Willie Nelson’s latest album First Rose of Spring has been postponed until July 3rd due to Coronavirus concerns (it was supposed to be released April 24th), but he’s celebrating Mother’s Day by releasing his cover of Johnny Paycheck’s infamous song “I’m The Only Hell My Mama Ever Raised.”
Willie Nelson will release his triumphant 70th studio album called First Rose of Spring come April 24th via Sony’s Legacy imprint. Seceding much of the songwriting to others on this effort aside from a couple of tunes, the title track comes from the pen of Randy Houser, Allen Shamblin, Mark Beeson, and has been released ahead of the record.
There is no doubt that by any objective assessment, when it comes to the world of creative types in the realm of music or otherwise, their ranks tend to veer more towards liberal ideals when it comes to politics. But that in no way excludes the gift of creativity from people who happen to be more conservative or independent of mindset.
Aaron Watson, Alan Jackson, Bill Anderson, Billy Joe Shaver, Brennen Leigh, Charlie Daniels, Chris Knight, Hank Williams Jr., Jamey Johnson, Jason Isbell, John Anderson, John Rich, Larry Gatlin, Loretta Lynn, Lynyrd Skynyrd, Maddie Marlow, Merle Haggard, Oak Ridge Boys, Ronnie Dunn, Sunny Sweeney, Toby Keith, Tracy Lawrence, Travis Tritt
“If it ever gets to be too much for you, there are a lot of great songwriters out there who agree with you politically. Oh wait, no there aren’t,” Jason Isbell responded to a Twitter user. But this assessment severely discounts to work of conservative songwriters who’ve contributed to the American songwriting canon.
A third-generation mobster who turned state’s witness in 1999 and entered the Federal Witness Protection Program, only to become the mastermind behind two fraudulent restaurant chains attributed to two prominent country music personalities in Toby Keith and Rascal Flatts, has finally been indicted.
It’s been said before, and it will be said again: We can’t agree on much these days. But we all agree on Dolly Parton. “Dolly Parton: 50 Years at the Grand Ole Opry” reminded us of why, and hopefully brought fans of music in country and beyond together at the commencement of the Holiday season.
Buck Trent, Candi Carpenter, Charles Kelley, Chris Janson, Dolly Parton, Emmylou Harris, Hank Williams Jr. Dierks Bentley, Hillary Scott, Lady Antebellum, Margo Price, Merle Haggard, Porter Wagoner, The Ryman Auditorium, Toby Keith
If you’re a country music fan and are disappointed that your favorite artist didn’t get enough screen time in the Ken Burns film on country music, well guess what, your favorite genre did, and by the most revered documentary filmmaker of our time, and before rock n’ roll, pop, the blues, soul music, or hip-hop.
Alan Jackson, Allen Reynolds, Bill Monroe, Billy Ray Cyrus, Bluebird Cafe, Brooks & Dunn, Chris Stapleton, Clint Black, Conway Twitty, Dayton Duncan, Dierks Bentley, Dixie Chicks, Don Williams, Dwight Yoakam, Emmylou Harris, Garth Brooks, George Jones, George Strait, Glen Campbell, Jamey Johnson, Johnny Cash, Kathy Mattea, Keith Whitley, Ken Burns, Lil Nas X, Little Big Town, Lucinda Williams, Lyle Lovett, Mary Chapin Carpenter, Miranda Lambert, Nanci Griffith, Randy Travis, Reba McEntire, Rick Rubin, Ricky Skaggs, Rosanne Cash, Ryman Auditorium, Steve Earle, Sturgill Simpson, Taylor Swift, The Judds, Toby Keith, Travis Tritt, Trisha Yearwood, Vince Gill
Don’t count yourself in the minority if you saw that Toby Keith released a mess of new tour dates in late April calling them the “That’s Country Bro!” tour and wondered just what the hell he was trying to say. Was Toby Keith piggy backing off the whole Bro-Country movement that even the most liberal […]
It was an ambitious project, but one that had a solid proof of concept behind it, and a big payoff if everything went well. As a way to bolster their music brand and expand consumer reach, country music trio Rascal Flatts unveiled plans for a restaurant franchise bearing their name…
Who would have thought that Clint Eastwood would still be directing and starring in movies at the age of 88? Who would have thought that Toby Keith would write and perform a song as good as “Don’t Let The Old Man In”? Who would have thought that a site like Saving Country Music would be praising a Toby Keith song?
To put it bluntly, the ability of Blackbird Presents to curate talent for events is pretty terrible, and appears to be done without any true understanding of the layout of the current country music landscape. Some of the invites for these Blackbird Presents events seem so incredibly blind to the realities present in country music fandom, it’s remarkable.
