The picture at the top of the Washington Post article shows Midland’s Mark Wystrach, Jess Carson, and Cameron Duddy hanging outside of a BBQ shack around a Cadillac with steer horns on the front. Many from Austin and beyond immediately noticed the storefront as that of the legendary Sam’s BBQ on on E 12th Street in Austin.
Ray Wylie has parleyed his many years of peddling mad influence in country and roots music into a collaborative album hosting a heavy dose of cool names. Called “Co-Starring,” it is preceded by the new song “Bad Trick” that itself sees Ringo Starr, Don Was, Joe Walsh, and Chris Robinson of The Black Crowes all show up to support Hubbard.
Aaron Lee Tasjan, Ashley McBryde, Bad Trick, Big Machine Records, Chris Robinson, Co-Starring, Don Was, Elizabeth Cook, Eric Church, Joe Walsh, Pam Tillis, Paula Nelson, Peter Rowan, Ray Wylie Hubbard, Ringo Starr, Ronnie Dunn, Scott Borchetta, The Cadillac Three, Tyler Bryant and the Shakedown
Well, if you thought you were already swimming through an upside down world where the NBA and NHL seasons have just been suspended along with pretty much every major music tour and festival to speak of at least until April, well try this development on for size: Ray Wylie Hubbard has signed with Big Machine Records.
“It has been four years since we’ve released an album,” says Maddie Marlow. “For us, this is a lot more than just an album release. This sophomore album will always be a reminder that no matter the setbacks and struggles, we will come out stronger and better. We are so proud of this 15-song story.”
The Country Music Antichrist Scott Borchetta is hellbent on world domination ladies and gentlemen, and in the process expect him to pull country music in the pop direction more than ever before. In an interview, he downplayed Luke Combs and Kane Brown, while touting Thomas Rhett as the only true 20-something headliner.
Scooter Brown of the country and Southern Rock outfit the Scooter Brown Band appreciates your passion, Swifties. But he is not the droid you’re looking for. So please stop sending him wishes that his penis fall off and his kids go blind, because he’s got no business with that dude Taylor Swift is beefing with at the moment.
You’re a music fan. And sure, you know a little something about labels and producers and how all this stuff is necessary to get the music to you. But it so quickly gets bogged down in minutia and detail, does the sale of one huge music company to another really affect you, or affect the music in some significant way that you should care?
There is no way to sugar coat it for Scott Borchetta, Big Machine Records, and the two one-way streets just west of downtown Nashville known as Music Row where the heart of the country music industry resides. Taylor Swift leaving is huge. But she also leaves behind a legacy of how women can still succeed in country.
There’s plenty of mainstream country stars right now braying about the virtues of 90’s country in radio singles, but Maddie & Tae are the only ones actually singing and writing stuff even closely resembling it. Like all good country songs, “Die From A Broken Heart” would fit well in most any era.
“I feel like we manifested [Midland], because this is our playground…,” says Shane McAnally. “When these guys walked in and were a vehicle for those kinds of songs, and also quite capable of writing them as well, it was like ‘Weird Science,’ like, it wasn’t our design, but it’s almost like we put into a machine what we wanted, and out came Midland.”
What we know for sure is that Dot Records is no longer a label, at least for now. What we don’t know about is the fate of some of the artists that called the label home. Maddie & Tae, Drake White, and Staind frontman turned country artist Aaron Lewis have an uncertain future.
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
What’s so strange about the news is Tim McGraw seemed to be doing so well on Big Machine after fleeing Curb Records. There was a lot of symbolism in McGraw moving to Big Machine after a lengthy court battle with Curb, which tried to keep him on the label indefinitely and was ruining his career.
And though we’re a good half decade from when Toby Keith was still relevant in the country mainstream, and a healthy 15 years removed from when he was telling would-be terrorists where he rudely wanted to ensconce his manly footwear, Toby Keith still has a reserved seat at the very top of these “highest paid” lists, despite not showing a Top 5 single since 2011.
Meghan claims that in 2010 at the beginning of Steel Magnolia, a “very powerful man in the music business” reached under her skirt and groped her, and then tried to pick her up by her butt while numerous other important people in the music industry watched. The context of the revelation from Meghan Linsey was the release of Donald Trump’s off-camera comments.
The implosion of the rock genre, especially on radio, has made country a haven for rock stars looking to keep their careers relevant, ultimately spreading the cancer of declining careers to the country format as well. If Steven Tyler’s move to country had anything to do with inspiration or influence, you won’t hear much of it on this new record.
Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .
The media loves a good feud story, but Taylor Swift’s speech wasn’t just meant for one person. Kanye West may have been the inspiration for Swift’s speech, but it wasn’t the target. The target was young women all across the world who are forced or coerced to having all their accomplishments measured by the men who also happened to be involved.
While “Red, White & You” makes an ironclad case for itself as the worst “country” song in the history of recorded music, it indisputably takes the top prize for the worst lyrical line the world has ever been forced to behold. What the hell does “yum yum” mean you ask?
There’s a ton of great records from Hank starting the the late 70’s all the way up to the early 90’s that country fans will be pulling off of shelves for years to come when they’re looking for some good country music with a rock and roll kick, and if I had a vote I would induct Hank Williams Jr. into the Country Music Hall of Fame in the Modern Era category yesterday. But It’s About Time adds nothing to Hank Jr.’s legacy.
Timed to coincide with the Rock and Roll Hall of Fame announcement was the Cheap Trick news that they have a new album on the way called Bang Zoom Crazy…Hello. It will be the band’s 17th total album, and their first album in over five years. And it will be released on country music’s fastest-growing major label—Big Machine Records.
Ahead of a comeback album called It’s About Time scheduled for release on January 15th, 2016 through Scott Borchetta’s NASH Icon label, Hank Williams Jr. has issued a rendition of the oft-covered “Are You Ready For The Country,” originally penned by Neil Young, and covered by Waylon Jennings some years later.
The color yellow was picked to be the primary backdrop for the relaunch. The image of a diamond shaped like a heart was selected as a logo (even though that’s not the way a true heart-shaped diamond is cut), and everyone had visions of a blockbuster #1 single and sold out arena tours dancing in their heads. . . . and since then, “Live Forever” has flopped.
In peep show fashion over the last few days, Hank Williams Jr. has revealed he’ll be releasing his latest album called “It’s About Time.” It will be Hank Jr.’s first album on Big Machine Records’ NASH Icon imprint. He signed to the label meant to give new life to older artists in late April.