Traditional country to the core and produced by the legendary Lloyd Maines, this collection of twelve songs penned mostly by Gummersall himself, but with a few assists from Devon O’Day and the great Jim Lauderdale, is bound to slide under-the-radar due to the straightforward nature of the approach, but is determined to be heard.
Jerry Jeff Walker had a rough 2017, and almost didn’t make it out alive. The 76-year-old was diagnosed with throat Cancer, and then while going through chemotherapy and radiation treatment, developed both pneumonia and a blood infection that was said to be “an understatement to call a setback.”
Most any catchy beat or hum-able tune can impart some sort of spark to the spirit, but it’s a select few songs that can make you soar, especially when there’s nobody else around but yourself to rely on. It’s you, and music. Courtney Patton captures quite a few of those soaring moments in ‘What It’s Like to Fly Alone.’
If you know anything about Texas country songwriters, then you know about Courtney Patton. And if you don’t know about Courtney Patton, then you better get wise. Fortunate for you, she’ll make it easy on you by releasing a new album on February 16th, 2018 called What It’s Like to Fly Alone. “The title sounds […]
Brennen Leigh, Courtney Patton, Dan Tyminski, Jamie Lin Wilson, Jason Eady, Kelley Mickwee, Kent Finlay, Larry Hooper, Lloyd Maines, Matt Hillyer, Micky Braun, Owen Temple, Sunny Sweeney, What It's Like to Fly
For 21 years, The Americana Music Jam has assembled some of the finest talent in Texas music to raise funds for worthy causes. Co-sponsored by Gruene Hall, and hosted by KNBT 92.1 FM out of New Braunfels, this year proceeds went to benefit Hope Hospice and Communities in Schools of South Central Texas.
Americana Music Jam, Cody Canada, Dalton Domino, Drew Kennedy, Flatland Cavalry, Gruene Hall, Josh Grider, Lloyd Maines, MIke McClure, Randy Rogers, Robert Earl Keen, Terri Hendrix, The Statesboro Revue, William Clark Green
Jason Eady can do what they can do, but they can’t do what Jason Eady does, which is strip it all back and have the appeal for the music rest entirely on the written composition of a song. Even the most minimalist of performers have to rely a little bit on style, groove, or some sort of window dressing. But for Jason Eady, it’s like a type of Zen.
The 10-track album was produced by longtime collaborator Kevin Welch at Blueroom Studios in Nashville. It will feature backing vocals by Vince Gill on a song called “No Genie in This Bottle,” as well as instrumental contributions from noted musicians Lloyd Maines on steel guitar, and the SteelDrivers’ Tammy Rogers on fiddle.
The King of Juke Joint Swing Wayne “The Train” Hancock will release his newest album called ‘Slingin’ Rhythm’ via Bloodshot Records. Produced by Lloyd Maines, it finds Wayne Hancock reprising his signature sound that mixes elements of country, Western swing, rockabilly, and blues in a neotraditional style.
Without anyone left to please but himself, Pat Green is free to exorcise his demons, get some stuff off his chest, make the album he wants to, and hopefully reconnect with those grassroots in Texas country that once helped carry him to the top, and he once turned his back on. To some his name will continue to be mud, but that doesn’t mean his musical output will be.
Dale Watson has been slaving away at his Ameripolitan Studios in Austin, TX, working on his followup to 2014’s Truckin’ Session Vol. 3, and 2013’s El Rancho Azul, and just announced Wednesday (3-18) he’ll release his latest record Call Me Insane on June 9th. The news comes as Dale will make an appearance on Wednesday’s Jimmy Kimmel LIVE from SXSW sitting in with Kimmel’s band.
The Forgotten Outlaw, and the man at the forefront of keeping American roots filled with the rockin’, gritty heart of the 60’s music revolution, has just announced a new album, and has released a new song in conjunction. Ray Wylie Hubbard will release his newest record “The Ruffian’s Misfortune” through his own label Bordello Records.
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
ACL, Asleep at the Wheel, Austin City Limits, Bob Wills, Flaco Jimenez, Guy Clark, Lloyd Maines, Loretta Lynn, Ray Benson, Stevie Ray Vaughan, Sturgill Simpson, The Avett Brothers, The War On Drugs, Townes Van Zandt, Willie Nelson
Each year when Saving Country Music sits down to compile the best songs, it’s done so with a solemn reverence and understanding that the idea embedded in a song has the power to change a life, and change the world. There are many songs out there that are a joy to listen to, but a Song of the Year must say something that can evoke shivers, and do so in a way nobody else has done before.
