Something that became obvious while watching the Ken Burns documentary is a few of the egregious oversights the Country Music Hall of Fame has been a party to when it comes to its inductees. Unlike other Halls of Fame, The Country Music Hall of Fame is extremely selective of who they let in, only allowing three new members in each year.
If you’re a country music fan and are disappointed that your favorite artist didn’t get enough screen time in the Ken Burns film on country music, well guess what, your favorite genre did, and by the most revered documentary filmmaker of our time, and before rock n’ roll, pop, the blues, soul music, or hip-hop.
Alan Jackson, Allen Reynolds, Bill Monroe, Billy Ray Cyrus, Bluebird Cafe, Brooks & Dunn, Chris Stapleton, Clint Black, Conway Twitty, Dayton Duncan, Dierks Bentley, Dixie Chicks, Don Williams, Dwight Yoakam, Emmylou Harris, Garth Brooks, George Jones, George Strait, Glen Campbell, Jamey Johnson, Johnny Cash, Kathy Mattea, Keith Whitley, Ken Burns, Lil Nas X, Little Big Town, Lucinda Williams, Lyle Lovett, Mary Chapin Carpenter, Miranda Lambert, Nanci Griffith, Randy Travis, Reba McEntire, Rick Rubin, Ricky Skaggs, Rosanne Cash, Ryman Auditorium, Steve Earle, Sturgill Simpson, Taylor Swift, The Judds, Toby Keith, Travis Tritt, Trisha Yearwood, Vince Gill
Contributing essays to the book will be numerous classic and contemporary country artists, including Rosanne Cash, Loretta Lynn, The Judds, Alison Krauss, Bobbie Gentry, Tammy Wynette, and Taylor Swift. Woman Walk the Line is country women writing about other women who’ve inspired them.
Alison Krauss, Aubrie Sellers, Bobbie Gentry, Brenda Lee, Grace Potter, Holly Gleason, June Carter Cash, Linda Ronstadt, Loretta Lynn, Rosanne Cash, Tammy Wynette, The Judds, Woman Walk The Line, Woman Walk the Line: Women Writers on the Female Country Artists Who Marked Their Soul
50-year-old country stars aren’t supposed to make records like these. They’re supposed to be trying to hold onto their glory days or make good use of the last dying gasps of somehow getting on the radio. Or they’re supposed to just give up the ghost and make sure they’re investing their money smartly. But nobody told Wynonna Judd that, or her husband, producer, drummer and songwriter Cactus Moser.
“White Mansions” couldn’t be made today. That’s one of many reasons it’s so remarkable and such a country music treasure. It’s not that the production costs would be too high or the talent couldn’t be assembled. But you couldn’t put present day top-tier music talent on an album that someone might construe as harboring sympathies for the Civil War South without creating an uproar.
Dave Cobb, Eric Clapton, Glyn Johns, Jessi Colter, John Dillon, Marty Stuart, Ozark Mountain Daredevils, Patty Loveless, Paul Kennerley, Review, Southern Family, Steve Cash, Tanya Tucker, The Judds, Waylon Jennings, White Mansions