Unless you’ve been living under a rock, and especially if you’ve spent any time interfacing with the NFL on FOX over the last few months, you know just how energized the TV network has been about their new country music drama series ‘Monarch.’
‘Tis the season to set ’em up, and tee off on the worst “country” songs released in the last calendar year, and boy, were there some doozies in 2021. It still feels like country music in the mainstream continues to improve. But that doesn’t mean some stinkers still don’t slip in.
“Monarch” will star Susan Sarandon as the ailing “Queen of Country Music” Dottie Cantrell Roman, Trace Adkins as her husband Albie, and British actress Anna Friel as Nicolette “Nicky” Roman, who is the heiress to the “First Family of Country Music.”
It’s a rite of passage for any artist or band. And no matter how bygone the honor and opportunity might feel to some, to any act in the country and roots realm with any notion of history, it’s a bucket list item they will cherish and remember forever.
Boy, we thought we’d rounded the corner on terrible Trace Adkins songs just like we’d squashed the pandemic with vaccines, only to have this vomitous monstrosity foisted upon us like a new, virulent COVID strain especially adept at circumventing immunization.
Jimmy Snyder’s most lasting contribution was as a fixture in local clubs, playing classic country standards and originals, and often giving up-and-comers some of their first opportunities on legendary stages in both California and Nashville.
Country Music Hall of Famer and Southern rock icon Charlie Daniels passed away on Monday, July 6th at the Summit Medical Center in Hermitage, Tennessee after suffering a hemorrhagic stroke. He was 83-years-old. On Friday, July 10th, funeral services will be held at the World Outreach Church, and will be streamed online.
Quite a few country fans were left angered and agog when they saw that Gwen Stefani would be receiving an Opry berth when many more deserving country artists—including some who could benefit from both performing during this period of hardship—are once again being passed over
Celebrating Easter early, and once again offering one of the few live entertainment options amid the Coronavirus shutdown, traditional country artist T. Graham Brown, Grand Ole Opry member Trace Adkins, and Southern Gospel singer Jason Crabb will all hold forth from the Grand Ole Opry house.
“Hayden [Nicholas] and I originally wrote this song for ‘Killin’ Time.’ 30 years & 8 special guests later, I am so proud of what we created to honor the Grand Ole Opry, and some of the proceeds will go to the Opry Trust Fund!” says Clint Black. The song is part of an upcoming live album from Clint called “Still Killin’ Time.”
Clint Black, Cody Jinks, Darius Rucker, Dierks Bentley, Grand Ole Opry, Hayden Nicholas, Killin' Time, Michael Ray, Sara Evans, Steve Wariner, Still Killin' Time, This Old House, Trace Adkins, Travis Tritt
The entirety of Blake Shelton’s career just devolved quicker than a political discussion with your drunk and racist uncle at Thanksgiving dinner. All the headway country music has made over the last couple of years, and now we have to figure out how to maneuver around this “Hell Right” bullshit.
Yes, Captain Old Farts & Jackasses has given traditional country fans plenty of reasons to give him a hairy eyeball over the years or curse his name under their breath (anyone remember the tractor rapping of “Boys ‘Round Here”?) But I’ll be damned if Blake Shelton hasn’t been on some prolonged traditional country kick lately.
Grrrrrrr, Blake Shelton! He’s the guy who said that “Old Farts and Jackasses” thing and is on that stupid reality show! Plus we’re supposed to hate him if we like Miranda Lambert, or something. But if you believe in reform and forgiveness, Blake Shelton would be one of the select few who would be worthy of it in the mainstream.
What sucks about “Doing It To Country Songs” is that there’s actually a lot of positives going on here, and it could have turned out to be something decent. But the innuendo here is worn out in the first 30 seconds, and the double entendres just don’t have the potency or levity to land a punch or crack a smile.
The trouble with Trace Adkins has never been a lack of talent. The dude has one of the coolest, baritone and bass singing voices in all of modern country music. The bigger problem with the Trace Adkins career track has always been his terrible, terrible song selection. Perhaps Adkins would learn from his past mistakes, and start taking the music more seriously.
And though we’re a good half decade from when Toby Keith was still relevant in the country mainstream, and a healthy 15 years removed from when he was telling would-be terrorists where he rudely wanted to ensconce his manly footwear, Toby Keith still has a reserved seat at the very top of these “highest paid” lists, despite not showing a Top 5 single since 2011.
Fans are furious after country artist Trace Adkins showed up to a benefit fundraiser for St. Jude’s Children’s Hospital so drunk he couldn’t sing. The performance on Wednesday, July 15th was so bad, fans in attendance started leaving, and Adkins eventually finished his set early, stumbling off stage.
Director Timothy Woodward Jr. was inspired to make a Western version of the Liam Neeson blockbuster “Taken,” and decided to cast country music songwriting legend and noted actor Kris Kristofferson on help star in the movie. Set in Kansas during the late 1800’s, and shot in parts of New Mexico and California, “Traded” finds Kristofferson as a crotchety, soothsaying, gun-toting bartender named Billy
Boy this thing sure had me intrigued when I first saw the image of Trace Adkins looking all contrite, weathered, and wise in the promotional picture with his hat in his hand, like he was ready to ask for forgiveness for all the Honky Tonk Badonka Donkin’ of his earlier career, and the gratuitous puppet sex of his “Brown Chicken Brown Cow” effort. Perhaps he was ready to be washed in the blood of good ol’ true country music.
The summer is heating up, and so are the disturbing stories surrounding the behavior at mainstream country music concerts. In 2014, concert conduct became a big concern as statistics and specific stories flooded in as the summer rolled on, and 2015 is shaping up to be just as concerning, if not more. A suspect from Nevada County, California has been arrested in connection with a rape at a Brad Paisley concert.
Trouble began when the heavily-intoxicated Carson started a fight in the concert area. He then left the area, and returned in his SUV, brandishing a revolver, and threatening to kill people. According to witnesses, he was trying to run people over in the concert area where approximately 50 people were still assembled after the concert. Carson’s rampage eventually ended when another individual in a Jeep rammed him.
Written by Keith with Bobby Pinson, the song tries to do something similar to “Drunk Americans,” which is make a statement about the current climate of society. Cutting completely against the grain of current country trends, as opposed to glorifying small town life as this idyllic full-time party of constant bonfire soirees beside bodies of water down dirt roads for bored suburbanites to live vicariously through…
On November 12th, artists from across the country and Southern rock world will be coming together to pay tribute to Lynyrd Skynyrd in a unique way. Not your typical tribute concert, and not your typical tribute album, One More For The Fans! — Celebrating The Songs & Music of Lynyrd Skynyrd will be a combination of both ideas taking place on the stage of the famed Fox Theatre in Atlanta.
Aaron Lewis, Alabama, Blackberry Smoke, Charlie Daniels, Cheap Trick, Don Was, Donnie Van Zandt, Fox Theatre, Govt. Mule, Gregg Allman, Jamey Johnson, Jason Isbell, John Hiatt, Kevin Wortman, Lynyrd Skynyrd, One More For The Fans!, One More For The Fans! -- Celebrating The Songs & Music of Lynyrd Skynyrd, Peter Frampton, Robert Randolph, Trace Adkins, Warren Haynes
When you live by the bit, you die by the bit. And Jerrod Niemann has just been bitten in the ass by a “Donkey.” Early on when you looked at the amount of “adds” the song was getting on radio, it did not paint a very rosy picture for the song. “Donkey” was virtually dead on arrival despite a strong label backing, and this week the song went from #44 to #48 on Billboard’s Country Airplay chart.