The amount of album releases these days can be dizzying. And it can be even more daunting when you have a release day with some super big titles that suck up all the attention when some of the other releases from smaller and more independent artists are just as important or enjoyable.
Though the film means well, and is generally well-made with superb cinematography and high production value, the approach and information conveyed in the film is problematic to say the least, actively participating in erasing the legacy of Black country artists in a film that purports to be championing them.
The Dropkick Murphys may be best known for their loud and aggressive Celtic punk music, but for their next album, they’re taking an entirely different approach, and one that has numerous ties to the independent country realm. Called This Machine Still Kills Fascists…
The latest Tyler Childers album Long Violent History is not exactly a conventional studio album since it was a surprise release, and only contains one original song along with eight traditional fiddle tunes. But with the way Tyler has been outperforming, it’s interesting see how it’s doing.
No matter the attitude one brings to this unusual, and unexpected work by Tyler Childers, it’s undeniable that when his biography is penned, a dedicated portion will be transfixed on remembering that time during the crazy pandemic of 2020 that he released a surprise record full of old-time fiddle tunes
There are Grand Ole Opry shows, and then there will be the Grand Ole Opry show on Saturday, August 8th that will assemble some of the best talent of the string disciplines of this generation all in one place. The must-see lineup includes Billy Strings, Molly Tuttle, Dom Flemons, and Old Crow Medicine Show.
Oh the irony of so many people demanding all music sound the same in the name of “diversity.” The only reason we’re even having a discussion of where Lil Nas X’s “Old Town Road” should be placed on the charts is because you can’t tell the difference between most any given piece of popular music anymore.
For many years, the influence and contributions of African American musicians in country music went mostly overlooked, or overshadowed by their Caucasian counterparts. However there has been a recent trend by media and even some artists to overstate the influence of African Americans.
Let’s face it. For a host of reasons, it’s pretty rare to see African Americans making country and roots music. But when they do, more often that not, they’re doing it the right way, pushing the music forward creatively while fiercely helping to preserving the past, becoming part of the solution instead of prolonging the problem.