It was 1913, and ethnic Jews living in the Ukraine region of the Russian Empire were regularly subjected to brutal, mob-like massacres, known as pogroms. Just two years after a young boy named Nuta Kotlyarenko (Нута Котляренко) was born in Kiev on December 15th, 1902.
A website whose beat is country music really doesn’t have any business broaching a discussion on this song. Not that it’s completely out-of-bounds or objectionably opportunistic to do so. It’s just that despite the characterization of some, this song really doesn’t have anything to do with country music.
When you hear certain albums from some of country music’s mainstream performers, it’s patently clear to large portions of the audience that these albums aren’t pop country, they’re just pop, period. But in the pop world when artist dabble in country influences, they tend to be more honest about how the end result is still pop.
Beyonce, Chris Stapleton, Chuck Leavell, Dolly Parton, Don Was, Greg Leisz, Hillary Lindsey, John Mayer, Justin Timberlake, Keith Urban, Kesha, Lady Gaga, Maren Morris, Miley Cyrus, Priscilla Renea, Sara Watkins, Taylor Swift, Walker Hayes
When the first ever episode of the cross-genre show CMT Crossroads aired in January 2002 pairing Lucinda Williams with Elvis Costello, we thought they were on to something that was groundbreaking, and could become legendary. But as time went on of course, the idea became bastardized.
Much of the attention of ‘Noisey: Nashville’ is expended when Zach Goldbaum embeds with country rapper Mikel Knight’s street team, which Saving Country Music has covered extensively in the past. Independent country artist Margo Price is also involved, and tells the story behind her song “Hands of Time.”
Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .