Congratulations, woke Twitter. You have officially blocked the effort to erect a statue of Dolly Parton in the Tennessee State House in Nashville, certifying that the current statue of Ku Klux Klan leader and Confederate General Nathan Bedford Forrest remains ensconced.
Ensconcing a statue of Dolly Parton in the Tennessee state Capitol to replace the bust of Confederate General and Klu Klux Klan leader Nathan Bedford Forrest is being proposed in the state’s legislature after receiving large grassroots support.
The first episode of the Ken Burns Country Music documentary tasked itself to define what country music is by delving deep into its origins and original purveyors. The second episode called “Hard Times” began the work of explaining why the music means so much to so many people.
Over seven years of full-time labor on the part of numerous people, over 101 interviews conducted, countless hours of archival work digging up old photographs, audio, video, and other vintage material, and an elongated year-long promotional effort finally culminated in the broadcast of the debut episode for the Ken Burns Country Music epic.
On Sunday night (6-9), legendary hip-hop outfit The Wu-Tang Clan made a stop at the Ryman Auditorium as part of their 25th Anniversary tour for a sold-out performance. Known affectionately as the “Mother Church of Country Music,” the booking of Wu-Tang at the Ryman might have seemed a little weird to some.
Oh the irony of so many people demanding all music sound the same in the name of “diversity.” The only reason we’re even having a discussion of where Lil Nas X’s “Old Town Road” should be placed on the charts is because you can’t tell the difference between most any given piece of popular music anymore.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.
Let’s face it. For a host of reasons, it’s pretty rare to see African Americans making country and roots music. But when they do, more often that not, they’re doing it the right way, pushing the music forward creatively while fiercely helping to preserving the past, becoming part of the solution instead of prolonging the problem.
If you think that Hank Williams Sr. is the only person to get crossways with the Opry, check out this sordid history: DeFord Bailey: DeFord Bailey was the most influential harmonica player of the early 20th Century, and is known as the ‘Lost Legend of the Grand Ole Opry.’ The Opry owes this dude a […]