The 2020 Americana Music Awards will not be happening on Wednesday, September 16th at the Ryman Auditorium in Nashville as initially planned. Though the American Music Association had already cancelled their annual AmericanaFest for September months ago, the organization was hoping to move forward with the awards.
With his aching, painful delivery of poetically elegant songs ripped straight out of his own biography and smeared with tears and the residues of addiction, Justin Townes Earle embodied everything you wanted from the tragic troubadour holding on just enough to perform for you.
Founding drummer of the Athens, Georgia-based Southern Rock and jam band experience Widespread Panic has passed away. Todd Nance died at the age of 57 in Athens it was announced on Wednesday (8-19) due to sudden and unexpected severe complications of a chronic illness.
Margo Price’s new album That’s How Rumors Get Started was described by American Songwriter as “very un-country.” Talking with The Nashville Scene, Price herself foretells how people will still try to sell her new album as country by trying to use “fancy words.” But she states decisively, “Nope, I made a rock ’n’ roll record.”
There should be no shame in major music outfits taking money through the government’s Paycheck Protection Program, or PPP, to keep their road crew and support staff financially stable, despite it being characterized as the cash grab of millionaires by some, aided by certain embellished and misleading headlines in the media.
A virtual celebration of Prine’s life and legacy has been planned for Thursday, June 11th called Picture Show: A Tribute Celebrating John Prine to be streamed online. Also after the presentation will be the revealing of a new John Prine song, with more unheard music on the way.
Jason Isbell has once again landed at #1 in both country and rock, as well as folk/Americana with his latest record ‘Reunions.’ This is the third time in a row the Alabama native has landed at the top of all three metrics with an album debut, and all from an artist who rarely makes it onto commercial radio.
They always say to watch out for a hillbilly with a hit record, and the week that the mustachioed and mulleted Morgan Wallen minted a #1 at country radio with the R&B-infused and derivative “Chasin’ You,” he was arrested by Nashville’s finest outside of Kid Rock’s “Big Ass Honky Tonk” bar.
The original release date for Jason Isbell and the 400 Unit’s new album Reunions was May 15th. But in an effort to help struggling brick and mortar independent record stores, the songwriter chose to make his new album available in physical form the week before, on May 8th, exclusively to retail record establishments.
It’s within a contentious environment that Jason Isbell and the 400 Unit deliver ‘Reunions’ to what will be thunderous and virtual universal applause from critics, while many conservative country fans will write him off without a fair listen. But like most things in politics and life, the truth lies somewhere in the middle.
Lucinda Williams just released a new record called ‘Good Souls Better Angels,’ and Jason Isbell is about to release a new one called ‘Reunions’ on May 15th. And in lengthy interviews with both artists published recently, the subject of their (once) mutual friend Ryan Adams came up in pretty in-depth manners.
Friday, April 24th was supposed to be a big day in country music, with the long-anticipated release of the first Dixie Chicks record in 14 years called ‘Gaslighter,’ and a much-anticipated new record from Willie Nelson called ‘First Rose of Spring’ leading a stacked day of new album releases.
Like we saw with American Aquarium’s last record, the very well-received “Things Change,” BJ Barham might perform best when his back is against the wall, folks are counting him out, and he’s got something to prove. He relishes the underdog position.
There is no doubt that by any objective assessment, when it comes to the world of creative types in the realm of music or otherwise, their ranks tend to veer more towards liberal ideals when it comes to politics. But that in no way excludes the gift of creativity from people who happen to be more conservative or independent of mindset.
Aaron Watson, Alan Jackson, Bill Anderson, Billy Joe Shaver, Brennen Leigh, Charlie Daniels, Chris Knight, Hank Williams Jr., Jamey Johnson, Jason Isbell, John Anderson, John Rich, Larry Gatlin, Loretta Lynn, Lynyrd Skynyrd, Maddie Marlow, Merle Haggard, Oak Ridge Boys, Ronnie Dunn, Sunny Sweeney, Toby Keith, Tracy Lawrence, Travis Tritt
“If it ever gets to be too much for you, there are a lot of great songwriters out there who agree with you politically. Oh wait, no there aren’t,” Jason Isbell responded to a Twitter user. But this assessment severely discounts to work of conservative songwriters who’ve contributed to the American songwriting canon.