Toby Keith has made a career out of being uncool, and making cool things uncool by his mere presence. And now he’s done it with marijuana. “Wacky Tobaccy” as a song has got nothing. The fact that it’s supposed to be a stupid song doesn’t let it off the hook for being a stupid song.
And though we’re a good half decade from when Toby Keith was still relevant in the country mainstream, and a healthy 15 years removed from when he was telling would-be terrorists where he rudely wanted to ensconce his manly footwear, Toby Keith still has a reserved seat at the very top of these “highest paid” lists, despite not showing a Top 5 single since 2011.
The story from W. Earl Brown about Toby Keith and Merle has now been shared on Facebook nearly 100,000 times, and websites like Taste of Country and others have picked it up. But despite it being a touching tribute to Merle and a great story, the Mandalay Bay concert with Toby Keith was not the final concert Merle Haggard ever played as is being reported.
Later it was announced by Haggard’s publicist that all February dates would be canceled to aid Merle’s continued recovery. The publicist said Merle was “still feeling weak from his recent struggle with double pneumonia and has decided to seek further treatment.” But apparently tour plans have changed yet again.
Boy this thing sure had me intrigued when I first saw the image of Trace Adkins looking all contrite, weathered, and wise in the promotional picture with his hat in his hand, like he was ready to ask for forgiveness for all the Honky Tonk Badonka Donkin’ of his earlier career, and the gratuitous puppet sex of his “Brown Chicken Brown Cow” effort. Perhaps he was ready to be washed in the blood of good ol’ true country music.
Speaking about his recent signing with Big Machine’s NASH Icon record label, which was set up to create radio support for artists left behind by mainstream country’s current obsession with youth, the once CMA Entertainer of the Year recipient said, “If you’re gonna be heard, you have to get on the radio. The internet alone is not gonna do it.”
At this point, Toby Keith is a relic. What talent he had was questionable to begin with, and he hasn’t ever really evolved for there. Time has passed Toby Keith by, and he doesn’t have the fluidity or desire to change with the times, or the quality it takes to be considered classic. But this album is far from the problem.
But possibly the most troubling sign that something is not right in the Toby Keith camp is the continued stories about strange closings and other curious issues surrounding the “Toby Keith’s I Love This Bar & Grill” restaurant chain. Keith founded the restaurants in 2005, and they are operated out of Phoenix by Boomtown Entertainment.
A massive Waylon Jennings tribute show in Austin, TX has just been announced, and the lineup is something to salivate over. Set to transpire on July 6th and Austin’s Moody Theater (where Austin City Limits is taped), organizers Blackbird Music Group made use of the fact that many of the big names would already be […]
Austin, Billy Joe Shaver, Buddy Cannon, Chris Stapleton, Don Was, Eric Church, Jamey Johnson, Jessi Colter, Kacey Musgraves, Kris Kristofferson, Lee Ann Womack, Moody Theater, Ryan Bingham, Shooter Jennings, Sturgill Simpson, Toby Keith, Waylon Jennings, Willie Nelson
Written by Keith with Bobby Pinson, the song tries to do something similar to “Drunk Americans,” which is make a statement about the current climate of society. Cutting completely against the grain of current country trends, as opposed to glorifying small town life as this idyllic full-time party of constant bonfire soirees beside bodies of water down dirt roads for bored suburbanites to live vicariously through…
Ted Cruz says he became a country music fan after 9/11, while the digital editor of ‘Ebony’ responded with “Nothing says â€˜Let’s go kill some Muslims’ like country music,” forcing MSNBC to have to publicly distance from the comments. Meanwhile a super PAC supporting Hillary Clinton released a pro-Hillary country song. Here’s how country listeners will be targeted like never before in the upcoming election.
Everywhere you turn, the new movie about American Navy Seal Chris Kyle called American Sniper has been causing a political stir amongst movie goers and beyond. But one country star, Jimmy Michael Montgomery, known for such hits such as “Beer Truck” and “Remember Back When” surprisingly says it’s not his place to enter the fray of what has become a political discussion.
2014 was a year of great flux in country music. Where 2013 was dominated by public feuds and outcries by many country performers about the direction of the music, 2014 became the year things began to be done about many of the problems plaguing the genre. With Bro-Country as the battleground, the fight to return some balance to the country format began to make headway.
Billy Gilman, Billy Joe Shaver, Brandy Clark, Dolly Parton, Dustin Lynch, Florida Georgia Line, Garth Brooks, Hank Williams, Hank3, I Saw The Light, Jason Aldean, Johnny Cash, Kacey Musgraves, Keith Urban, Luke Bryan, Maddie & Tae, NASH Icon, Sturgill Simpson, Tim McGraw, Toby Keith, Tom Hiddleston, Ty Herndon, Wayne Mills, Willie Nelson, Zac Brown Band