Hellbound Glory’s latest record Pinball comes across as brash and unapologetic, and it’s underpinned by one of the highlights of the project, the song “Hellbound Blues.” But at the heart of the song is how the scourge of addiction can rule and ruin one’s life, especially in the throes of the dark hours.
If tasked to do so, I will unflinchingly and wholeheartedly endorse that Leroy Virgil of Hellbound Glory is one of the greatest songwriters of our generation—up there with Jason Isbell, Cody Jinks, John Moreland et al, even if it’s of a different breed—puffing my chest out and challenging any man willing to assert otherwise.
For those fed up with the political system, scared to vote either way for two of the most unlikable Presidential candidates in recent memory, voting with trepidation, not voting in spite, or just plain wanting this whole election thing to end and hoping that somehow the United States can find a modicum of healing after it is all over…
Leroy Virgil has the tragic grandeur that many songwriters only wish they could capture, and some attempt to emulate, but few have the authenticity to truly live down. Virgil has no need to cut an ear off for inspiration. Whatever troubled demons that get stirred up when the most brilliant wordsmiths go searching their innermost depths for inspiration, they are alive and well in the Hellbound Glory frontman.
That’s right, I said Hellbound Glory. And I said Leroy Virgil instead of Leon Virgil Bowers—the name Leroy Virgil decided to go with after he officially killed off Hellbound Glory and launched his solo career. If you’re sufficiently confused now, don’t worry. Just understand whatever he calls himself, he’s one of the best songwriters of our generation, and he’s still around kicking out tunes.
In September of 2012, Blake Judd of JuddFilms brought a camera crew to the famous Cash Cabin Studio in Hendersonville, TN to shoot a pilot episode for a television series that has never been aired. The idea was to take well-known established artists, worthy undiscovered musicians and songwriters, and stick them all in Johnny Cash’s legendary cabin with an open bar, and set the camera’s rolling.
Hellbound Glory, the raucous Reno, Nevada-based country band is no more, and the band’s long-time frontman and songwriter has taken on a new moniker. The band had the internet buzzing on October 1st when they announced that Hellbound Glory would be killed off. “31 more nights… till the death of Hellbound Glory” the band stated, leaving fans of the resurgent country outfit wondering what the hell would be happening next.
Ever since October 1st when Reno, Nevada-based country outfit Hellbound Glory posted on their Facebook page “31 more nights… till the death of Hellbound Glory…” speculation has run rampant about what might befall the band on All Hallows’ Eve as it fastly approaches. Subsequently Hellbound Glory has booked a concert they’re advertising by saying “Witness The Death of Hellbound Glory.”
Compared to albums, making picks of songs is such a tough, arbitrary business. This year seems especially tough, not because the field isn’t strong, but because many of the best moments are coming from unlikely sources, including a cadre of cover songs that despite the spirit of the “Best Songs” approach being about original compositions, seem almost criminal to omit.
Reno’s Hellbound Glory has just released a new 5-song EP called LV, named for the initials of lead singer and songwriter Leroy Virgil. The album was recorded in and partially inspired by Leroy’s hometown of Aberdeen, Washington, and marks the first new music from Leroy and Hellbound Glory in nearly three years. On the occasion of the new release I gave Leroy a call…
You won’t see Reno, Nevada’s Hellbound Glory at the top of anyone’s ‘Best Of’ lists this year, unless it relates to touring or live performances. Leroy Virgil & the boys didn’t leave much time for recording and releasing albums in 2013; they were too busy ripping off one of the toughest, busiest, and arguably the most notable touring schedules in 2013 from an independent country act.
I then thought about how he had left me in stewardship of his old guitar, an instrument that, from my perspective, already has provenance and should rightly wind up in a museum one day. I decided that, to honor that trust he had in me, I would continue to add to the instrument’s already storied life by doing a running portrait series of every musician that plays his old guitar.
the image of the angry face and the raised middle finger has become an iconic symbol of defiance against the direction of country music. As indecent as a raised middle finger happens to be in the first place, and the propensity for some seedy country fans and artists to have it make an appearance in every single photo of them, it has come to mean more than its vulgar connotation in the fight to save country music.
Eric Strickland is Country with a capital ‘C’ and couldn’t make a bad album if he tried. He may be more locally-oriented than the other big names in honky tonk music, but gives up nothing to his more well-known comrades when it comes to cutting songs and records. Eric Strickland and The ‘B’ Sides are doing their part to save country music. Now it’s time to do your part by giving them your ear and attention.
There’s been much talk so far this year about how the women of country are outpacing the men when it comes to the quality of music, we’ve talked about possible reasons why that is. But we haven’t talked about some of the men that if simply given a chance, could shoot an immediate injection of substance into the country music format. They just need similar chances to their female counterparts.
Fans of Reno, Nevada’s Hellbound Glory who’ve been waiting patiently for new music since the release of their last album Damaged Goods can tide themselves over on a brand new single just released called “The Feud.” A fiery, raucous account of the rigors of rural living, the song features a more rock vibe compared to most Hellbound Glory material, and raw, gunpowder-stained lyrics.
By request, here is my list of the greatest underground country albums of all time. The underground country movement started roughly in the mid 90’s on lower Broadway in Nashville that at the time was a run down part of town. Young musicians from around the country, some from punk backgrounds, came together from their mutual love of authentic country music.
Reno, Nevada’s Hellbound Glory with be touring with Kid Rock on his “Rebel Soul” tour to transpire at the very start of 2013, trekking through the Midwest and South. Leroy Virgil, the frontman of Hellbound Glory is one of country music’s best kept secrets in regards to songwriting. The band first rubbed elbows with Kid Rock on his “Chillin The Most” cruise down in Florida last March.
I have been struggling to write this article for almost two years, but have been putting it off because there’s some hard things to say, and I didn’t want to “talk down” a movement that was already trying to deal with pretty alarming trends. But I think that especially now, zooming out and trying to be honest and critical in a constructive way is important, because there is positively no doubt that underground country is dying.
For months, Leroy Virgil of the infamous Hellbound Glory has been dropping little tidbits about a potential triple album coming out in the future to be called MericA. For the holiday, Leroy has released the lyrics to the upcoming title track, and in true Virgil fashion, they work just fine without the musical accompaniment.