Jason Isbell and the 400 Unit have announced their sixth studio album to be released on May 15th called ‘Reunions.’ Ahead of the new album, Jason Isbell has released the blistering and politically-charged anthem “Be Afraid.” Far from roots or even notions of Americana, it’s only fair to label it rock with a highly-charged political message.
Here are the greatest country and roots albums of the last decade in Saving Country Music’s estimation. Albums were regarded primarily on quality, and how they held up over the decade, as well as the influence they had on country music, and music at large. These are the albums that should not be overlooked over the last 10 years of music.
Brent Amaker and the Rodeo, Caitlin Rose, Chris Stapleton, Cody Jinks, Emily Scott Robinson, First Aid Kit, Hellbound Glory, Jack Ingram, James McMurtry, Jason Eady, Jason Isbell, John Moreland, Joseph Huber, Kacey Musgraves, Kellie Pickler, Lindi Ortega, MIke and the Moonpies, Miranda Lambert, Olds Sleeper, Roger Alan Wade, Sarah Shook and the Disarmers, Slackeye Slim, Sturgill Simpson, Sunny Sweeney, Tami Neilson, The Mavericks, Turnpike Troubadours, Tyler Childers, Zephaniah OHora
In yet another sign that reigning Saving Country Music Artist of the Year Tyler Childers is one of the hottest commodities in country music at the moment, he has officially sold out his four-night “Country Squire Residency” at the Country Music Mother Church, The Ryman Auditorium, starting with his show Thursday evening (2-6).
It’s time. In fact, it’s well past time. And the people calling the shots shouldn’t make the same mistake they did with Chris Stapleton’s rendition of “Tennessee Whiskey.” We’re talking of course about Morgan Wallen’s cover of Jason Isbell’s song “Cover Me Up.” It’s time to release it as a proper radio single.
In 2019, an interesting new destination festival popped up just outside of Whitefish, Montana called Under The Big Sky. With acts such as Dwight Yoakam, Cody Jinks, Whitey Morgan, and Amanda Shires on the bill, it got the attention of true country fans, but the question was if it would be worth the trek.
20 Grand, Archertown, Badger Hound, Billy Strings, Brothers Osborne, Charley Crockett, Colter Wall, Corb Lund, Emmylou Harris, Jason Isbell, Johnny Shockey, Laney Lou and the Bird Dogs, Lukas Nelson, Nick Spear, Snowghost, Swagar and Company, The Lil Smokies, Tyler Childers, Under The Big Sky Festival, Whitney Rose
This is what Jason Isbell promised during the closing night of his seven night residency at the Ryman Auditorium. It’s been a slightly more elongated release cycle for Jason Isbell and his last record ‘The Nashville Sound.’ Where he took about two years in between his last four records, ‘The Nashville Sound’ was released now 2 1/2 years ago and counting.
On NBC’s ‘The Voice’ Monday night (10-28), a contestant named Jake Hoot performed Jason Isbell’s “Cover Me Up” as part of the singing show. Taylor Swift, who was acting as a coach on the episode, even remarked “I love Jason Isbell,” when Jake Hoot said he was covering “Cover Me Up.” It’s more evidence the song has become a standard.
For those fans of songwriting that hits so hard you’re apt to fold in two and end up in a fetal position on the floor, John Moreland has been one of your favorite poisons over the last few years. Those who crave Moreland like a drug had to feel their internal clocks ringing that he was about due for another record.
Strong songwriting underpins inspired performances delivered by four women with passion for this project and its material in this initial effort by The Highwomen. Instead of writing it all themselves, they took the Nashville approach of utilizing co-writers to refine each effort that began with their original ideas, and it shows in the results.