Don Williams, Everything's Gone, First Aid Kit, Garry Nicholson, Hellbound Glory, Hurray For The Riff Raff, I Lost You, Jim Lauderdale, Joseph Huber, Leon Virgil Bowers, Lloyd Maines, Lydia Loveless, Parker Milsap, Ray Benson, Streets of Aberdeen, Sturgill Simpson, Tami Neilson, The Body Electric, The Lonely Island, The Secret Sisters, Truck Stop Gospel, Turtles All the Way Down, Waitress Song, Wanchese & Manteo, Waylon Jennings, Willie Nelson, Willie Watson
The song “It Ain’t You” off of Ray Benson’s album A Little Piece continues this trend of offering both something unheard, but something wrought during the living era of a legendary artist, and paid forward with reverence and care by those still around who are inspired by their legacy. Originally written by Waylon Jennings with Gary Nicholson, “It Ain’t You” was never recorded.
A Little Piece, Asleep at the Wheel, Billy Joe Shaver, Dolly Parton, Gary Nicholson, It Ain't You, Johnny Cash, June Carter Cash, Lloyd Maines, Ray Benson, Review, Sam "Lightnin'" Seifert, Waylon Jennings, Willie Nelson
Lone Star Music, the Texas music cornerstone that has such good taste and cool vibes that appreciation for it’s unique approach of putting the music first spreads well past the Texas border, has just announced the nominees for their 6th Annual Lone Star Music Awards, and I’ll be damned if it doesn’t hit the sweet spot in showcasing many of the artists that are helping to save country music.
American Aquarium, Chris King, Cody Canada, Dave Cobb, Guy Clark, Jason Boland, Jason Isbell, Kacey Musgraves, Lincoln Durham, Lloyd Maines, Lone Star Music, Lone Star Music Awards, Nominees, Patty Griffin, Reckless Kelly, Shinyribs, Slaid Cleaves, Sturgill Simpson, Turnpike Troubadours, Will Hoge, Zane Williams
Since Texas-based singer-songwriter Possessed by Paul James released his latest album There Will Be Nights When I’m Lonely out into the big scary world on October 29th, it has been on quite the tear, especially for an artist that up to this point was thought to only be known by a small, but dedicated sect of fans.
Possessed by Paul James’s music has been described by many as more of a life-changing event than a musical experience. He channels the spirit of music through himself like none other on stage, and leaves crowds staggered. A titan of the deep blues scene, a well-respected songwriter, a musician known equally for his prowess as a singer, fiddler, banjo and guitar player, and a leader of independent roots music…
Texas singer/songwriter, one man band, multi-instrumentalist, Teacher of the Year, and dedicated husband and father Possessed by Paul James has announced that he will be releasing his next album Nights When I’m Lonely on October 29th through Hillgrass Bluebilly Records. The follow up to his 2010 Independent Music Award-winning Feed The Family features 13 brand new original tracks recorded in Austin, TX.
East Cameron Folkcore, Hillgrass Bluebilly Records, Jim Diamond, Lloyd Maines, New Album, Possessed by Paul James, release date, The Weary Boys, The White Stripes, There Will Be Nights When I'm Lonely, Walter Daniels
Former Dixie Chick Natalie Maines has a knack for allowing her words to precede her. She left country after her quote about George W. Bush torpedoed the trio’s career, and ever since she’s been lobbing grenades back in country’s direction, including yet another in a new Rolling Stone article that represents her as “declaring war on Nashville.”
Wayne Hancock has more handles than a chester drawers: The Train, The King Of Juke Joint Swing, The Father of Underground Country, The Viper of Melody. He deserves every single one of them, yet none of them nor all of them combined seem to do justice to the enjoyment and influence his music has dispensed over the years.
If he’s not playing music, there’s no other place Wayne “Train” Hancock would rather be than riding on the back of his 2006 Harley Davidson Super Glide motorcycle. The new album Ride out 2-26 from the “King of Juke Joint Swing” in many ways is a nexus between these two passions, and a very personal work with songs reflecting the current state of his life and career.
What do we mean when we say “country” music? Well take a listen to Mississippi native and Texas transplant Jason Eady’s new album AM Country Heaven, and that should give you the strongest of all possible clues. And what do people mean when they say “Texas” country? This album isn’t a bad example of that either. Where I distance from a lot of other music writers is in the project’s originality.
James Hand is like James Hand, wholly unique, yet hauntingly familiar in the way his songs seem like they were written just for you and sound like old memories, and how his presence warms the soul. Or you could just listen to Willie Nelson who says it both succinctly and completely, “James Hand is the real deal!”
In the first part of my interview with Texas songwriting legend Ray Wylie Hubbard, we talked about how he wasn’t proud of the end result of the movie Last Rites of Ransom Pride of which he co-wrote. In the second part we turned out attention to more positive things, namely his latest album A. Enlightenment B. Endarkenment (Hint: There is no C) that is up for Saving Country Music’s Album of the Year.