Completely unexpected, but absolutely welcome, Country Music Hall of Famer Alan Jackson is the beneficiary of a brand new documentary called Small Town Southern Man that has just been released via multiple streaming services (iTunes, Amazon Prime, etc.), and will receive a DVD release on June 28th.
In 2015, the names and music residing at the top of Billboard’s respective genre charts seems topsy-turvy and misguided. While Sam Hunt and his music that resembles next to nothing country is at the top of the country charts, an artist like Brandi Carlile who does uphold some of those country standards has the top album in rock. A very serious case can be made that those two artists should be switched.
The Jamey Johnson contract dispute that has kept the songwriter from releasing any new original material since his double album The Guitar Song in 2010 is not with his label as some have surmised, but with his publisher according to a new interview posted Wednesday (7-9) in The Nashville Scene. Jamey Johnson’s publisher is EMI Music Publishing in Nashville.
For those waiting for either new music from Jamey Johnson, or some sort of resolution to the convoluted contractual situation in which he finds himself entwined in, you might want to get comfy. Ahead of a benefit in Nashville that Johnson played Wednesday night, the songwriter let it be known that he’s still not writing, and there’s no resolution to his label issues in sight.
“There’s a mentality in the country music world of Nashville that says, “You don’t know anything, and we know how to do this.” It’s “We know what’s best for you: You get to the microphone, sing what we tell you to sing, play what we tell you to play, and you’ll be fine.” That scares people away from branching out and doing things that creatively are out of the box.”
One of the most remarkable music events of 2012 must be how Nashville and some of its biggest, most bloated and notorious corporate citizens did the inexplicable: they began to tackle the issue of the massive talent glut in American roots music. All of a sudden the big boys in the media business are playing a part in re-populating the country and roots music farm system that for years has been anemic and ignored.
I don’t proclaim to know where country music will go from here, but what I do know is that Justin Moore and Outlaws Like Me has solidified its place in country music history as one of the big bullet points on the timeline that denotes a major event. And that the event it denotes is not a positive one. And that’s not just my opinion.