To put it bluntly, the ability of Blackbird Presents to curate talent for events is pretty terrible, and appears to be done without any true understanding of the layout of the current country music landscape. Some of the invites for these Blackbird Presents events seem so incredibly blind to the realities present in country music fandom, it’s remarkable.
Toby Keith has made a career out of being uncool, and making cool things uncool by his mere presence. And now he’s done it with marijuana. “Wacky Tobaccy” as a song has got nothing. The fact that it’s supposed to be a stupid song doesn’t let it off the hook for being a stupid song.
And though we’re a good half decade from when Toby Keith was still relevant in the country mainstream, and a healthy 15 years removed from when he was telling would-be terrorists where he rudely wanted to ensconce his manly footwear, Toby Keith still has a reserved seat at the very top of these “highest paid” lists, despite not showing a Top 5 single since 2011.
The story from W. Earl Brown about Toby Keith and Merle has now been shared on Facebook nearly 100,000 times, and websites like Taste of Country and others have picked it up. But despite it being a touching tribute to Merle and a great story, the Mandalay Bay concert with Toby Keith was not the final concert Merle Haggard ever played as is being reported.
Later it was announced by Haggard’s publicist that all February dates would be canceled to aid Merle’s continued recovery. The publicist said Merle was “still feeling weak from his recent struggle with double pneumonia and has decided to seek further treatment.” But apparently tour plans have changed yet again.
Boy this thing sure had me intrigued when I first saw the image of Trace Adkins looking all contrite, weathered, and wise in the promotional picture with his hat in his hand, like he was ready to ask for forgiveness for all the Honky Tonk Badonka Donkin’ of his earlier career, and the gratuitous puppet sex of his “Brown Chicken Brown Cow” effort. Perhaps he was ready to be washed in the blood of good ol’ true country music.
Speaking about his recent signing with Big Machine’s NASH Icon record label, which was set up to create radio support for artists left behind by mainstream country’s current obsession with youth, the once CMA Entertainer of the Year recipient said, “If you’re gonna be heard, you have to get on the radio. The internet alone is not gonna do it.”
At this point, Toby Keith is a relic. What talent he had was questionable to begin with, and he hasn’t ever really evolved for there. Time has passed Toby Keith by, and he doesn’t have the fluidity or desire to change with the times, or the quality it takes to be considered classic. But this album is far from the problem.
But possibly the most troubling sign that something is not right in the Toby Keith camp is the continued stories about strange closings and other curious issues surrounding the “Toby Keith’s I Love This Bar & Grill” restaurant chain. Keith founded the restaurants in 2005, and they are operated out of Phoenix by Boomtown Entertainment.
A massive Waylon Jennings tribute show in Austin, TX has just been announced, and the lineup is something to salivate over. Set to transpire on July 6th and Austin’s Moody Theater (where Austin City Limits is taped), organizers Blackbird Music Group made use of the fact that many of the big names would already be […]
Austin, Billy Joe Shaver, Buddy Cannon, Chris Stapleton, Don Was, Eric Church, Jamey Johnson, Jessi Colter, Kacey Musgraves, Kris Kristofferson, Lee Ann Womack, Moody Theater, Ryan Bingham, Shooter Jennings, Sturgill Simpson, Toby Keith, Waylon Jennings, Willie Nelson
Written by Keith with Bobby Pinson, the song tries to do something similar to “Drunk Americans,” which is make a statement about the current climate of society. Cutting completely against the grain of current country trends, as opposed to glorifying small town life as this idyllic full-time party of constant bonfire soirees beside bodies of water down dirt roads for bored suburbanites to live vicariously through…
Ted Cruz says he became a country music fan after 9/11, while the digital editor of ‘Ebony’ responded with “Nothing says â€˜Let’s go kill some Muslims’ like country music,” forcing MSNBC to have to publicly distance from the comments. Meanwhile a super PAC supporting Hillary Clinton released a pro-Hillary country song. Here’s how country listeners will be targeted like never before in the upcoming election.
Everywhere you turn, the new movie about American Navy Seal Chris Kyle called American Sniper has been causing a political stir amongst movie goers and beyond. But one country star, Jimmy Michael Montgomery, known for such hits such as “Beer Truck” and “Remember Back When” surprisingly says it’s not his place to enter the fray of what has become a political discussion.
2014 was a year of great flux in country music. Where 2013 was dominated by public feuds and outcries by many country performers about the direction of the music, 2014 became the year things began to be done about many of the problems plaguing the genre. With Bro-Country as the battleground, the fight to return some balance to the country format began to make headway.
