up for Best Outlaw Male. Also for those who can’t wait to hear Hank3’s voice again on some new music, he actually appeared on a track by Rudy Parris recently.
Curb Records is once again cobbling together previously-released material from Hank Williams III in an attempt to make money off of songs many fans already have, only this time it is in a much more conventional manner. Saving Country Music can confirm that Curb Records is planning the release of a Hank Williams III Greatest Hits album.
Eddie Pleasant is known as possibly the very first individual to ever sell a concert T-shirt. Eddie Pleasant took white T-shirts with an 8X10 picture of Hank Jr. on the front, and turned it into one of the most lucrative industries in music at the time.
Big Al Halterman, Buddy Lee, CJ Udeen, Conway Twitty, Eddie Pleasant, Gary Allan, Hank Williams Jr., Hank3, Jim Reeves, Kitty Wells, L.E. White, Lefty Frizzell, Marry Jane, Stoney Cooper, Vernon Derrick, Willie Nelson, Wilma Lee
Preserving the roots of country is not always just about paying homage. Sometimes it is about sowing disharmony or speaking out in protest to help force country music back on the right path. Music Row and the country music industry will always be about money first. The artists are the ones who must take the lead and reign the business in.
There was nobody else like Mr. Bandana. And now that he’s gone, there will never be anyone like him again. He was a true last of the breed, and one of the few remaining authentic Outlaws who lived his own way, spoke his mind no matter the outcome or insult taken, and you will never find a more dedicated and loyal supporter of the music.
There’s not much worse than having a hankering for some new music from one of your favorite artists, but feeling like you’ve been waiting forever for it to happen. There are many reasons an artist or band may have a delay in output. But dammit, sometimes you feel like you just can’t wait. Here’s a few folks that it feels like are past due for new projects.
Believe it or not, you can draw a straight line between underground roots music, and Chris Stapleton becoming the most successful country music artist in the last two years in regards to awards and album sales. Let me explain how:
The new Hank Williams biopic I Saw The Light finally opened in select theaters in New York, Los Angeles, and Nashville on Friday, March 25th, and will be released nationwide on April 1st, and the controversy and criticism of the film continues. I Saw The Light originally debuted at the Toronto International Film Festival on […]
Time is the ultimate judge and critic of music. 10 year anniversaries don’t always fall favorably for legendary records. They’re still too young to be considered vintage or retro, but are just old enough to be out of style. But unfolding the flaps of “Straight to Hell” today, re-living the music, it’s hard to not feel the same magic you heard when you listened to the record for the first time.
“Been having to rebuild camp,” Hank3 said as he co-hosted a segment with Alamo from Jack Clement’s famous Cowboy Arms Hotel and Recording Spa in Nashville. The show aired last Saturday (1-16) on Outlaw Country Channel 60. “No camp, no war. So once the camp is officially taken care of, we’ll be back in the trenches.”
Comprised of two very astute and formally educated musicians, Stump Tail Dolly is not necessarily the screaming bloody mess some might expect when scrunching the terms “country” and “metal” together, especially considering the lineage of the discipline. There’s plenty of blood and guts mind you, but there’s a lot more going on beneath the surface than just Cookie Monster vocals and braying power riffs.
On Saturday evening (10-17), the highly-anticipated, yet much-maligned movie covering the life of Hank Williams called ‘I Saw The Light’ made its big star-studded Nashville debut at the Belcourt Theater just south of the city’s Music Row district. After the red carpet ceremony and screening of the film at the Belcourt, festivities moved to Acme Feed & Seed on lower Broadway for an afterparty.
Like a slow moving thunder roll, Whitey Morgan continues to tour, night in and night out, delivering crisp, throbbing performances every time that leave crowds embedded with Whitey passion in every town they tackle until the crowds are swelling, and the word is spreading about this bearded guy from Flint who refuses to compromise, who has his heart in the right place, and who puts on amazing shows.
We’ve heard Hank Williams III’s thoughts on the biopic about his grandfather I Saw The Light starring the British-born Tom Hiddleston as Hank set to be released on November 27th, and we’ve heard from critics who attended the premier screenings of the film at the Toronto International Film Festival. Now another blood relative of Hank, his granddaughter Holly Williams has sounded off on the film.
The highly-anticipated Hank Williams biopic ‘I Saw The Light’ starring Tom Hiddleston made its debut at the Toronto International Film Festival Friday, September 11th. And the only way to describe the degree disappointment, displeasure, and at times vitriol towards this movie from the select few who were allowed into the screening can only spell one thing: ‘I Saw The Light’ is a gargantuan letdown.