This is what Jason Isbell promised during the closing night of his seven night residency at the Ryman Auditorium. It’s been a slightly more elongated release cycle for Jason Isbell and his last record ‘The Nashville Sound.’ Where he took about two years in between his last four records, ‘The Nashville Sound’ was released now 2 1/2 years ago and counting.
On NBC’s ‘The Voice’ Monday night (10-28), a contestant named Jake Hoot performed Jason Isbell’s “Cover Me Up” as part of the singing show. Taylor Swift, who was acting as a coach on the episode, even remarked “I love Jason Isbell,” when Jake Hoot said he was covering “Cover Me Up.” It’s more evidence the song has become a standard.
For those fans of songwriting that hits so hard you’re apt to fold in two and end up in a fetal position on the floor, John Moreland has been one of your favorite poisons over the last few years. Those who crave Moreland like a drug had to feel their internal clocks ringing that he was about due for another record.
Strong songwriting underpins inspired performances delivered by four women with passion for this project and its material in this initial effort by The Highwomen. Instead of writing it all themselves, they took the Nashville approach of utilizing co-writers to refine each effort that began with their original ideas, and it shows in the results.
Tulsa, Oklahoma native Zach Bryan took many fans of Texas, Red Dirt, and independent country music by surprise recently when he released an album of solo acoustic recordings on August 23rd under the title “DeAnn.” But the biggest question many have is, who is Zach Bryan?
“Yellowstone” provided a ton of music and artists for fans of the show to explore, especially throughout the country and roots realm, and especially artists that the mainstream often ignores. And the success of the show has also resulted in deserved attention for the songs and artists featured.
It’s kind of curious that the Country Music Mother Church hasn’t become a conveyor belt for live records like some other important venues in country music have. Now after Jason Isbell released a Live from the Ryman album in 2018, others are getting in on the action, including Old Crow Medicine Show and Brothers Osborne.
The Paramount Western series Yellowstone starring Kevin Costner doesn’t just make for compelling television, it also works as a great discovery mechanism for good country and roots music that much of the rest of popular culture ignores. Season 2 of the series that started in June has been no different.
As if answering a distress call sent out over the airwaves or via a spotlight beamed over Music City, the Highwomen have assembled in the form of the Grammy-winning Brandi Carlile, fiddlemaster Amanda Shires, songwriting markswoman Natalie Hemby, and superstar Maren Morris. “Redesigning Women” is their first taste.
Amanda Shires, Brandi Carlile, Cam, Dave Cobb, Erin Rae, Hailey Whitters, Jason Isbell, Jimmy Webb, Lily Hiatt, Lori McKenna, Maren Morris, Miranda Lambert, Natalie Hemby, Natalie Stovall, Raelynn, Ray LaMontagne, Tanya Tucker, The Highwomen, Wynonna Judd
Mile 0 Fest set to transpire in Key West, Florida January 28th through February 1st has just announced their initial 2020 lineup. Jason Isbell and the 400 Unit lead the list of headliners along with the Randy Rogers Band, Robert Earl Keen, and Whiskey Myers. 36 other names from Texas Music/Red Dirt/Americana have also been announced.
Natural Disasters is quite a bit more on the up-tempo and agreeable side from its predecessors in the Matt Woods catalog, but in a good way. Leaning more in the rock direction will cause some to miss the steel guitar and such that has textured his music in the past, but the energy and attitude embedded in the 10 tracks give it power.
If you weren’t already frothing with anticipation for the return of HBO’s Western Series ‘Deadwood’ in movie form, they’ve figured out how to suck you in even further by activating your country music bone. In the new, official trailer for ‘Deadwood: The Movie,’ appears the unmistakable voice of Canadian songwriter Colter Wall.
You’ll be hard pressed to present another country music personality more responsible for helping to save country music in the last quarter century than Marty Stuart. Though he never had the big hits as some of his contemporaries, his work both in the public eye and behind-the-scenes to preserve the legacy of country music is unparalleled.
For 32 consecutive years, bluegrass fans, folkies, country freaks and outcasts, and a cast of other cool characters from the roots realm and beyond have bivouacked at various locations around the Austin area under the heading of the Old Settler’s Music Festival. 2019 was the festival’s second season at the now permanent site.
Amanda Shires, Ben Hunter and Joe Seamons, Brandi Carlile, Del McCoury, James Hunter Six, Jason Isbell, John Calvin Abney, Kelvin Damrell, Old Settler's Fest, Paul Cauthen, Penny and Sparrow, Robert Ellis, Samantha Fish, Shinyribs, The Lone Bellow
Though some Jason Isbell fans may have balked at the idea of not getting the full, roaring version of The 400 Unit live, at the 32nd Annual Old Settler’s Fest, it seemed even more appropriate than the electric alternative. It gave fans of Jason Isbell and his band an opportunity to see them in a way few have.
Spearheaded by the positively Wallen received for his Jason Isbell “Cover Me Up” cover, he’s just released a studio version of the song, and surprisingly, it’s lossless in quality compared to the original acoustic version. Tastefully produced and arranged with sparse accompaniment, it’s arguably even better.
Very excited to share the latest additions to the Saving Country Music Top 25 Playlist, which includes songs from some great records and artists that need to be on your radar. Ben Jarrell’s debut LP ‘Troubled Times’ has been setting people’s hair on fire, and there’s nothing better to get the blood pumping at the top of the playlist.
It’s said that time is the harshest critic of all. If that’s the case, time has not been very kind to the music of Florida Georgia Line at all. The title of their new album ‘Can’t Say I Ain’t Country’ isn’t fooling anybody, and apparently the fickle pop country music fan has moved on en masse to the likes of Luke Combs and others.
Bloodshot Records was a stepping stone, and a repository for artists who were too ornery to be signed elsewhere. And that was what was cool about them. It was a punk attitude imprinted on country, and their verbiage about leading an insurgency inspired others to pick up the charge to take country music back, including this very website.
Four the last four year, the Hinterland Festival in Iowa (just south of Des Moines) has boasted some of the best country and Americana lineups in the Midwest, and 2019 is no different. Set to take place August 2nd thru 4th, the festival just got an additional boost by the results of the 2019 Grammy Awards.
This year’s Oscars will have country music implications. Among the Academy Awards nominees announced Tuesday morning (1-22), David Rawlings and Gillian Welch have been nominated for Best Original Song for their composition “When a Cowboy Trades His Spurs For Wings,” from “The Ballad of Buster Scruggs.”
An iconic guitar owned by Ed King of Lynyrd Skynyrd, and that once was stolen from the “Sweet Home Alabama” co-writer at gunpoint, is now in the custody of the King of Americana, Jason Isbell. “Don’t think I’ve played a finer electric guitar than this one. It haunts me now,” Isbell said after playing it the first time.
Jason Isbell is one of numerous performers for the event, all of whom are from Alabama. Also scheduled to perform are St. Paul & The Broken Bones, The Blind Boys of Alabama, The Commodores, Moon Taxi, and multiple local bands yet to be named on a 2nd stage.
An artist like Ashley McBryde doesn’t need radio. It’s radio that needs an artist like Ashley McBryde. Radio shouldn’t play McBryde just because she’s a woman. They should play her because she’s real. Ultimately, “Girl Goin’ Nowhere” may fail at radio. But Ashley McBryde is going somewhere regardless.