It turns out Saving Country Music wasn’t the only one that thought the chorus of the recent new single from Florida Georgia Line called “I Love My Country” sounded eerily similar to the chorus of a Kane Brown song called “Short Skirt Weather.” Now Kane Brown and his co-writers have officially been added as songwriters.
And we’re not talking close approximations here that come up commonly in music. Whether it’s the latest symptom of the sameness permeating much of mainstream country at the moment, or a straight up ripoff is a matter for audio experts and the courts. But the similarities are patently obvious.
Our worst fears when seeing that the name of Florida Georgia Line’s new song was “I Love My Country” is that we were in store for some jingoistic anthem slathering it on thick about how much they support the troops and the good ol’ stars and stripes, exploiting people’s patriotism circa Toby Keith 2003. Oh, if we could have only been so lucky.
The amount of cancellations tied to the Coronavius outbreak can be dizzying to keep up with, even within the confines of independent country and roots. But a few important cancellations are worthy of note, including two dates on the Sturgill Simpson / Tyler Childers tour, and the Mike & The Moonpies Europe tour.
Brad Paisley, Chris Stapleton, Cody Johnson, Coronavirus, Dierks Bentley, Jon Pardi, Kane Brown, Keith Urban, Luck Reunion, Luke Bryan, MIke and the Moonpies, Old Settler's Music Festival, Rodeo Houston, Sturgill Simpson, SXSW, Tyler Childers, Zac Brown Band
Ryman Hospitality Properties, which owns The Grand Ole Opry, The Ryman Auditorium in Nashville, as well as numerous other important music properties in Nashville and beyond, has struck a deal to purchase the 37-story, full city block-sized mixed-use complex in downtown Austin along second street known as Block 21.
Actual country music is actually starting to emerge as a serious trend in mainstream country today, but we still need to see more widespread adoption before we declare ourselves in the midst of another neotraditionalist resurgence. Instead, the new trend that has begun to emerge is being described as “Boyfriend Country.”
When you heard Kane Brown had written and recorded a song to directly coincide with the birth of his first child, you couldn’t help but roll your eyes a little bit unless you’re a dues paying member of his fan club. But “For My Daughter” very well might be the most country, and the most quality track Kane Brown has ever written and recorded.
Here at Saving Country Music, we are committed to equal time and opportunity for all perspectives and opinions on country music. Recently we published an article reporting on how Kane Brown has posted a derogatory meme on Twitter after not being nominated for even a single CMA Awards yet again, and eventually deleted his Twitter account.
Kane Brown is not happy about getting snubbed by the CMAs, again. And as he’s did last year, he took to Twitter on Wednesday (8-28) after the CMA nominations were revealed to show his disdain, posting a GIF of Golden State Warriors point guard Stephen Curry shaking his head in disappointment. Now he’s deleted his Twitter account.
Canadian country and Western artist Colter Wall was one of the fortunate ones to be selected to perform for the new season of the long-running and highly-revered PBS music show Austin City Limits for their 45th season. And if you want to catch the taping, you better be on your toes because it’s coming up this Friday.
Despite the easily-verifiable original release date for ‘Experiment’ as November 8th, 2018, Spotify sent Kane Brown’s ‘Experiment’ through the new release promotional cycle a second time, and currently has the album’s release date listed as July 12th, 2019. This resulted in an unfair boost in the charts.
The Country Music Antichrist Scott Borchetta is hellbent on world domination ladies and gentlemen, and in the process expect him to pull country music in the pop direction more than ever before. In an interview, he downplayed Luke Combs and Kane Brown, while touting Thomas Rhett as the only true 20-something headliner.
Before the controversy over the removal of Lil Nas X’s “Old Town Road” from the Billboard country charts would roil the country music world with accusations of racism and “black erasure,” it was Beyonce and her song “Daddy Lessons” from 2016 that had many outside of country hot and bothered.
We are starring straight at the future of mainstream country music ladies and gentlemen, and it’s fuzzy-faced, overweight, wearing duds acquired at a Bass Pro Shop, and possibly holding a red solo cup in its right hand. That’s right, we’re talking about Luke Combs, and after the release of his latest single, there’s no mistaking it now. He is the biggest thing in all of country music.
See, this is the reason why showing concern of where and how songs are placed in music charts is so critical, and how making a simple mistake can cause dramatic reverberations throughout the music ecosystem where now you have long-standing institutions and entire genres of music being accused of outright racism.
The incredible accolades and numbers just keep racking up for Texas country music artist Cody Johnson. After hitting #1 on the Billboard Country Albums chart with his recent album Ain’t Nothin To It, he rolled into Houston’s NRG Stadium on Friday night (3-15) for a performance on the star-shaped stage for a crowd of 73,009.
The boys from Tahlequah, Oklahoma known as the Turnpike Troubadours traveled down to Houston on Saturday (3-2) to take advantage of their first ever berth on the biggest stage in Texas—the star-shaped one in the center of the NRG Stadium as part of the annual Rodeo Houston production.
‘Austin City Limits’ has brought in popular country acts in the past such as Garth Brooks and Eric Church who don’t need the exposure whatsoever, but still have ties to the American roots scene in some capacity. But Kane Brown is uniquely unqualified and undeserving of this slot, and unhelpful to the mission of ‘Austin City Limits.’
An artist like Yola is the antidote to such a prognosis; a firewall against the free-range onslaught of cultural sameness pervading popular music. She represents a lushness of perspective, and a re-invigoration of musical diversity, beyond any shallow observances simply based upon skin pigmentation.
The heart welled up with excitement in many true country music fans when word came down that Brooks & Dunn had a new title on the way, only to be tempered by the fact that it’s a Reboot (nice double entendre there) of some of their old classics re-recorded with contemporary stars.
When it comes to the hottest acts in mainstream country music at the moment, it’s the tale of three names: Kane Brown, Dan+Shay, and Luke Combs. And as a conscientious country music fan, if you had to root for one of them to succeed above the others, without hesitation you would have to go with Luke Combs.
When looking at the top of charts in country music—whether based on radio play or consumption—it’s these songs and other similar ones that are dominating, especially recently, and paralleling the trend of women not just being placed on perilous footing, but falling off the precipice of country music’s major indexes.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.
Aaron Vance, Allison Russell, Amythyst Kiah, Charley Crockett, Charley Pride, Darius Rucker, DeFord Bailey, Dom Flemons, Hank Williams, Jimmie Allen, Jimmie Rodgers, Kane Brown, Leyla McCalla, Mickey Guyton, Ray Charles, Rhiannon Giddens, Rufus Payne, Valerie June