Billy Gilman, Billy Joe Shaver, Brandy Clark, Dolly Parton, Dustin Lynch, Florida Georgia Line, Garth Brooks, Hank Williams, Hank3, I Saw The Light, Jason Aldean, Johnny Cash, Kacey Musgraves, Keith Urban, Luke Bryan, Maddie & Tae, NASH Icon, Sturgill Simpson, Tim McGraw, Toby Keith, Tom Hiddleston, Ty Herndon, Wayne Mills, Willie Nelson, Zac Brown Band
Move over Jamey Johnson and Kacey Musgraves. There’s a new critical darling in country music, and he’s neither country nor worthy of critical acclaim. Yes, I’m talking about the suave-haired cocaine club EDM-fueled country music marketing colossus and Svengali of the country music public named Sam Hunt. Sam Hunt and his music have nothing to do with country…
Have you ever wondered who actually listens to those awful songs they play on pop country radio? Here are the six primary Archetypes, or as Music Row refers to them, the “target demographics” that make up the audience of the pop country world.The new version takes into consideration country music’s changing demographics.
Nashville’s and country music’s most influential record label is reportedly getting ready to be put up for sale according to a new report, and Taylor Swift’s 1989 album release and pending contract situation could have a big impact on it. Despite being a big label with many famous artist and significant subsidiaries, the Big Machine Label Group remains independently owned, operating through distribution deals.
1989, Big Machine Label Group, Big Machine Records, Florida Georgia Line, Justin Moore, Rascal Flatts, Reba McEntire, Red, Scott Borchetta, Sony, Taylor Swift, The Band Perry, Tim McGraw, Toby Keith, Universal Music Group
Forget that now the last six Toby Keith singles in a row very heavily involve drinking— that’s “Beers Ago,” “Red Solo Cup,” “Hope on the Rocks,” “I Like Girls That Drink Beer,” and “Drinks After Work” for those of you counting at home—this is a song with a message dammit! What makes it a little difficult to stomach is this idyllic, hopeful picture it paints of the American reality that is so far off the mark…
72 hours have passed since Toby Keith delivered a drunken performance at the Klipsch Music Center just outside of Indianapolis on Saturday Night, and angry fans, some of which spent upwards of $300 for tickets, have still yet to receive any apologies or explanation. Though the complicit country music media has completely avoided this story, many major local news outlets in Indianapolis and elsewhere.
Numerous fans reached out to Live Nation and the Klipsch Music Center on Monday in an attempt to get refunds to no avail. Neither Live Nation, the Klipsch Music Center, nor Toby Keith’s management have addressed, or even acknowledged the issue. Saving Country Music also made calls to both the appropriate parties at the Klipsch Music Center, and to TKO Management which manages Toby Keith.
Saturday Night (9-13) Toby Keith made a tour stop at the Klipsch Music Center in Noblesville, Indiana just outside of Indianapolis on his “Shut Up & Hold On” tour presented by Ford F-Series Trucks, and according to many of the concert goers, Toby was too drunk to perform, put on a terrible show, and now some fans are demanding their money back.
As one of the primary members of country music’s “Class of ’89” that’s regularly given credit for veering country music into a too commercial direction, Alan Jackson seems to never be given enough credit for being one of the genre’s staunch traditionalists that has stood up for the roots and the legends of country music arguably more than any other mainstream star.
3 Minute Positive Not Too Country Up Tempo Love Song, ACM Awards, Alan Jackson, Bruce Rutherford, Choices, CMA Awards, Drive, George Gones, George Strait, Hank Williams, Hank Williams Jr., Johnny Paycheck, Keith Stegall, Kris Kristofferson, Larry Cordle, Merle Haggard, Murder on Music Row, Pop A Top, Reba McEntire, Toby Keith, Under The Influences, Waylon Jennings, Where Were You (When The World Stopped Turning), Willie Nelson
“Garth Brooks did for country music what pantyhose did for finger fucking.” This is the quote that has been attributed to Waylon Jennings that you are likely to see in much greater frequency now that Garth Brooks has come out of retirement. For some, it is the totality of their argument against Garth.The problem is there’s no verifiable records of Waylon ever saying it.
Chris Gaines, David Allan Coe, Ethan Hawke, Garth Brooks, Garth Brooks did for country music what pantyhose did for finger fucking, Kris Kristofferson, Merle Haggard, Poodie Locke, quote, Rolling Stone, Shooter Jennings, Toby Keith, Todd Snider, Waylon Jennings
When you live by the bit, you die by the bit. And Jerrod Niemann has just been bitten in the ass by a “Donkey.” Early on when you looked at the amount of “adds” the song was getting on radio, it did not paint a very rosy picture for the song. “Donkey” was virtually dead on arrival despite a strong label backing, and this week the song went from #44 to #48 on Billboard’s Country Airplay chart.