“If it ever gets to be too much for you, there are a lot of great songwriters out there who agree with you politically. Oh wait, no there aren’t,” Jason Isbell responded to a Twitter user. But this assessment severely discounts to work of conservative songwriters who’ve contributed to the American songwriting canon.
Even with how severe and widespread the hypocrisy is that permeates virtually everything involved in politics these days, the short guy from Big & Rich has somehow inexplicably figured out how to outdo virtually everyone else in the annals of political hypocritical history.
There is a myth out there in the country music industry that only old people like old country music. And since old people are already stocked with their cadre of outdated CD’s, there’s no reason to court them with new music. Of course, this isn’t true on a number of levels.
As Sam Hunt’s new godawful and indisputably non-country single “Body Like a Backroad” rockets up the charts and looks to make him an established major music superstar, the sychophants are coming out of the woodwork to glam on to his success and hope perhaps some of that attention will rub off on them.
“Artist to watch” is an often-used term that may or may not be a good fit for certain performers, especially young ones that still have so many decisions to make about their lives and careers, and have so many determinations to be made. But when it comes to the 18-year-old singer-songwriter Mary Sarah, “artist-to-watch” might not be a strong enough designation to speak to the potential of this artist.
The most notorious George Jones drinking story involves the country music legend and a John Deere lawnmower, but what a lot of folks don’t know is that George Jones chose this slow-moving mode of transportation to procure alcohol more than once. As entertaining as the lawnmower incidents may be, they underlined the seriousness of the alcohol issues George Jones was facing.
When you look at the Arab Spring going on right now in the Middle East, it’s hard not to trivialize problems such as the current financial state of the American music industry or the creative freedom of its artists. However it’s not hard to draw parallels between the two as well: repressive regimes unwilling to contemporize continue or escalate the same heavy-handed oligarchical systems…
During last week’s Super Bowl, one of the most gut-stirring commercials featured rapper Eminem in a spot for Chrysler, showing solidarity with the embattled city of Detroit which has taken the brunt of the economic downturn over the past few years, and by proxy has become the brunt of jokes that many times unfairly portray the hard work and strength that has come out of that city and its people.
I’ve had a working theory for a while that 75% of what you hear on mainstream country radio today can be traced back to a small handfull of songs by Bob Seger and The Black Crowes. Darn near 1/3 of them can be traced back to Seger’s “Night Moves” alone. Well it might be time […]